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St Martin’s Lane Academy
The St Martin's Lane Academy, a precursor of the Royal Academy, was organised in 1735 by William Hogarth, from the circle of artists and designers who gathered at Slaughter's Coffee House at the upper end of St Martin's Lane, London. The artistic set that introduced the Rococo style to England was centred on "Old Slaughter's" and the drawing-classes at the St. Martin's Lane Academy were inextricably linked in the dissemination of new artistic ideas in England in the reigns of George II and George III. History In Britain in the early eighteenth century there was no organised public official patronage of the arts, aside from commissions for specific projects. There was no established body to compare with the Académie royale de peinture et de sculpture that Jean-Baptiste Colbert had established in France, and no public exhibitions of recent paintings along the lines of the Paris salons, held every other year. The closest approximation to an academic life-drawing class was establis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hierarchy
A hierarchy (from Greek: , from , 'president of sacred rites') is an arrangement of items (objects, names, values, categories, etc.) that are represented as being "above", "below", or "at the same level as" one another. Hierarchy is an important concept in a wide variety of fields, such as architecture, philosophy, design, mathematics, computer science, organizational theory, systems theory, systematic biology, and the social sciences (especially political philosophy). A hierarchy can link entities either directly or indirectly, and either vertically or diagonally. The only direct links in a hierarchy, insofar as they are hierarchical, are to one's immediate superior or to one of one's subordinates, although a system that is largely hierarchical can also incorporate alternative hierarchies. Hierarchical links can extend "vertically" upwards or downwards via multiple links in the same direction, following a path. All parts of the hierarchy that are not linked vertically to one ano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pall Mall, London
Pall Mall is a street in the St James's area of the City of Westminster, Central London. It connects St James's Street to Trafalgar Square and is a section of the regional A4 road. The street's name is derived from pall-mall, a ball game played there during the 17th century, which in turn is derived from the Italian ''pallamaglio'', literally ball-mallet. The area was built up during the reign of Charles II with fashionable London residences. It is known for high-class shopping in the 18th century until the present, and gentlemen's clubs in the 19th. The Reform, Athenaeum and Travellers Clubs have survived to the 21st century. The War Office was based on Pall Mall during the second half of the 19th century, and the Royal Automobile Club's headquarters have been on the street since 1908. Geography The street is around long and runs east in the St James's area, from St James's Street across Waterloo Place, to the Haymarket and continues as Pall Mall East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Michael Moser
George Michael Moser (17 January 1706 – 24 January 1783) was a renowned artist and enameller of the 18th century, father of celebrated floral painter Mary Moser, and, with his daughter, among the founder members of the Royal Academy in 1768. Biography He was the son of Michael Moser, an eminent Swiss engineer and worker in metal. Moser was born in Schaffhausen, Switzerland and trained initially as a coppersmith in Geneva. He later learnt additional skills as a chaser, goldsmith and engraver. He moved to London during the 1720s and married Mary Guynier. Surviving metal works by him include elaborate gold snuffboxes and watch-cases (including movements by noted watchmakers George Philip Strigel and John Ellicott, among others), and silver candlesticks in the Rococo style. He subsequently rose to be head of his profession as a gold-chaser, medallist, and enameller, and was particularly distinguished for the compositions in enamel with which he ornamented the backs of wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Hayman
Francis Hayman (1708 – 2 February 1776) was an English painter and illustrator who became one of the founding members of the Royal Academy in 1768, and later its first librarian. Life and works Born in Exeter, Devon, Hayman begun his artistic career as a scene painter in London's Drury Lane theatre (where he also appeared in minor roles) before establishing a studio in St Martin's Lane. A versatile artist influenced by the French Rococo style, he achieved some note during the 1740s through decorative paintings executed for the supper boxes at Vauxhall Pleasure Gardens in London. Hayman was also a successful portraitist and history painter. Combining some of these, he contributed 31 pictures to a 1744 edition of Shakespeare's plays by Sir Thomas Hanmer, and later portrayed many leading contemporary actors in Shakespearean roles, including David Garrick as Richard III (1760). He also illustrated Pamela, a novel by Samuel Richardson, Milton's ''Paradise Lost'' and ''Paradis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hallett
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name should be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannons (house)
Cannons was a stately home in Little Stanmore, Middlesex, England. It was built by James Brydges, 1st Duke of Chandos, between 1713 and 1724 at a cost of £200,000 (equivalent to £ today), replacing an earlier house on the site. Chandos' house was razed in 1747 and its contents dispersed. The name "Cannons" is an obsolete spelling of " canons" and refers to the Augustinian canons of St Bartholomew's Hospital, London, which owned the estate before the English Reformation. Cannons was the focus of the first Duke's artistic patronage – patronage which led to his nickname "The Apollo of the Arts". Brydges filled Cannons with Old Masters and Grand Tour acquisitions, and also appointed Handel as resident house composer from 1717 to 1718. Such was the fame of Cannons that members of the public flocked to visit the estate in great numbers and Alexander Pope was unjustly accused of having represented the house as "Timon's Villa" in his ''Epistle of Taste'' (1731). The Cannons esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Edwards (painter)
Edward Edwards (7 March 1738 – 19 December 1806) was an English painter and etcher. He held the post of Professor of Perspective at the Royal Academy, and compiled a book entitled ''Anecdotes of Painters'' (1808). Life Edwards, the elder son of a chairmaker and carver, who had come from Shrewsbury, and settled in London, was born in London 7 March 1738. He was a weakly child, with distorted limbs, and remained of very small size all his life. At an early age he went to a French Protestant school, but at fifteen was removed in order to work at his father's business. Until the age of 18 he worked with a Mr. William Hallett, cabinet maker, upholsterer, at the corner of St. Martin's Lane and Long Acre, drawing patterns for furniture. His father then sent him to a drawing school, and in 1759 he was admitted as a student into the Duke of Richmond's gallery. He lost his father in 1760, when the support of his mother and sister devolved upon him. Edwards took lodgings in Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conversation Piece
A conversation piece refers to a group portrait in a domestic or landscape setting depicting persons chatting or otherwise socializing with each other.Conversatiestuk at the Netherlands Institute for Art History The persons depicted may be members of a family as well as friends, members of a society or hunt, or some other grouping who are shown sharing common activities such as hunts, meals, or musical parties.British Conversation Pieces and Portraits of the 1700s at The National Gallery. Retrieved 20 March 2022. It was an especially popular genre in 18th-century England, beginning from the 1720 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoffany
Johan Joseph Zoffany (born Johannes Josephus Zaufallij; 13 March 1733 – 11 November 1810) was a German neoclassical painter who was active mainly in England, Italy and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij (on his grave, it is spelled Zoffanij). Life and career Of noble Hungarian and Bohemian origin, Johan Zoffany was born near Frankfurt on 13 March 1733, the son of a cabinet maker and architect in the court of Alexander Ferdinand, 3rd Prince of Thurn and Taxis. He undertook an initial period of study in a sculptor's workshop in Ellwangen during the 1740s, possibly the shop of Melchior Paulus, and later at Regensburg with the artist . In 1750, he travelled to Rome, entering the studio of Agostino Masucci. In the autumn of 1760, he arriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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