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Spiritual • Mental • Physical
''Spiritual • Mental • Physical'' is a retrospective album by the proto-punk band Death consisting mainly of demo tracks recorded in their home rehearsal space between 1974–1976. Many of the songs on the set display a raw and spontaneous character, which anticipates the punk rock movement that was just around the corner in New York and London. Death's ranks consisted of brothers David, Bobby, and Dannis Hackney, who were African American, and came at the tail end of the Detroit rock movement which had produced powerhouses such as MC5 and the Stooges. In addition to the group's home demos, they also went to Detroit's United Sound Studios to record seven tracks, which now appear on the album, '' ...For the Whole World to See'', however, it is the band's demos that are spotlighted on this outing. The set begins in characteristically energetic fashion with "Views", whose lyrics, according to the album's liner notes, are about a rock & roll star's relationship with his managemen ...
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Death (protopunk Band)
Death is an American rock band formed in Detroit, Michigan, in 1971 by brothers Bobby (bass, vocals), David (guitar), and Dannis (drums) Hackney. The trio initially started out as a funk group but quickly switched their style to rock after seeing concerts by the Who and Alice Cooper. Music critic Peter Margasak retrospectively wrote that David "pushed the group in a hard-rock direction that presaged punk, and while this certainly didn't help them find a following in the mid-70s, today it makes them look like visionaries" – David himself having been called "the visionary of the group". They are often recognized by many people as one of the first punk rock bands. The band broke up in 1977 but reformed in 2009 when the independent record label Drag City released their unreleased recordings from 1975. History Formation In 1964, the three young Hackney brothers (David, Bobby and Dannis) were sat down by their father to witness the Beatles' first appearance on ''The Ed Sullivan ...
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The Stooges
The Stooges, originally billed as the Psychedelic Stooges, also known as Iggy and the Stooges, was an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop. After releasing two albums – ''The Stooges'' (1969) and ''Fun House'' (1970) – the group disbanded briefly, and reformed with an altered lineup (with Ron Asheton replacing Dave Alexander on bass and James Williamson taking up guitar) to release a third album, ''Raw Power'' (1973), before breaking up again in 1974. The band reunited in 2003 with Ron Asheton moving back to guitar and Mike Watt on bass, and the addition of saxophonist Steve Mackay, who had played briefly with the 1973–1974 ...
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2011 Compilation Albums
Eleven or 11 may refer to: *11 (number), the natural number following 10 and preceding 12 * one of the years 11 BC, AD 11, 1911, 2011, or any year ending in 11 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music *Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label *Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Reamonn ...
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The Electric Light Orchestra
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop, classical arrangements and futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. For their initial tenure, Lynne, Bevan and keyboardist Richard Tandy were the group's only consistent members. ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical overtones. It derived as an offshoot of Wood's previous band, the Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of top 10 albums and singles, including the band's most commercially successful album, the double album '' Out of the Blue'' (1977). Two ELO albums reached the top of British ...
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The Move
The Move were a British rock band of the late 1960s and the early 1970s. They scored nine top 20 UK singles in five years, but were among the most popular British bands not to find any real success in the United States. For most of their career the Move were led by guitarist, singer and songwriter Roy Wood. He wrote all the group's UK singles and, from 1968, also sang lead vocals on many songs. Initially, the band had four main vocalists (Wood, Carl Wayne, Trevor Burton and Chris "Ace" Kefford) who divided amongst themselves the lead vocal duties. The Move evolved from several mid-1960s Birmingham-based groups, including Carl Wayne & the Vikings, the Nightriders and the Mayfair Set. Their name referred to the move various members of these bands made to form the group. Besides Wood, the Move's original five-piece line-up in 1965 was drummer Bev Bevan, bassist Ace Kefford, vocalist Carl Wayne and guitarist Trevor Burton. By 1972, the Move had been reduced to a trio consisting of ...
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Do Ya (The Move Song)
"Do Ya" is a song written by Jeff Lynne, that was originally recorded by The Move, which became a hit for the Electric Light Orchestra (led by Lynne, ELO originally being a side project of The Move) in 1977. Release Written by Jeff Lynne in 1971, it was one of two songs featured on the B-side of the UK hit " California Man" credited to The Move (the other was Roy Wood's "Ella James"). In the US the B-side proved to be more popular than the A and so the song became The Move's only hit in the US albeit a minor one (number 93 on the Hot 100 chart). The song was originally titled "Look Out Baby, There's a Plane A Comin'" (which is sung by Wood at the end of the song). The song was later included on the 2005 remastered version of the ''Message from the Country'' album, in both the original single version and an alternate take. The song was recorded on the same multireel tapes alongside the Electric Light Orchestra (ELO) tracks "From the Sun to the World" and "In Old England Town", the ...
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Got To Get You Into My Life
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album ''Revolver''. It was written by Paul McCartney and credited to Lennon–McCartney. The song is a homage to the Motown Sound, with colourful brass instrumentation and lyrics that suggest a psychedelic experience. "It's actually an ode to pot," McCartney explained. A cover version by Cliff Bennett and the Rebel Rousers, produced by McCartney, peaked at number six in 1966 in the UK. The song was issued in the United States as a single from the '' Rock 'n' Roll Music'' compilation album in 1976, six years after the Beatles disbanded. Another cover version by Earth, Wind & Fire from the ''Sgt. Pepper's Lonely Hearts Club Band'' film soundtrack peaked at number nine in the US in 1978. Composition and recording Though officially credited to Lennon–McCartney, McCartney was primarily responsible for the writing of the song, to which he also contributed lead vocals. It w ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Spiritual • Mental • Physical
''Spiritual • Mental • Physical'' is a retrospective album by the proto-punk band Death consisting mainly of demo tracks recorded in their home rehearsal space between 1974–1976. Many of the songs on the set display a raw and spontaneous character, which anticipates the punk rock movement that was just around the corner in New York and London. Death's ranks consisted of brothers David, Bobby, and Dannis Hackney, who were African American, and came at the tail end of the Detroit rock movement which had produced powerhouses such as MC5 and the Stooges. In addition to the group's home demos, they also went to Detroit's United Sound Studios to record seven tracks, which now appear on the album, '' ...For the Whole World to See'', however, it is the band's demos that are spotlighted on this outing. The set begins in characteristically energetic fashion with "Views", whose lyrics, according to the album's liner notes, are about a rock & roll star's relationship with his managemen ...
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Proto-punk
Proto-punk (or protopunk) is rock music played mostly by garage bands from the 1960s to mid-1970s that foreshadowed the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. Definition According to the Allmusic guide: Most musicians classified as proto-punk are rock music, rock performers of the 1960s and early-1970s, with garage rock/art rock bands Them (band), Them, the Velvet Underground, the Shaggs, los Saicos, MC5 and the Stooges considered to be archetypal proto-punk artists, along with glam rock band the New York Dolls. Origins and etymology One of the earliest written uses of the term "punk rock" was by critic Dave Marsh who used it in 1970 to describe US group Question Mark & The Mysterians, who had scored a major hit with their song "96 Tears" in 1966. Ma ...
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For The Whole World To See
For or FOR may refer to: English language *For, a preposition *For, a complementizer *For, a grammatical conjunction Science and technology * Fornax, a constellation * for loop, a programming language statement * Frame of reference, in physics * Field of regard, in optoelectronics * Forced outage rate, in reliability engineering Other uses * Fellowship of Reconciliation, a number of religious nonviolent organizations * Pinto Martins International Airport (IATA airport code), an airport in Brazil * Revolutionary Workers Ferment (''Fomento Obrero Revolucionario''), a small left communist international * Fast oil recovery, systems to remove an oil spill from a wrecked ship * Field of Research, a component of the Australian and New Zealand Standard Research Classification *FOR, free on rail, an historic form of international commercial term or Incoterm See also * Four (other) 4 is a number, numeral, and digit. 4 or four may also refer to: Months and years * ...
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