St Andrew's Church, Waterloo Street, Hove
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St Andrew's Church, Waterloo Street, Hove
St Andrew's Church is a former Anglican church in the Brunswick Town area of Hove, part of the English city of Brighton and Hove. It is in the care of the Churches Conservation Trust, the national charity protecting historic churches at risk. Although declared redundant in 1990, it was one of the area's most fashionable places of worship in the 19th century, when it was built to serve the wealthy residents of the Brunswick estate and surrounding areas. It is listed at Grade I, a designation used for buildings "of outstanding architectural or historic interest". History The area between Brighton, to the east, and the ancient centre of Hove, to the west, was farmland until the 1820s, when Brunswick Town was developed in response to the success of the Kemp Town estate in Brighton—a planned estate of high-class houses, servants' quarters and other buildings, all in the Regency style. Architect Charles Busby planned and built the Brunswick Town estate, which (together with o ...
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Church Of England
The Church of England (C of E) is the established Christian church in England and the mother church of the international Anglican Communion. It traces its history to the Christian church recorded as existing in the Roman province of Britain by the 3rd century and to the 6th-century Gregorian mission to Kent led by Augustine of Canterbury. The English church renounced papal authority in 1534 when Henry VIII failed to secure a papal annulment of his marriage to Catherine of Aragon. The English Reformation accelerated under Edward VI's regents, before a brief restoration of papal authority under Queen Mary I and King Philip. The Act of Supremacy 1558 renewed the breach, and the Elizabethan Settlement charted a course enabling the English church to describe itself as both Reformed and Catholic. In the earlier phase of the English Reformation there were both Roman Catholic martyrs and radical Protestant martyrs. The later phases saw the Penal Laws punish Ro ...
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Blue Plaque
A blue plaque is a permanent sign installed in a public place in the United Kingdom and elsewhere to commemorate a link between that location and a famous person, event, or former building on the site, serving as a historical marker. The term is used in the United Kingdom in two different senses. It may be used narrowly and specifically to refer to the "official" scheme administered by English Heritage, and currently restricted to sites within Greater London; or it may be used less formally to encompass a number of similar schemes administered by organisations throughout the UK. The plaques erected are made in a variety of designs, shapes, materials and colours: some are blue, others are not. However, the term "blue plaque" is often used informally to encompass all such schemes. The "official" scheme traces its origins to that launched in 1866 in London, on the initiative of the politician William Ewart, to mark the homes and workplaces of famous people. It has been administe ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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The Sunday Assembly
Sunday Assembly is a non-religious gathering co-founded by Sanderson Jones and Pippa Evans in January 2013 in London, England. The gathering is mostly for non-religious people who want a similar communal experience to a religious church, though religious people are also welcome. As of December 2019, assemblies are established in 48 locations around the world with the majority in Europe and the United States, and are run and funded by volunteers from their communities. History Stand-up comedians Sanderson Jones and Pippa Evans started the first Sunday Assembly in North London in January 2013 as they "both wanted to do something like church but without God". The first event, attended by over 300 people, was held in a deconsecrated church in Islington, but due to the limited size of the venue later meetings have been held in Conway Hall. Since then events have continued to be held, twice a month, with one attracting as many as 600 people. Sunday Assembly generated much press and ...
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Chapel Of Ease
A chapel of ease (or chapel-of-ease) is a church architecture, church building other than the parish church, built within the bounds of a parish for the attendance of those who cannot reach the parish church conveniently. Often a chapel of ease is deliberately built as such, being more accessible to some parishioners than the main church. Such a chapel may exist, for example, when a parish covers several dispersed villages, or a central village together with its satellite hamlet (place), hamlet or hamlets. In such a case the parish church will be in the main settlement, with one or more chapels of ease in the subordinate village(s) and/or hamlet(s). An example is the chapel belonging to All_Hallows_Church,_South_River, All Hallows' Parish in Maryland, US; the chapel was built in Davidsonville, Maryland, Davidsonville from 1860 to 1865 because the parish's "Brick Church" in South River was too far away at distant. A more extreme example is the Chapel-of-Ease built in 1818 on St ...
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Venetian Glass
Venetian glass () is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamel, or engraving. Production has been concentrated on the Venetian island of Murano since the 13th century. Today Murano is known for its art glass, but it has a long history of innovations in glassmaking in addition to its artistic fame—and was Europe's major center for luxury glass from the High Middle Ages to the Italian Renaissance. During the 15th century, Murano glassmakers created ''cristallo''—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called ''lattimo'') that looked like porcelain. They later became Europe's finest makers of mirrors. During the High Middle Ages, Venice was originally controlled by the Eastern Roma ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Edward Middleton Barry
Edward Middleton Barry RA (7 June 1830 – 27 January 1880) was an English architect of the 19th century. Biography Edward Barry was the third son of Sir Charles Barry, born in his father's house, 27 Foley Place, London. In infancy he was delicate, and was placed under the care of a confidential servant at Blackheath. At an early age he was sent to school in that neighbourhood, and then to a private school at Walthamstow, where he remained until he became a student at King's College London. He was apprenticed to Thomas Henry Wyatt for a short time, after which he joined his father's practice. He continued to assist his father until the latter's sudden death in 1860, but he had already made considerable progress in working on his own account. In 1848 he had become a student at the Royal Academy, and even while assisting his father found time to devote to works of his own. The first of these was St. Saviour's Church, Haverstock Hill, in 1855–56. His designs for St. Giles's ...
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