Spintria
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Spintria
A spintria (plural, ''spintriae'') is a small bronze or brass Roman token, possibly for use in brothels, although none of the literature on the ''spintriae'' contains any evidence to support this assertion. The tokens usually depict on the obverse a motif of sexual acts or symbols and a numeral in the range I - XVI on the reverse. Name ''Spintria'' was used by Suetonius to refer to young male prostitutes,Fishburn, page 10, note 2. from Greek σφιγκτήρ (sphinktḗr, '' nalsphincter''). In the 16th century, the name passed from the ancient sense of the persons committing outrageous acts – in other words, sexual and/or sensual acts outside what was considered the norm – (or the place where outrageous acts occurred, such as Tiberius' gardens on the isle of Capri) to the tokens themselves. Bette Talvacchia identifies the first usage of the term ''spintriae'' to refer to the tokens as occurring in Sebastiano Errizo's 1559 treatise, ''Discourse Concerning Ancient Medals'' ...
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Spintria
A spintria (plural, ''spintriae'') is a small bronze or brass Roman token, possibly for use in brothels, although none of the literature on the ''spintriae'' contains any evidence to support this assertion. The tokens usually depict on the obverse a motif of sexual acts or symbols and a numeral in the range I - XVI on the reverse. Name ''Spintria'' was used by Suetonius to refer to young male prostitutes,Fishburn, page 10, note 2. from Greek σφιγκτήρ (sphinktḗr, '' nalsphincter''). In the 16th century, the name passed from the ancient sense of the persons committing outrageous acts – in other words, sexual and/or sensual acts outside what was considered the norm – (or the place where outrageous acts occurred, such as Tiberius' gardens on the isle of Capri) to the tokens themselves. Bette Talvacchia identifies the first usage of the term ''spintriae'' to refer to the tokens as occurring in Sebastiano Errizo's 1559 treatise, ''Discourse Concerning Ancient Medals'' ...
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Spintriae Aus Pompeji
A spintria (plural, ''spintriae'') is a small bronze or brass Roman token, possibly for use in brothels, although none of the literature on the ''spintriae'' contains any evidence to support this assertion. The tokens usually depict on the obverse a motif of sexual acts or symbols and a numeral in the range I - XVI on the reverse. Name ''Spintria'' was used by Suetonius to refer to young male prostitutes,Fishburn, page 10, note 2. from Greek σφιγκτήρ (sphinktḗr, '' nalsphincter''). In the 16th century, the name passed from the ancient sense of the persons committing outrageous acts – in other words, sexual and/or sensual acts outside what was considered the norm – (or the place where outrageous acts occurred, such as Tiberius' gardens on the isle of Capri) to the tokens themselves. Bette Talvacchia identifies the first usage of the term ''spintriae'' to refer to the tokens as occurring in Sebastiano Errizo's 1559 treatise, ''Discourse Concerning Ancient Medals'' ...
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Token Coin
In numismatics, token coins or trade tokens are coin-like objects used instead of coins. The field of token coins is part of exonumia and token coins are token money. Their denomination is shown or implied by size, color or shape. They are often made of cheaper metals like copper, pewter, aluminium, brass and tin, or non-metals like bakelite, leather and porcelain. A legal tender coin is issued by a governmental authority and is freely exchangeable for goods. A token coin is less useful and issued by a private entity. Trade or barter Coin-like objects from the Roman Empire called have been interpreted as an early form of token. Their functions are not documented, but they appear to have been brothel tokens or possibly gaming tokens. Medieval English monasteries issued tokens to pay for services from outsiders. These tokens circulated in nearby villages, where they were called "Abbot's money". Also, counters called jetons were used as small change without official blessing. ...
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Sexuality In Ancient Rome
Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome. Verstraete and Provençal opine that this perspective was simply a Christian interpretation: "The sexuality of the Romans has never had good press in the West ever since the rise of Christianity. In the popular imagination and culture, it is synonymous with sexual license and abuse." Sexuality was not excluded as a concern of the ''mos maiorum'', the traditional social norms that affected public, private, and military life. ''Pudor'', "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors— public officials who determined the social rank of individuals—had the power to remove ...
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Prostitution In Ancient Rome
Prostitution in ancient Rome was legal and licensed. In ancient Rome, even Roman men of the highest social status were free to engage prostitutes of either sex without incurring moral disapproval, as long as they demonstrated self-control and moderation in the frequency and enjoyment of sex. Brothels were considered a popular place of entertainment for Roman men, and it was undoubtedly a part of the culture of ancient Rome. At the same time, the prostitutes themselves were considered shameful: most were either slaves or former slaves, or if free by birth relegated to the ''infames'', people utterly lacking in social standing and deprived of most protections accorded to citizens under Roman law, a status they shared with actors and gladiators, all of whom, however, exerted sexual allure. Some large brothels in the 4th century, when Rome was becoming officially Christianized, seem to have been counted as tourist attractions and were possibly state-owned. There were two types of sex ...
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Prostitution In Ancient Rome
Prostitution in ancient Rome was legal and licensed. In ancient Rome, even Roman men of the highest social status were free to engage prostitutes of either sex without incurring moral disapproval, as long as they demonstrated self-control and moderation in the frequency and enjoyment of sex. Brothels were considered a popular place of entertainment for Roman men, and it was undoubtedly a part of the culture of ancient Rome. At the same time, the prostitutes themselves were considered shameful: most were either slaves or former slaves, or if free by birth relegated to the ''infames'', people utterly lacking in social standing and deprived of most protections accorded to citizens under Roman law, a status they shared with actors and gladiators, all of whom, however, exerted sexual allure. Some large brothels in the 4th century, when Rome was becoming officially Christianized, seem to have been counted as tourist attractions and were possibly state-owned. There were two types of sex ...
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Homosexuality In Ancient Rome
Homosexuality in ancient Rome often Societal attitudes toward homosexuality, differs markedly from the contemporary Western culture, West. Latin lacks words that would precisely translate "homosexual" and "heterosexual". The primary dichotomy of Sexuality in ancient Rome, ancient Roman sexuality was active/Dominance and submission, dominant/masculine and passive/submissive/feminine. Roman society was patriarchy, patriarchal, and the ingenui, freeborn male Roman citizenship, citizen possessed political liberty (''libertas'') and the right to rule both himself and his household (''paterfamilias, familia''). "Virtue" (''virtus (virtue), virtus'') was seen as an active quality through which a man (''vir'') defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males without a perceived loss of masculinity or social status, as long as they took the dominant or penetrative role. Acceptable male partners were ...
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Hunterian Museum And Art Gallery
The Hunterian is a complex of museums located in and operated by the University of Glasgow in Glasgow, Scotland. It is the oldest museum in Scotland. It covers the Hunterian Museum, the Hunterian Art Gallery, the Mackintosh House, the Zoology Museum and the Anatomy Museum, which are all located in various buildings on the main campus of the university in the west end of Glasgow. History In 1783, William Hunter, a Scottish anatomist and physician who studied at the University of Glasgow, died in London. His will stipulated that his substantial and varied collections should be donated to the University of Glasgow. Hunter, writing to Dr William Cullen, stated that they were "to be well and carefully packed up and safely conveyed to Glasgow and delivered to the Principal and Faculty of the College of Glasgow to whom I give and bequeath the same to be kept and preserved by them and their successors for ever... in such sort, way, manner and form as ... shall seem most fit and most c ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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50 Euro Cent Coin
The 50 euro cent coin (€0.50) has a value of half a euro and is composed of an alloy called nordic gold. All coins have a common reverse side and country-specific national sides. The coin has been used since 2002, with the present common-side design dating from 2007. History The coin dates from 2001, when euro coins and banknotes were introduced in the 12-member eurozone and its related territories. The common side was designed by Luc Luycx, a Belgian artist who won a Europe-wide competition to design the new coins. The designs of the 10 to 50-cent coins were intended to show separate states of the European Union (EU), as opposed to the one and two-euro coins showing the 15 states as one and the 1 to 5-cent coins showing the EU's place in the world. The national sides, then 15 (eurozone and Monaco, San Marino and the Vatican who could mint their own), were each designed according to national competitions, though to specifications which applied to all coins such as the requ ...
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Pederasty In Ancient Greece
Pederasty in ancient Greece was a socially acknowledged romantic relationship between an older male (the ''erastes'') and a younger male (the ''eromenos'') usually in his teens. It was characteristic of the Archaic Greece, Archaic and Classical Greece, Classical periods. The influence of pederasty on Greek culture of these periods was so pervasive that it has been called "the principal cultural model for free relationships between citizens." Some scholars locate its origin in initiation ritual, particularly rites of passage on Crete, where it was associated with entrance into military life and the religion of Zeus. It has no formal existence in the Homeric epics, and seems to have developed in the late 7th century BC as an aspect of Greek homosociality, homosocial culture, which was characterized also by Nudity in sport, athletic and Depictions of nudity, artistic nudity, delayed marriage for aristocrats, symposium, symposia, and the social seclusion of women. Pederasty was both i ...
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Erotic Art In Pompeii And Herculaneum
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes. The ubiquity of such imagery and items indicates that the treatment of sexuality in ancient Rome was more relaxed than current Western culture. However, much of what might strike modern viewers as erotic imagery, such as oversized phalluses, could arguably be fertility imagery. Depictions of the phallus, for example, could be used in gardens to encourage the production of fertile plants. This clash of cultures led to many erotic artefacts from Pompeii being locked away from the public for nearly 200 years. In 1819, when King Fra ...
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