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Squeeze Paper
A squeeze or squeeze paper is a reverse copy of an inscription, made by applying moist filter paper and pushing into the indentations by percussive use of a stiff brush. The paper is allowed to dry and then removed. The image is reversed from the inscription, and protrudes from the squeeze paper. The use of a squeeze allows more information to be gleaned than examining the original inscription, for example curves inside the cuts can identify the scribe who originally carved the inscription.Taking Inscriptions Home University of Reading, Ure Museum Squeezes can also (and some have been since the 1950s) be made by applying layers of liquid latex. This method works best on horizontal surfaces. Modern digitising methods mean that the image can be restored to the original orientation. Large collections of squeezes are held by the ''Inscriptiones Graecae'' and other epigraphic collections. See also *Rubbing ** Brass rubbing Brass rubbing was originally a largely British enthu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigraphy
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literature, literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filter Paper
Filter paper is a semi-permeable paper barrier placed perpendicular to a liquid or air flow. It is used to separate fine solid particles from liquids or gases. The raw materials are different paper pulps. The pulp may be made from softwood, hardwood, fiber crops, mineral fibers. Properties Filter paper has various properties. The important parameters are wet strength, porosity, particle retention, volumetric flow rate, compatibility, efficiency and capacity. There are two mechanisms of filtration with paper; volume, and surface. By volume filtration, the particles are caught in the bulk of the filter paper. By surface filtration, the particles are caught on the paper surface. Filter paper is mostly used because of the ability of a small piece of filter paper to absorb a significant volume of liquid. Manufacture The raw materials are different paper pulps. The pulp may be from softwood, hardwood, fiber crops, mineral fibers. For high quality filters, dissolving pulp and merc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liquid Latex
Liquid latex is a compound often used for special effects makeup, body painting, mask making, and casting applications. Composition Liquid latex is usually made of 33% latex, 66% water, and less than 1% ammonia (to increase its shelf life and to control the pH of the solution). Liquid latex is sold in volumes ranging from 2 ounces to 1 gallon, and its consistency is similar to latex house paint. Its consistency can be augmented with the use of additives. For example, water can be added to thin the latex, and Aerosil can be added to thicken it. Cosmetic liquid latex contains approximately 0.3% ammonia, while craft and mould-making liquid latex can contain more than double this amount, giving the latter a much stronger odour. Liquid latex is naturally clear, and dries into a translucent amber colour. Manufacturers add pigments to the product to provide opaque paint choices of multiple colours. The colour of the paint in the jar may initially look chalky or pale, but as it d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inscriptiones Graecae
The ''Inscriptiones Graecae'' (IG), Latin for ''Greek inscriptions'', is an academic project originally begun by the Prussian Academy of Science, and today continued by its successor organisation, the . Its aim is to collect and publish all known ancient inscriptions from the mainland and islands of Greece. The project was designed as a continuation of the ''Corpus Inscriptionum Graecarum'' (''Corpus of Greek Inscriptions'', abbreviated CIG) published by August Böckh between 1825 and 1860, and as a parallel to the ''Corpus Inscriptionum Latinarum'' (''Corpus of Latin Inscriptions'') founded by Theodor Mommsen in 1847. From 1860 to 1902, it was directed by Adolf Kirchhoff. From 1902 to 1931, Ulrich von Wilamowitz-Moellendorff was in control of the project; he reorganised and re-energised the IG, turning it into one of the most important series for the publication of source material in Classical studies. After the Second World War, the project suffered from a lack of financial an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubbing
A rubbing ('' frottage'') is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible. Common uses for this technique include: * Brass rubbing, to make copies of monumental brasses * Forensic uses, including finding out what was written on a sheet of paper removed from a pad by rubbing the impressions left on subsequent sheets or other backing materials * Frottage, a surrealist art form * Stone rubbing Stone rubbi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Rubbing
Brass rubbing was originally a largely British enthusiasm for reproducing onto paper monumental brasses – commemorative brass plaques found in churches, usually originally on the floor, from between the thirteenth and sixteenth centuries. The concept of recording textures of things is more generally called making a rubbing. What distinguishes rubbings from frottage is that rubbings are meant to reproduce the form of something being transferred, whereas frottage is usually only intended to use a general texture. Brass rubbings are created by laying a sheet of paper on top of a brass (then called "latten" - a zinc-copper alloy produced via the obsolete calamine brass process) and rubbing the paper with graphite, wax, or chalk, a process similar to rubbing a pencil over a piece of paper placed on top of a coin. In the past rubbings were most commonly made using the equivalent of what nowadays is called "butcher's paper" roll of whitish paperlaid down over the brass and rubb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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