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St Margaret's Church, Halstead
St Margaret's Church is an Anglican parish church in the village of Halstead and the Sevenoaks deanery, although the church also serves the village of Badgers Mount. St Katharine's and St Margaret's came together in 1983 as a United Benefice under one parish priest. The pattern of services reflects the fact that it is two parishes working closely together. History and architecture St Margaret's is built across the road from the site of the original demolished medieval church, the only remaining sections of which include the monuments held inside the current church; these monuments date back to the mid-15th century. The chancel was built in 1855 by R. C. Hussey, and is described by architectural historian John Newman as having "flintwork hatis laboriously galleted with flint flakes", and was originally built as a burial chapel. The nave and the lean-to south aisle are combined under a single roof built by W. M. Teulon between 1880 and 1881. The south-west porch is timber-framed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret The Virgin
Margaret, known as Margaret of Antioch in the West, and as Saint Marina the Great Martyr ( grc-gre, Ἁγία Μαρίνα) in the East, is celebrated as a saint on 20 July in the Western Rite Orthodoxy, Roman Catholic Church and Anglicanism, on 17 July (Julian calendar) by the Eastern Orthodox Church and on Epip 23 and Hathor (month), Hathor 23 in the Coptic Orthodox Church of Alexandria. She was reputed to have promised very powerful indulgences to those who wrote or read her hagiography, life, or invoked her intercessions; these no doubt helped the spread of her following. Margaret is one of the Fourteen Holy Helpers, and is one of the saints Joan of Arc claimed to have spoken with. Hagiography According to a 9th-century martyrology of Rabanus Maurus, she suffered at Antioch in Pisidia (in what is now Turkey) in around 304, during the Diocletianic Persecution, Diocletianic persecution. She was the daughter of a pagan priest named Aedesius. Her mother having died soon after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lean-to
A lean-to is a type of simple structure originally added to an existing building with the rafters "leaning" against another wall. Free-standing lean-to structures are generally used as shelters. One traditional type of lean-to is known by its Finnish name . Lean-to buildings A lean-to is originally defined as a building in which the rafters lean against another building or wall, a penthouse. These structures frequently have skillion roofs and as such are sometimes referred to as "skillions". A lean-to shelter is a free-standing structure with only three walls and a single-pitched roof. The open side is commonly oriented away from the prevailing winds and rains. Often it is a rough structure made of logs or unfinished wood and used as a camping shelter. A lean-to addition is a shed with a sloping roof and three walls that abuts the wall of another structure. This form of lean-to is generally provisional; it is an appendix to an existing building constructed to fulfill a new need ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Piers St Aubyn
James Piers St Aubyn (6 April 1815 – 8 May 1895), often referred to as J P St Aubyn, was an English architect of the Victorian era, known for his church architecture and confident restorations. Early life St Aubyn was born at Powick Vicarage, Worcestershire, in the English Midlands, the home of his maternal grandfather, on 6 April 1815. He was the second son of the Rev Robert Thomas St Aubyn and his wife, Frances Fleming St John, and a cousin of John St Aubyn, 1st Baron St Levan, of St Michael's Mount, Cornwall. He was known to his family and friends by his second Christian name of Piers (sometimes spelt Pearse). He was educated at Penzance Grammar School before beginning his studies in architecture. He married Eliza Phillpott in 1852 at Stoke Damerel, Devon. Eliza was born in Ceylon in 1816 and died on 13 September 1881 at their home, 108 Cambridge Street, Hanover Square, London. Career He was articled to Thomas Fulljames (1808–1874) in Gloucester and acted as clerk of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestry
A vestry was a committee for the local secular and ecclesiastical government for a parish in England, Wales and some English colonies which originally met in the vestry or sacristy of the parish church, and consequently became known colloquially as the "vestry". Overview For many centuries, in the absence of any other authority (which there would be in an incorporated city or town), the vestries were the sole ''de facto'' local government in most of the country, and presided over local, communal fundraising and expenditure until the mid or late 19th century using local established Church chairmanship. They were concerned for the spiritual but also the temporal as well as physical welfare of parishioners and its parish amenities, collecting local rates or taxes and taking responsibility for numerous functions such as the care of the poor, the maintaining of roads, and law enforcement, etc. More punitive matters were dealt with by the manorial court and hundred court, and latter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell-gable
The bell gable ( es, espadaña, french: clocher-mur, it, campanile a vela) is an architectural element crowning the upper end of the wall of church buildings, usually in lieu of a church tower. It consists of a gable end in stone, with small hollow semi-circular arches where the church bells are placed. It is a characteristic example of the simplicity of Romanesque architecture. Overview The bell-gables or ''espadañas'' are a feature of Romanesque architecture in Spain. They replaced the bell tower beginning the 12th century due to the Cistercian reformation that called for a more simplified and less ostentatious churches, but also for economical and practical reasons as the Reconquista accelerated and wider territory needed to be re-christianized building more temples and ''espadañas'' were cheaper and simpler to build. Today, they are a common sighting in small village churches throughout Spain and Portugal. This simple and sober architectural element would later be brou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timber-framed
Timber framing (german: Holzfachwerk) and "post-and-beam" construction are traditional methods of building with heavy timbers, creating structures using squared-off and carefully fitted and joined timbers with joints secured by large wooden pegs. If the structural frame of load-bearing timber is left exposed on the exterior of the building it may be referred to as half-timbered, and in many cases the infill between timbers will be used for decorative effect. The country most known for this kind of architecture is Germany, where timber-framed houses are spread all over the country. The method comes from working directly from logs and trees rather than pre-cut dimensional lumber. Hewing this with broadaxes, adzes, and draw knives and using hand-powered braces and augers (brace and bit) and other woodworking tools, artisans or framers could gradually assemble a building. Since this building method has been used for thousands of years in many parts of the world, many styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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