St. James Infirmary Blues
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St. James Infirmary Blues
"St. James Infirmary Blues" is an American blues song and jazz standard of uncertain origin. Louis Armstrong made the song famous in his 1928 recording on which Don Redman was credited as composer; later releases gave the name Joe Primrose, a pseudonym of Irving Mills. The melody is eight bars long, unlike songs in the classic blues genre, where there are 12 bars. It is in a minor key, and has a time signature, but has also been played in . Authorship and history "St. James Infirmary Blues", sometimes known as "Gambler's Blues", is often regarded as an American folk song of anonymous origin. Moore and Baxter published a version of "Gambler's Blues" in 1925. In 1927, Carl Sandburg published a book called '' The American Songbag'' which contained lyrics for two versions of a song called "Those Gambler's Blues". However, the song "St. James Infirmary Blues" is sometimes credited to the songwriter Joe Primrose (a pseudonym for Irving Mills), who held copyrights for several versio ...
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St James Infirmary By Julien Grandgagnage-tenor Sax
ST, St, or St. may refer to: Arts and entertainment * Stanza, in poetry * Suicidal Tendencies, an American heavy metal/hardcore punk band * Star Trek, a science-fiction media franchise * Summa Theologica, a compendium of Catholic philosophy and theology by St. Thomas Aquinas * St or St., abbreviation of "State", especially in the name of a college or university Businesses and organizations Transportation * Germania (airline) (IATA airline designator ST) * Maharashtra State Road Transport Corporation, abbreviated as State Transport * Sound Transit, Central Puget Sound Regional Transit Authority, Washington state, US * Springfield Terminal Railway (Vermont) (railroad reporting mark ST) * Suffolk County Transit, or Suffolk Transit, the bus system serving Suffolk County, New York Other businesses and organizations * Statstjänstemannaförbundet, or Swedish Union of Civil Servants, a trade union * The Secret Team, an alleged covert alliance between the CIA and American indust ...
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Poland Street
Poland Street is a street in the Soho district of the City of Westminster, London. It runs from Oxford Street in the north to Broadwick Street in the south. It was named after the "King of Poland" pub, which was renamed in honour of Poland's King John III Sobieski in the heading of a coalition of western armies, crucially defeated the invading Ottoman forces at the 1683 Battle of Vienna. In the eighteenth century, Polish Protestants settled around Poland Street as religious refugees fleeing the Polish Counterreformation. It was the site of the St James Workhouse whose infirmary may have been the original St. James Infirmary (see plan). The lane that led into the workhouse in now the driveway to Q-Park Soho garage. Notable residents The poet Percy Bysshe Shelley lived at 15 Poland Street. The poet William Blake lived at 28 Poland Street until 1791. The original building has since been rebuilt. The writer Fanny Burney had her childhood home (1760–1770) at 50 Poland Stre ...
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Rotoscoping
Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, animators projected photographed live-action movie images onto a glass panel and traced over the image. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer, and the result is a rotograph. This device was eventually replaced by computers, but the process is still called rotoscoping. In the visual effects industry, ''rotoscoping'' is the technique of manually creating a matte for an element on a live-action plate so it may be composited over another background. Chroma key is more often used for this, as it is faster and requires less work, but rotoscopy provides a higher level of accuracy and is often used in conjunction with chroma-keying. It may also be used if the subject is not in front of a green (or blue) screen, or for practical or economic reasons. Technique Ro ...
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Snow White (1933 Film)
''Snow-White'' (also known as ''Betty Boop in Snow-White'') is a 1933 American animated short in the '' Betty Boop'' series from Max Fleischer's Fleischer Studios. Dave Fleischer was credited as director, although virtually all the animation was done by Roland Crandall, who received the opportunity to make ''Snow-White'' on his own as a reward for his several years of devotion to the Fleischer studio. The resulting film, which took six months to complete, is considered both Crandall's masterwork and an important milestone of the Golden age of American animation. Synopsis A magic mirror resembling Cab Calloway proclaims Betty Boop to be "the fairest in the land", much to the anger of the Queen. The Queen orders her guards Bimbo and Koko to behead Betty. With tears in their eyes, they take Betty into the forest; as they prepare to execute her, they spare her by destroying their weapons, but fall into a pit before they can free her. Betty escapes into a frozen river, which encl ...
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Betty Boop
Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick.Pointer (2017) She originally appeared in the ''Talkartoon'' and ''Betty Boop'' film series, which were produced by Fleischer Studios and released by Paramount Pictures. She was featured in 90 theatrical cartoons between 1930 and 1939. She has also been featured in comic strips and mass merchandising. A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as "combin ngin appearance the childish with the sophisticated—a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable". Although she was toned down in the mid-1930s as a result of the Hays Code to appear more demure, she became one of the world's best-known and most popular cartoon characters. History Origins Betty ...
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Duke Ellington Orchestra
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple ...
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Fess Williams And His Royal Flush Orchestra
Fess Williams and his Royal Flush Orchestra was the main band of clarinetist Fess Williams from 1926–1930 Brief history In 1926 Williams formed the Royal Flush Orchestra. The popular hot jazz outfit held residency at Harlem's Savoy Ballroom The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harle ... for most of its life and recorded on the Victor, Vocalion, Gennett, Okeh, Brunswick, Champion, and Harmony labels. Williams, Frank Marvin, and Perry Smith supplied vocals. The flamboyant Williams typically performed wearing a white suit and top hat. In 1928 Williams traveled to Chicago where he temporarily fronted Dave Peyton's band at the Regal Theatre. Calling the group Fess Williams and His Joy Boys, he recorded two sides with them for Vocalion. The Royal Flush Orchestra continued ...
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Phil Baxter
Phil Baxter ''(né'' Philip Kerley Baxter; 5 September 1896 Rural Shade, TexasThe ''American Big Bands'' reference book gives Navarro, Texas as Baxter's birthplace. – 21 November 1972 Dallas) was an American songwriter, singer and band leader. Early years Baxter was born September 5, 1896, in Rural Shade, Texas — which after World War II became part of Kerens. He was raised in Marshall, Texas. At age 14, Baxter played piano at a roller skating rink. He knew only one tune, but "the skaters didn't mind, for the noise of their rollers was louder than the piano music." Military service During World War I, Baxter served at the Mare Island Naval Base in California. Violinist Paul Whiteman was also assigned to that base, and the two often entertained other sailors with musical performances. Compositions Baxter is perhaps best known for his novelty song, "Piccolo Pete", a notable hit for Ted Weems and His Orchestra. Another song, "I'm a Ding Dong Daddy from Dumas" was successfu ...
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Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached the '' Billboard'' charts in five consecutive decades (1930s–1970s). Calloway ...
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Dorian Mode
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself. : Greek Dorian mode The Dorian mode (properly ''harmonia'' or ''tonos'') is named after the Dorian Greeks. Applied to a whole octave, the Dorian octave species was built upon two tetrachords (four-note segments) separated by a whole tone, running from the ''hypate meson'' to the ''nete diezeugmenon''. In the enharmonic genus, the intervals in each tetrachord are quarter tone–quarter tone–major third. : In the chromatic genus, they are semitone–semitone–minor third. : In the diatonic genus, they are semitone–tone–tone. : In the diatonic genus, the sequence over the ...
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John Lomax
John Avery Lomax (September 23, 1867 – January 26, 1948) was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax, John Lomax Jr. and Bess Lomax Hawes, also distinguished collectors of folk music. Early life The Lomax family originally came from England with William Lomax, who settled in Rockingham County in what was then "the colony of North Carolina." John Lomax was born in Goodman in Holmes County in central Mississippi, to James Avery Lomax and the former Susan Frances Cooper. In December 1869, the Lomax family traveled by ox cart from Mississippi to Texas. John Lomax grew up in central Texas, just north of Meridian in rural Bosque County.Porterfield, p. 10. His father raised horses and cattle and grew cotton and corn on the of bottomland that he had purchased near the Bosque River.Porterfield, p. 12. He was exposed to cowboy songs as a child.Porterfield, p. ...
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Blind Willie McTell
Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early teens. He soon became a street performer in several Georgia cities, including Atlanta and Augusta, and first recorded in 1927 for Victor Records. He never produced a major hit record, but he had a prolific recording career with different labels and under different names ...
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