Spheres (Pestilence Album)
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Spheres (Pestilence Album)
''Spheres'' is the fourth album by Dutch death metal band Pestilence, released in 1993. It was their final album before a 14-year hiatus from 1994 to 2008. On this album, the band experimented with a more progressive sound, utilizing guitar synthesizers as well as some jazz influences. ''Decibel'' rated it positively, appreciating the "ear-candy at every turn" and the superb basswork. However, the quality of the drums work by Marco Foddis was criticised as unsuited to the range of styles present in the album. In the hiatus before 2008 Mameli started to criticise his own album. Track listing Credits *Patrick Mameli - Guitar, synth guitar, vocals *Patrick Uterwijk - Guitar, synth guitar *Jeroen Paul Thesseling Jeroen Paul Thesseling (born 13 April 1971) is a Dutch fretless bass player, most famous for his work in the German progressive death metal band Obscura and the Dutch progressive death metal band Pestilence. Biography ;Early life Jeroen started ... - Bass *Marco Fo ...
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Pestilence (band)
Pestilence is a Dutch death metal band from Enschede, founded in 1986. There have been numerous lineup changes with the band over their -year career, with guitarist and vocalist Patrick Mameli as the only constant member. After disbanding in order to pursue other musical directions in 1994, Pestilence reunited in 2008, and was put on a "permanent hold" in July 2014. However, the band reunited once again in October 2016. To date, Pestilence has released nine studio albums, and they are often known as part of "progressive death metal's Big Four", along with Death, Atheist, and Cynic. History Early career (1986–1990) Pestilence started in the Netherlands in mid-1986 as a thrash metal band. The lineup, consisting of Patrick Mameli (guitar, vocals), Randy Meinhard (guitar), and Marco Foddis (drums), recorded two demos before gaining the attention of Roadrunner Records. After the first demo, Martin van Drunen (bass, vocals) joined them. These two demos – ''Dysentery'' (1987) and ' ...
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Progressive Death Metal
Technical death metal (also referred to as tech-death) is a musical subgenre of death metal that began and developed in the early- to mid-1990s, with particular focus on challenging, demanding instrumental skill and complex songwriting. Technical experimentation in death metal began in the late 1980s and early 1990s by four bands that are often grouped together as "technical death metal's Big Four" – Death (metal band), Death, Pestilence (band), Pestilence, Atheist (band), Atheist, and Cynic (band), Cynic – as well as Nocturnus; all but Pestilence being part of the Florida death metal scene. Some of the distinct features of this genre include dynamic song structures, complex and atypical rhythmic structures, abundant use of diminished Chord (music), chords and arpeggios, frequent employment of Odd time signature, odd time chord progressions, and constant use of string skipping on the guitars. Bass lines are usually complex, and the drums are extremely fast-paced with abunda ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Roadrunner Records
Roadrunner Records is an American record label focused on heavy metal and hard rock bands. Founded in the Netherlands in 1980, it is now a division of Warner Music Group and is based in New York City. History The label was launched in 1980 in the Netherlands. Roadrunner's initial business was importing North American metal-band recordings into Europe. In 1986, Roadrunner opened its US headquarters in New York City and later opened offices in the United Kingdom, Germany, France, Japan, Australia, Denmark, Russia and Canada. Early successes included albums from King Diamond (the first Roadrunner artist to enter the Billboard Top 200 albums chart) and Annihilator. The label also handled early Metallica releases in the Scandinavian region. The end of the 1980s saw the release of two albums that are now considered classics of their respective genres: Obituary's ''Slowly We Rot'' and Sepultura's ''Beneath the Remains''. The 1990s saw the arrival of acts such as Life of Agony, Machin ...
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Testimony Of The Ancients
''Testimony of the Ancients'' is the third album by the Dutch death metal band Pestilence, released in 1991 on Roadrunner Records. This was their first release with a new lineup, with Tony Choy replacing Martin van Drunen on bass, while guitarist Patrick Mameli filled in for the latter on vocals. Overview Following the departure of former bassist/vocalist Martin van Drunen, guitarist Patrick Mameli took over vocal duties. Mameli steered the band towards a more melodic and technical approach, expanding on the death metal sound of its predecessor ''Consuming Impulse''. The resulting concept album, ''Testimony of the Ancients'' contrasted brutal death metal riffs with melodic interludes and tackled what John Serba describes as, "strangely philosophical, and oddly compelling, subject matter". After each song on the album, there was an instrumental outro track. This attempt to push the boundaries of death metal, at a time when the scene was saturated with copycat "one track minded" b ...
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Mind Reflections
''Mind Reflections'' is the fifth studio album from Dutch death metal Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, feat ... band Pestilence. ''Mind Reflections'' is a best-of compilation with both studio and live songs. Track listing {{Pestilence Pestilence (band) albums 1994 greatest hits albums Albums with cover art by Dan Seagrave Roadrunner Records compilation albums ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ...
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Progressive Metal
Progressive metal (sometimes shortened to prog metal) is a broad :Fusion music genres, fusion music genre melding heavy metal music, heavy metal and progressive rock, combining the loud "aggression" and amplified electric guitar, guitar-driven sound of the former with the more experimental, cerebral or "pseudo-classical" compositions of the latter. One of these experimental examples introduced to modern metal was djent. The music typically showcases the extreme technical proficiency of the performers and usually uses unorthodox Chord progression, harmonies as well as complex rhythms with frequent Metre (music), meter changes and intense syncopation. While the genre emerged towards the late-1980s, it was not until the 1990s that progressive metal achieved widespread success. Queensrÿche, Dream Theater, Tool (band), Tool, Symphony X,''AllMusic''Tool Retrieved on February 11, 2013. Shadow Gallery, King's X, and Fates Warning are a few examples of progressive metal bands who achi ...
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Guitar Synthesizer
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped with ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Patrick Mameli
Patrizio Marco Giovanni "Patrick" Mameli (born 23 November 1966) is a Dutch death metal singer and guitarist who is best known for his work with technical death metal band Pestilence. Mameli is founder and member of Pestilence since their formation in 1986. After eight years and four albums, the band called it quits in 1994, but reunited in 2008, and released three more albums before going on hiatus from 2014 to 2016. During Pestilence's break up, Mameli resurfaced in the Dutch groove metal supergroup C-187 with Cynic drummer Sean Reinert and bassist Tony Choy (formerly in Pestilence), resulting in 2007's ''Collision In physics, a collision is any event in which two or more bodies exert forces on each other in a relatively short time. Although the most common use of the word ''collision'' refers to incidents in which two or more objects collide with great fo ...''. After disbanding '' C-187'', Mameli created 2 more bands: '' Moordzucht'' and '' Neuromorph''. In 2018 Mam ...
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Jeroen Paul Thesseling
Jeroen Paul Thesseling (born 13 April 1971) is a Dutch fretless bass player, most famous for his work in the German progressive death metal band Obscura and the Dutch progressive death metal band Pestilence. Biography ;Early life Jeroen started studying violin and followed his first lessons at the age of 7. During his youth he played with classical orchestras, ensembles and attended several classical music contests. At the age of 16 he switched to bass guitar. ;Professional career Thesseling began studying bass in 1988 at the ArtEZ School of Music in Enschede, Netherlands. Between 1992 and 1994, he was a member of Pestilence, with whom he recorded the jazz fusion-influenced album ''Spheres''. In 1995 Jeroen started to study microtonality, which resulted in two pieces: ''Hafnium'' — study in 72-tone equal temperament (1999) — and ''Argon'' — study in 18-tone equal temperament (2000). The period following, Arabic microtonal and contemporary classical music inspired him to f ...
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