Spotting (photography)
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Spotting (photography)
In the production of photographic prints, spotting is a type of retouching concerned with correcting minor flaws in the finished print with specially made paints, dyes, pencils and pens. White spots on gelatin-silver prints made from negatives are caused by dust adhering to the negative or paper during exposure. Prints from positive transparencies exhibit black marks. White spots can be carefully darkened using a fine paintbrush and a dye of the appropriate colour. A small amount of dye, which should be very weak, is needed. The spot will darken as dye accumulates in the gelatin layer. Black spots on gelatin-silver The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography ... prints are caused by holes in the negative's emulsion. These can be removed by careful knifing of the gelatin layer ...
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Photographic Printing
Photographic printing is the process of producing a final image on paper for viewing, using photographic paper, chemically sensitized paper. The paper is exposed to a photographic Negative (photography), negative, a positive reversal film, transparency (or ''slide''), or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Digital photographs are commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing". Following exposure, the paper is Photographic processing, processed to reveal and make permanent the latent image. Printing on black-and-white paper The process consists of four major steps, performed in a photographic darkroom or within an automated photo printing machine. These steps are: *Exposure of the image onto the sensitized paper usi ...
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Photo Manipulation
Photograph manipulation involves the transformation or alteration of a photograph using various methods and techniques to achieve desired results. Some photograph manipulations are considered to be skillful artwork, while others are considered to be unethical practices, especially when used to deceive the public. Other examples include being used for political propaganda, or to improve the appearance of a product or person, or simply as entertainment or practical jokes. Depending on the application and intent, some photograph manipulations are considered an art form because it involves the creation of unique images and in some instances, signature expressions of art by photographic artists. Ansel Adams employed some of the more common manipulations using darkroom exposure techniques, burning (darkening) and dodging (lightening) a photograph. Other examples of photo manipulation include retouching photographs using ink or paint, airbrushing, double exposure, piecing photos or ...
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Paint
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house.) Usually, the object being painted must be over , although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as . History Paint was ...
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Gelatin-silver
The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper. These light-sensitive materials are stable under normal keeping conditions and are able to be exposed and processed even many years after their manufacture. This was an improvement on the collodion wet-plate process dominant from the 1850s–1880s, which had to be exposed and developed immediately after coating. History The gelatin silver process was introduced by Richard Leach Maddox in 1871 with subsequent considerable improvements in sensitivity obtained by Charles Harper Bennett in 1878. Gelatin silver print paper was made as ...
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Negative (photography)
In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing. In the case of color negatives, the colors are also reversed into their respective complementary colors. Typical color negatives have an overall dull orange tint due to an automatic color-masking feature that ultimately results in improved color reproduction. Negatives are normally used to make positive prints on photographic paper by projecting the negative onto the paper with a photographic enlarger or making a contact print. The paper is also darkened in proportion to its exposure to light, so a second reversal result ...
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