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Spedale Degli Innocenti
The Ospedale degli Innocenti (;) 'Hospital of the Innocents', also known in old Tuscan dialect as the ''Spedale degli Innocenti'', is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties. Today the building houses a small museum of Renaissance art with works by Luca della Robbia, Sandro Botticelli, and Piero di Cosimo, as well as an Adoration of the Magi by Domenico Ghirlandaio. The building currently serves as the base of operations for the UNICEF Innocenti Research Centre.UNICEF Innocenti (2021). History of In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNICEF Innocenti Research Centre
UNICEF (), originally called the United Nations International Children's Emergency Fund in full, now officially United Nations Children's Fund, is an agency of the United Nations responsible for providing humanitarian and developmental aid to children worldwide. The agency is among the most widespread and recognizable social welfare organizations in the world, with a presence in 192 countries and territories. UNICEF's activities include providing immunizations and disease prevention, administering treatment for children and mothers with HIV, enhancing childhood and maternal nutrition, improving sanitation, promoting education, and providing emergency relief in response to disasters. UNICEF is the successor of the United Nations International Children's Emergency Fund, created on 11 December 1946, in New York, by the U.N. Relief Rehabilitation Administration to provide immediate relief to children and mothers affected by World War II. The same year, the U.N. General Assembly e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico E David Ghirlandaio, Bartolomeo Di Giovanni, Adorazione Dei Magi, 1488-89, 01
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Columbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia Dei Lanzi
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria. History Sometimes erroneously referred to as ''Loggia dell' Orcagna'' because it was once thought to be designed by that artist, it was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. Simone Talenti is also well known from his contributions to the churches Orsanmichele and San Carlo. The vivacious construction of the Loggia is in stark contrast w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriano Marinazzo - Progetto Brunelleschi - Ospedale Innocenti
Adriano or Adrião is the form of the Latin given name ''Hadrianus'' commonly used in the Italian language; the form Adrian is used in the English language. Notable people with the name include: * Adriano Banchieri, Italian composer, music theorist, organist and poet * Adriano Bernareggi, Italian Catholic bishop * Adriano Castellesi, Italian cardinal and writer * Adriano Celentano, Italian entertainer * Adriano Correia de Oliveira, Portuguese singer and composer * Adriano Espaillat, Dominican-American politician * Adriano Galliani, Italian entrepreneur * Adriano Garrido, Brazilian beach volleyball player * Adriano Olivetti, Italian entrepreneur * Adriano Panatta, Italian tennis player * Adriano Rigoglioso, English footballer * Adriano Sofri, Italian politician and journalist * Adriano Visconti, Italian air force major * Adrian Willaert, Flemish composer, who in sources was sometimes referred to simply as "Adriano" Brazilian footballers * Adriano (footballer, born 1969), full n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco At Ospedale Delgi Innocenti In Florence, Italy
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabernacle Window
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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