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Sree Poornathrayesa Temple
Sree Poornathrayesa temple (in Malayalam: ) is a Hindu temple situated in Tripunithura, Kochi, the capital of the former Kingdom of Cochin, Kerala, India. The temple is considered among the greatest temples in Kerala and was the first among eight royal temples of the erstwhile Kochi Kingdom. The deity was also considered the national deity of Cochin and protector guardian of Tripunithura. The deity in this temple is Lord Vishnu, who is in the form of ''Santhanagopala Murthy''. Lord Poornathrayeesa is known for his love of elephants. Hence more than 40 elephants participate in his ''Vrishchikotsavam''. And most of the elephants are sent for the (festival) without a money return expected by the elephant owners as Poornathrayeesa is considered to be an elephant lover. The temple is famous for its yearly or festivals. The main one is the , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, interm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eroor Pisharikovil Temple
Eroor is a suburb of the city of Kochi in the state of Kerala, India. It is located at around 7 km from the city center. Temples Puthenkulangara Shiva Temple of Eroor is known for its green surroundings and garden, which contains dozens of flowers and fruit trees. Demographics India census, Eroor had a population of 18,680 with 9,023 males and 9,657 females. References {{Geographic Location , title = Areas of Kochi , Northwest = , North = Kakkanad , Northeast = Karimugal , West = Vyttila , Centre = Eroor , East = Irumpanam , Southwest = Pettah , South = Thrippunithura Thrippunithura or Tripunithura (), is a prominent historical and residential region in the City of Kochi in Kerala, India. Located about 7 km (4 mi) from the city centre, Tripunithura was the capital of the erstwhile Kingdom of Cochin ... Villages in Ernakulam district ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elephants In Kerala Culture
Elephants found in Kerala, the Indian elephants (''Elephas maximus indicus''), are one of three recognized subspecies of the Asian elephant. Since 1986, Asian elephants have been listed as endangered by IUCN as the population has declined by at least 50% over the last three generations, estimated to be 25,600 to 32,750 in the wild. The species is pre-eminently threatened by habitat loss, degradation and fragmentation. Along with a large population of wild elephants, Kerala has more than seven hundred captive elephants. Most of them are owned by temples and individuals. They are used for religious ceremonies in and around the temples, and some churches, and a few elephants work at timber yards. Elephants in Kerala are often referred to as the "sons of the sahya" (cf. poem "Sahyante Makan" by Vyloppalli Sreedhara Menon). As the State Animal, the elephant is featured on the emblem of the Government of Kerala state, taken from the Royal Arms of both Travancore and Cochin. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuzhal Pattu
Kuzhal pattu is a form of traditional temple music practised in the Kerala state of India. It centers on the use of the kuzhal, a double reed wind instrument, and is typically performed at temple festivals. Structure In kuzhal pattu, the kuzhal plays the lead with the support of several accompanying instruments, which may include chenda (both treble and bass), ilathalam, toppi maddalam and a sruti (drone) kuzhal. A Kuzhal Pattu typically starts with the lead kuzhal essaying an alapanam to establish a raga. The other instruments may join in as the kuzhal pattu progresses through several ragas and compositions. The span of the musical form ranges from five minutes to over an hour, with an average length of 30 minutes. Performance Kuzhal pattu is typically used as a prelude to panchari melam, but may also be played prior to night seevelis (temple circumambulations) that perform panchavadyam. It is usually performed inside the temple before midnight. The kuzhal pattu is generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kombu (instrument)
The Kombu (Tamil:கொம்பு, Malayalam: കൊമ്പ്) or Kompu also known as the Kombu Pattu is a wind instrument (a kind of Natural Horn) in Tamil nadu and Kerala. Usually played along with Panchavadyam, Pandi Melam, Panchari melam etc. This musical instrument is usually seen in south India. The instrument is like a long horn (''Kombu'' in Tamil and Malayalam). In ancient days ''kombu'' played during war along with Murasu. History Listed one of the Musical instruments used by ancient Tamil people out in Tirumurai dated 6th to 11th century, Sangam Period. வெல் படைத் தறுகண் வெஞ்சொல் வேட்டுவர் கூட்டம் தோறும் சில்லரித் துடியும் கொம்பும் சிறு கண் ஆகுளியும் கூடி கல் எனும் ஒலியின் மேலும் கறங்கிசை அருவி எங்கும ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katcheri
A kacheri is an assembly of musicians and audience in the context of Carnatic music or Karnatak music. It is presented in the concert format. The music fraternity of connoisseurs and common people assemble at the katcheri venues to listen to classical music concerts of vidwans. Etymologically the word "katcheri" is derived from Urdu language and in Hindi to mean a court of law. Vocalist Ariyakudi Ramanuja Iyengar (1890–1967) established the modern ''kacheri'' (concert) traditions in Carnatic music. Among the women artists, M.L. Vasanthakumari and D.K. Pattammal pioneered the promotion of kutcheri culture. Among the most notable vocalists the first woman artist to receive the highest civilian award of Bharat Ratna in 1998 was M. S. Subbulakshmi (1916–2004); who had started her career with her very first katcheri given when she was just 15 years old. It was a big hit among audience and music critics. History The word ''katcheri'' used in the context of Karnatik music con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda
The Chenda ( ml, ചെണ്ട, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. It is greatly identified as a cultural element in Kerala and Tulu Nadu. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called " Edamthala" (ഇടം തല)(Left Head) and the right side " Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a bass sound. The skin are dried in the shade and fastened on wooden rings (Chenda Vattam, ചെണ്ട വട്ടം) made of the trunk of a locally available palm tree (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called "pananchi maram". The circular frame is kept in a vessel, boiled for an entire day and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thayambaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and (cymbals).Simon Broughton, Mark Ellingham. ''World Music'', vol. 2, p. 97 (contributor Rolf Killius). Rough Guides, 2000. Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottan Thullal
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopuram
A ''gopuram'' or ''gopura'' ( Tamil: கோபுரம், Malayalam: ഗോപുരം, Kannada: ಗೋಪುರ, Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the Southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple. Ancient and early medieval temples feature smaller ''gopuram'', while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the ''kalasam'', a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poonithura Sree Krishna Temple
Poonithura is a region in the city of Kochi in Kerala, India. It features one of the popular temples in Ernakulam and it has historical links to the Sree Poornathrayeesa Temple in Tripunithura. As per the mythology it is referred in Mahabaratha as the place where Arjuna build this temple for lord Krishna in the Chapter of Santhana Gopala. It is believed that this happened here and later on the temple was moved to Tripunithura. The temple here is called Poonithura Kottaram Sree Krishna Swami Temple. The annual 'Ashtamirohini' festival is celebrated with much fanfare by the local residents. Pooni means the "containment for arrows ", "Thura means sea shore" . The belief is that in Mahabaratha Arjuna dropped his "puni" before lord krishna as a sign of accepting defeat in the great kurukshetra battle. Location Poonithura and Tripunithura Although Poonithura and Tripunithura are adjacent places, Poonithura comes under Kochi Municipal Corporation, whereas Tripunithura i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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