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Spicy!
''Spicy!'' is an album by jazz organist Richard "Groove" Holmes which was recorded in 1966 and released on the Prestige label. accessed May 3, 2013 Reception awarded the 3 stars stating "Although this is dependable B-3 Hammond soul-jazz, some of the songs selected for this set, such as "If I Had a Hammer" and "Never on Sunday," are inappropriate for soul-jazz translation. On the other hand, the adaptation of Luiz Bonfá's "Manhã de Carnaval" is good, and Nat Adderley's "Work Song" is a classic that's hard to mess up".[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Holmes (organist)
Richard Arnold "Groove" Holmes (May 2, 1931 – June 29, 1991) was an American jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of "Misty". Career Holmes's first album, on Pacific Jazz with guest Ben Webster, was recorded in March 1961. He recorded many albums for Pacific Jazz, Prestige, Groove Merchant, and Muse, many of them with Houston Person. He died of a heart attack after battling prostate cancer, having performed his last concerts in a wheelchair. One of his last gigs was at the 1991 Chicago Blues Festival with his longtime friend, singer Jimmy Witherspoon. Discography As leader * '' "Groove" (Les McCann Presents the Dynamic Jazz Organ of Richard "Groove" Holmes)'' lso released as ''That Healin' Feelin' ''(Pacific Jazz, 1961) – with Ben Webster * ''Groovin' with Jug'' (Pacific Jazz, 1961) – with Gene Ammons * '' Somethin' Special'' (Pacific Jazz, 1962) – with Les McCann * '' After Hours'' (Pacific Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Misty (Richard "Groove" Holmes Album)
''Misty'' is an album by jazz organist Richard "Groove" Holmes which was recorded in 1966, with one track from 1965, and released on the Prestige label. accessed May 3, 2013 Reception awarded the album 4 stars stating "In the mid-'60s, organist Richard "Groove" Holmes had a hit with his medium-tempo rendition of "Misty." This CD reissue has the original short version (which was cut as a 45) plus other medium-tempo ballads performed in similar fashion... the organist's sound is more appealing than some of the tunes".Yanow, S[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan "Boogaloo Joe" Jones
Ivan Joseph Jones (born November 1, 1940), known professionally as Joe Jones or Boogaloo Joe Jones, is an American jazz guitarist. Discography As leader * '' Introducing the Psychedelic Soul Jazz Guitar of Joe Jones'' KA ''The Mindbender''(Prestige PR 7557, 1968; reissued on BGP/Ace in 1993) * '' My Fire! More of the Psychedelic Soul Jazz Guitar of Joe Jones'' (Prestige PR 7613, 1968; reissued on BGP/Ace in 1993) * '' Boogaloo Joe'' (Prestige PR 7697, 1969) -with Rusty Bryant, Sonny Phillips * '' Right On Brother'' (Prestige PR 7766, 1970) -with Rusty Bryant, Charles Earland * '' No Way!'' (Prestige PR 10004, 1971) -with Grover Washington Jr., Sonny Phillips, Butch Cornell * '' What It Is'' (Prestige PR 10035, 1971) -with Grover Washington Jr., Butch Cornell * '' Snake Rhythm Rock'' (Prestige PR 10056, 1973; reissued on BGP/Ace in 1992) -with Rusty Bryant, Butch Cornell * '' Black Whip'' (Prestige PR 10072, 1973; reissued on BGP/Ace in 1992) * ''Sweetback'' (Joka LPN 6007, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1-2-3 (Len Barry Song)
"1 - 2 - 3" is a 1965 song recorded by American blue-eyed soul singer Len Barry, who also co-wrote it with John Madara and David White. The recording's chorus and accompaniment were arranged by Jimmy Wisner. The single was released in 1965 on the American Decca label. The writers were sued by Motown Records at the time, claiming that the song is a reworking of Holland-Dozier-Holland's " Ask Any Girl" released by The Supremes as the B-side to their single "Baby Love" the year before. They denied the claim, but after two years of litigation, agreed to give the Motown writers 15% of the song's writing and publishing royalties. Holland-Dozier-Holland are listed as co-authors by BMI. The personnel on the original recording included Vinnie Bell, Bobby Eli, and Sal Ditroia on guitars; Joe Macho on bass; Artie Butler on percussion; Leon Huff on piano; Artie Kaplan on sax; Bill Tole and Roswell Rudd on trombones; Lee Morgan on trumpet; Fred Hubbard on clarinet; and Bobby Gregg on drums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willard Robison
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri. His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael. Many of his compositions, notably " A Cottage for Sale", "Round My Old Deserted Farm", "Don't Smoke in Bed", "'Taint So, Honey, 'Taint So" and " Old Folks", have become standards and have been recorded countless times by jazz and pop artists including Peggy Lee, Nina Simone, Nat King Cole, Billy Eckstine, Bing Crosby and Mildred Bailey. "A Cottage for Sale" alone has been recorded over 100 times. Life and career In the early 1920s, Robison led and toured with several territory bands in the Southwest. He met Jack Teagarden in this period, whom he befriended. In the late 1920s, Robison organized the Deep River Orchestra, later hosting a radio show entitled ''The Deep River Hour'' in the early 1930s. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Folks (1938 Song)
"Old Folks" is a 1938 popular song and jazz standard composed by Willard Robison with lyrics by Dedette Lee Hill, the wife and occasional colleague of Billy Hill. The lyrics tell of an old man nicknamed "Old Folks" and reference his service in the American Civil War, his habit of smoking with a " yellow cob pipe", and the prospect of his death. A 1938 version by Larry Clinton and His Orchestra and vocalist Bea Wain charted at No. 4; around this time it was also recorded by Mildred Bailey and Bing Crosby and performed on radio by Benny Goodman and Fats Waller. It was recorded on saxophone by Don Byas in 1946 and saxophonist Ben Webster, who made more than a dozen recordings of the song and often performed it in concert as a ballad, first recorded it in 1951. Its most famous jazz version is by trumpeter Miles Davis on ''Someday My Prince Will Come'' (1961). Other notable recordings * Ernestine Anderson – ''Never Make Your Move Too Soon'' (1981) * Kenny Dorham – ''Quiet Kenny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spencer Williams
Spencer Williams (October 14, 1889 – July 14, 1965) was an American jazz and popular music composer, pianist, and singer. He is best known for his hit songs " Basin Street Blues", "I Ain't Got Nobody", "Royal Garden Blues", "I've Found a New Baby", "Everybody Loves My Baby", "Tishomingo Blues", and many others. Biography Spencer Williams was born in Vidalia, Louisiana, United States. He was educated at St. Charles University in New Orleans. Williams was performing in Chicago by 1907, and moved to New York City about 1916. After arriving in New York, he co-wrote several songs with Anton Lada of the Louisiana Five. Among those songs was " Basin Street Blues", which became one of his most popular songs and is still recorded by musicians to this day. Williams toured Europe with bands from 1925 to 1928; during this time he wrote for Josephine Baker at the Folies Bergère in Paris. Williams then returned to New York for a few years. At the end of the 1920s, Williams was tried b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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