St George's Church, Carrington
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St George's Church, Carrington
St George's Church is in the village of Carrington, Trafford, Greater Manchester, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building, but is now redundant and in the care of the Churches Conservation Trust. It stands in a relatively isolated position south of the Manchester Ship Canal, along the northern edge of the Carrington Moss industrial estate. History The church was built by Isaac Shaw in 1757–59 for Mary, Countess of Stamford as a chapel of ease to serve the hamlets of Partington and Carrington. A chancel was added in 1872. The building is no longer used for worship. St George's was vested in the Trust on 1 March 1990. The vicar of St Mary's, Partington and Carrington is responsible for the churchyard. Clearance work in 2008 uncovered the graves of two soldiers who had died during the First World War. Their graves are registered by the Commonwealth War Graves Commission. Architecture ...
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Commonwealth War Graves Commission
The Commonwealth War Graves Commission (CWGC) is an intergovernmental organisation of six independent member states whose principal function is to mark, record and maintain the graves and places of commemoration of Commonwealth of Nations military service members who died in the two World Wars. The commission is also responsible for commemorating Commonwealth civilians who died as a result of enemy action during the Second World War. The commission was founded by Fabian Ware, Sir Fabian Ware and constituted through Royal Charter in 1917 as the Imperial War Graves Commission. The change to the present name took place in 1960. The commission, as part of its mandate, is responsible for commemorating all Commonwealth war dead individually and equally. To this end, the war dead are commemorated by a name on a headstone, at an identified site of a burial, or on a memorial. War dead are commemorated uniformly and equally, irrespective of military or civil rank, race or creed. The co ...
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Vesting
In law, vesting is the point in time when the rights and interests arising from legal ownership of a property is acquired by some person. Vesting creates an immediately secured right of present or future deployment. One has a vested right to an asset that cannot be taken away by any third party, even though one may not yet possess the asset. When the right, interest, or title to the present or future possession of a legal estate can be transferred to any other party, it is termed a vested interest. The concept can arise in any number of contexts, but the most common are inheritance law and retirement plan law. In real estate, to vest is to create an entitlement to a privilege or a right. For example, one may cross someone else's property regularly and unrestrictedly for several years, and one's right to an easement becomes vested. The original owner still retains the possession, but can no longer prevent the other party from crossing. Inheritance Some bequests do not vest immedi ...
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Grade II* Listed Buildings In Greater Manchester
There are 236 Grade II* listed buildings in Greater Manchester, England. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade II* structures are those considered to be "particularly significant buildings of more than local interest". In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with English Heritage, a non-departmental public body sponsored by the Department for Culture, Media and Sport. The metropolitan county of Greater Manchester is made up of 10 metropolitan boroughs: Bolton, Bury, Manchester, Oldham, Rochdale, Salford, Stockport, Tameside, Trafford and Wigan. The Grade II* buildings in each borough are listed separately. Manchester, the world's first industrialised city, has 77 of Greater Manchester's 238 Grade II* listed buildings, the highest number of any borough. Bu ...
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the distributor TriLiteral LLC with MIT Press and Harvard University Press. TriLiteral was sold to LSC Communications in 2018. Series and publishing programs Yale Series of Younger Poets Since its inception in 1919, the Yale Series of Younger Poets Competition has published the first collection of ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ...
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Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or Dolomite (mineral), dolomite. Marble is typically not Foliation (geology), foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for Marble sculpture, sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; Robert S. P. Beekes, R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This Stem (linguistics), stem is also the ancestor of the English language, English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French language, French , most other European languages (with words like "marmoreal") more closely resemb ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Box Pew
A box pew is a type of church pew that is encased in panelling and was prevalent in England and other Protestant countries from the 16th to early 19th centuries. History in England Before the rise of Protestantism, seating was not customary in churches and only accorded to the lord of the manor, civic dignitaries and finally churchwardens. After 1569 stools and seating were installed in Protestant churches primarily because the congregation were expected to listen to sermons, and various types of seating were introduced including the box pew. There are records of box pews being installed in Ludlow parish church before 1577. Box pews provided privacy and allowed the family to sit together. In the 17th century they could include windows, curtains, tables and even fireplaces, and were treated as personal property that could be willed to legatees. Sometimes the panelling was so high it was difficult to see out, and the privacy was used as a cover for non-devotional activity. William Hog ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Venetian Window
A Venetian window (also known as a Serlian window) is a large tripartite window which is a key element in Palladian architecture. Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508–1580) and is almost a trademark of his early career. The true Palladian window is an elaborated version. Overview The Venetian window consists of an arched central light, symmetrically flanked by two shorter sidelights. Each sidelight is flanked by two columns or pilasters and topped by a small entablature. The entablatures serve as imposts supporting the semicircular arch that tops the central light. In the library at Venice, Sansovino varied the design by substituting columns for the two inner pilasters. To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante and later mentioned by Serlio in his seven-volume architectural book ''Tut ...
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