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St. Mary Of The Angels Monastery (Florence)
The Monastery of St. Mary of the Angels ( it, Monastero di S. Maria degli Angeli) was a monastery of the Camaldolese Order in Florence, Italy. History During the early part of the Renaissance, this monastery was known for the high-quality manuscripts and other works created by its scriptorium. Many of the illuminations from these works are found in museum collections around the world. Strongly tied to most powerful families of Florentine society, the monks took part in the artistic flourishing in the city in that era, and they were able to produce works in the High Gothic art of the Sienese School. Additionally, the greatest artists of the city worked to decorate the monastery. Among them was Nardo di Cione. It was in this monastery that the famed artist, Lorenzo Monaco (Lorenzo the Monk), entered monastic life. He kept this title, despite the fact that he chose not to take religious vows as a monk, and returned to secular life. Even after his departure, Lorenzo continued to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monastery
A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone (hermits). A monastery generally includes a place reserved for prayer which may be a chapel, church, or temple, and may also serve as an oratory, or in the case of communities anything from a single building housing only one senior and two or three junior monks or nuns, to vast complexes and estates housing tens or hundreds. A monastery complex typically comprises a number of buildings which include a church, dormitory, cloister, refectory, library, balneary and infirmary, and outlying granges. Depending on the location, the monastic order and the occupation of its inhabitants, the complex may also include a wide range of buildings that facilitate self-sufficiency and service to the community. These may include a hospice, a school, and a range of agricultural and manufacturing buildings such as a barn, a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nardo Di Cione
Nardo di Cione (died c. 1366) was an Italian Painting, painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painters Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as "a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling". Life The Di Cione brothers collaborated on a number of works from their studio together, including the decorations from the Basilica di Santa Maria Novella#Cappella Strozzi di Mantova, Cappella Strozzi in Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The ''Last Judgment'', ''Paradise'' and ''Hell''. Of Nardo's independently attributed works is his ''Crucifixion'', a central panel of a tab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camaldolese Monasteries In Italy
The Camaldolese Hermits of Mount Corona ( la, Congregatio Eremitarum Camaldulensium Montis Coronae), commonly called Camaldolese is a monastic order of Pontifical Right for men founded by Saint Romuald. Their name is derived from the Holy Hermitage ( it, Sacro Eremo) of Camaldoli, high in the mountains of central Italy, near the city of Arezzo. Its members add the nominal letters E.C.M.C. after their names to indicate their membership in the congregation. Apart from the Roman Catholic congregations, ecumenical Christian hermitages with a Camaldolese spirituality have arisen as well. History The Camaldolese were established through the efforts of the Italian people, Italian monk Saint Romuald (). His reform sought to renew and integrate the hermit, eremitical tradition of monastic life with that of the cenobium. In his youth, Romuald became acquainted with the three major schools of Western monastic tradition. The monastery where he entered the Order, Basilica of Sant' Apollinar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of The Virgin
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The subject became common as part of a ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feast Day
The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint". The system arose from the early Christian custom of commemorating each martyr annually on the date of their death, or birth into heaven, a date therefore referred to in Latin as the martyr's ''dies natalis'' ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a ''Menologion''. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels. History As the number of recognized saints increased during Late Antiquity and the first half of the Middle Ages, eventually every day of the year had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Vows
Religious vows are the public vows made by the members of religious communities pertaining to their conduct, practices, and views. In the Buddhism tradition, in particular within the Mahayana and Vajrayana tradition, many different kinds of religious vows are taken by the lay community as well as by the monastic community, as they progress along the path of their practice. In the monastic tradition of all schools of Buddhism the Vinaya expounds the vows of the fully ordained Nuns and Monks. In the Christian tradition, such public vows are made by the religious cenobitic and eremitic of the Catholic Church, Lutheran Churches, Anglican Communion, and Eastern Orthodox Churches, whereby they confirm their public profession of the evangelical counsels of poverty, chastity, and obedience or Benedictine equivalent. The vows are regarded as the individual's free response to a call by God to follow Jesus Christ more closely under the action of the Holy Spirit in a particular form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant colou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camaldolese Order
The Camaldolese Hermits of Mount Corona ( la, Congregatio Eremitarum Camaldulensium Montis Coronae), commonly called Camaldolese is a monastic order of Pontifical Right for men founded by Saint Romuald. Their name is derived from the Holy Hermitage ( it, Sacro Eremo) of Camaldoli, high in the mountains of central Italy, near the city of Arezzo. Its members add the nominal letters E.C.M.C. after their names to indicate their membership in the congregation. Apart from the Roman Catholic congregations, ecumenical Christian hermitages with a Camaldolese spirituality have arisen as well. History The Camaldolese were established through the efforts of the Italian monk Saint Romuald (). His reform sought to renew and integrate the eremitical tradition of monastic life with that of the cenobium. In his youth, Romuald became acquainted with the three major schools of Western monastic tradition. The monastery where he entered the Order, Sant' Apollinare in Classe, was a traditional Bene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Gothic
High Gothic is a particularly refined and imposing style of Gothic architecture that appeared in northern France from about 1195 until 1250. Notable examples include Chartres Cathedral, Reims Cathedral, Amiens Cathedral, Beauvais Cathedral, and Bourges Cathedral. It is characterized by great height, harmony, subtle and refined tracery and realistic sculpture, and by large stained glass windows, particularly rose windows and larger windows on the upper levels, which filled the interiors with light. It followed Early Gothic architecture and was succeeded by the Rayonnant style. It is often described as the high point of the Gothic style. Origins The new style illustrated the ambitions of the French kings of the Capetian dynasty, and particularly Philip II of France, who reigned from 1180 until 1223. He gradually extended his power beyond the Ile-de-France to assume dominance over Normandy, Burgundy, and Brittany. He defeated a coalition of English, German, and Flemish forces at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
