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St Peter's, Eastern Hill
St Peter's, Eastern Hill is the Anglican parish church of the City of Melbourne, Victoria, Australia. The parish is in the Anglican Diocese of Melbourne and dates from 1847. The letters patent of Queen Victoria declaring the city status of Melbourne were read on the steps of St Peter's in 1848. The parish is well known as belonging to the Anglo-Catholic tradition. St Peter's central position in Melbourne means it is able to extend a number of ministries from the parish including a hospital chaplain, university chaplain and parliamentary chaplain. The church is also the location of a breakfast program for Melbourne's inner-city homeless. Location The church is located on the corner of Albert and Gisborne Streets on the eastern hill of Melbourne and, on one side, is opposite St Patrick's Cathedral, the Roman Catholic cathedral. On the other side it is opposite the Eastern Hill Fire Station. Although the church is located close to the city centre it draws parishioners and vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Handel Richardson
Ethel Florence Lindesay Richardson (3 January 187020 March 1946), known by her pen name Henry Handel Richardson, was an Australian author. Life Born in East Melbourne, Victoria, Australia, into a prosperous family that later fell on hard times, Ethel Florence (who preferred to answer to Et, Ettie or Etta) was the elder daughter of Walter Lindesay Richardson MD (c. 1826–1879) and his wife Mary (née Bailey). The family lived in various towns across Victoria during Richardson's childhood and youth. These included Chiltern, Queenscliff, Koroit and Maldon, where Richardson's mother was postmistress (her father having died when she was nine, of syphilis).Michael Ackland, "Battle-tried survivor", ''The Weekend Australian'', 26–27 June 2004. The Richardsons' home in Chiltern, "Lake View", is now owned by the National Trust and open to visitors. Richardson left Maldon to become a boarder at Presbyterian Ladies' College (PLC) in Melbourne in 1883 and attended from the ages of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them ''in flagrante delicto''. Biography Early life Gesualdo's family had acquired the principality of Venosa in what is now the Province of Potenza, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother Luigi, though some sources have stated that he was born on March 8. Older ones give the year of birth as 1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was Carlo Borromeo, later Saint Charles Borromeo. His mother was the niece of Pope Pius IV. Most likely Carlo was born at Venosa, then par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Victoria was born in Sanchidrián in the province of Ávila, Castile, around 1548 and died in 1611. Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evensong
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. In origin, it is identical to the canonical hour of vespers. Old English speakers translated the Latin word as , which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church. Structure From Late Antiquity onwards, the office of vespers normally included psalms, the , a hymn, and other prayers. By the Early Middle Ages, it became common for secular clergy to combine vespers and compline. By the sixteenth century, worshippers in western Europe conceived 'evensong' as vespers and compline performed without break. Modern Eastern Orthodox services advertised as 'vespers' often similarly conclude with compline, especially as part of the al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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