St Patrick's Basilica, South Dunedin
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St Patrick's Basilica, South Dunedin
St Patrick's Basilica in South Dunedin, New Zealand (opened in 1894) is a Catholic church and was the architect Francis Petre's first departure from the Gothic style exemplified in his St. Joseph's Cathedral, Dunedin. The Basilica The exterior is incomplete and is "only a shadow of what the architect intended", but the impressive interior is completely realised. With St Patrick's Basilica, Petre turned to the Palladian Revival style with which he is most associated. The interior in contrast to the earlier neo-Gothic style of the cathedral, is richly embellished with classical detailing. Its single greatest feature is the deeply embossed High Renaissance ceiling, a feature which occurs in many variations in Petre's later work, most notably in St Patrick's Basilica, Oamaru (ceiling installed in 1898) and Sacred Heart Cathedral, Wellington (1901). In many respects St Patrick's Basilica foreshadows Petre's Wellington cathedral (the other Petre church most like St Patrick's ...
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Dunedin
Dunedin ( ; mi, Ōtepoti) is the second-largest city in the South Island of New Zealand (after Christchurch), and the principal city of the Otago region. Its name comes from , the Scottish Gaelic name for Edinburgh, the capital of Scotland. The city has a rich Scottish, Chinese and Māori heritage. With an estimated population of as of , Dunedin is both New Zealand's seventh-most populous metro and urban area. For historic, cultural and geographic reasons the city has long been considered one of New Zealand's four main centres. The urban area of Dunedin lies on the central-eastern coast of Otago, surrounding the head of Otago Harbour, and the harbour and hills around Dunedin are the remnants of an extinct volcano. The city suburbs extend out into the surrounding valleys and hills, onto the isthmus of the Otago Peninsula, and along the shores of the Otago Harbour and the Pacific Ocean. Archaeological evidence points to lengthy occupation of the area by Māori prior to the ar ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Leonard Boyle (bishop)
Leonard Anthony Boyle (30 November 1930 – 1 June 2016) was a New Zealand bishop. He was the fifth Catholic Bishop of Dunedin from 1985 to 2005.Emeritus Bishop Len Boyle dies 1 June 2016, Catholic Diocese of Dunedin
(Retrieved 3 June 2016)
Boyle was born in Nightcaps, Southland, New Zealand, on 30 November 1930 and was educated at convent schools in Nightcaps and Winton. He received his secondary education at

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Stations Of The Cross
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of Crucifixion of Jesus, his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual Christian pilgrimage, pilgrimage through contemplation of the Passion (Christianity), Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christianity, Western Christian churches, including those in the Catholic Church, Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stoppi ...
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Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked ...
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St Brigid
Saint Brigid of Kildare or Brigid of Ireland ( ga, Naomh Bríd; la, Brigida; 525) is the patroness saint (or 'mother saint') of Ireland, and one of its three national saints along with Patrick and Columba. According to medieval Irish hagiographies, she was an abbess who founded several convents of nuns, most notably that of Kildare, which was one of the most important in Ireland. There are few historical facts about her, and early hagiographies are mainly anecdotes and miracle tales, some of which are rooted in pagan folklore.Farmer, David. ''The Oxford Dictionary of Saints'' (Fifth Edition, Revised). Oxford University Press, 2011. p.66 She is patroness of many things, including poetry, learning, healing, protection, blacksmithing, livestock and dairy production. The saint shares her name with a Celtic goddess. Brigid's feast day is 1 February, which was originally a pre-Christian festival called Imbolc, marking the beginning of spring. From 2023 it will be a public holiday i ...
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Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or grc, ἀκάνθινος στέφανος, akanthinos stephanos, label=none) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter. Since at least around the year 400 AD, a relic believed by many to be the crown of thorns has been venerated. In 1238, the Latin Emperor Baldwin II of Constantinople yielded the relic to French King Louis IX. It was kept in the Notre-Dame Cathedral in Paris until 15 April 2019, when it was rescued from a fire and moved to the Louvre Museum. As a relic Jerusalem T ...
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Mysteries Of The Rosary
The Rosary (; la, , in the sense of "crown of roses" or "garland of roses"), also known as the Dominican Rosary, or simply the Rosary, refers to a set of prayers used primarily in the Catholic Church, and to the physical string of knots or beads used to count the component prayers. When referring to the prayer, the word is usually capitalized ("the Rosary", as is customary for other names of prayers, such as "the Lord's Prayer", and "the Hail Mary"); when referring to the prayer beads as an object, it is written with a lower-case initial letter (e.g. "a rosary bead"). The prayers that compose the Rosary are arranged in sets of ten Hail Marys, called "decades". Each decade is preceded by one Lord's Prayer ("Our Father"), and traditionally followed by one Glory Be. Some Catholics also recite the " O my Jesus" prayer after the Glory Be; it is the most well-known of the seven Fátima prayers that appeared in the early 20th century. Rosary prayer beads are an aid for saying these ...
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Vatican II
The Second Ecumenical Council of the Vatican, commonly known as the , or , was the 21st ecumenical council of the Roman Catholic Church. The council met in St. Peter's Basilica in Rome for four periods (or sessions), each lasting between 8 and 12 weeks, in the autumn of each of the four years 1962 to 1965. Preparation for the council took three years, from the summer of 1959 to the autumn of 1962. The council was opened on 11 October 1962 by John XXIII (pope during the preparation and the first session), and was closed on 8 December 1965 by Paul VI (pope during the last three sessions, after the death of John XXIII on 3 June 1963). Pope John XXIII called the council because he felt the Church needed “updating” (in Italian: ''aggiornamento''). In order to connect with 20th-century people in an increasingly secularized world, some of the Church's practices needed to be improved, and its teaching needed to be presented in a way that would appear relevant and understandable to ...
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Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ...
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Pilasters
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battista Alberti's use of pilasters, which Alberti reintroduced into wall-architecture, Rudolf Wittkower wrote: "The pilaster is the logical transformation of the column for the decoration of a wall. It may be defined as a flattened column which has lost its three-dimensional and tactile value." A pil ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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