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Sparks (Imogen Heap Album)
''Sparks'' is the fourth studio album by English singer Imogen Heap, released on 19 August 2014 through Megaphonic Records in the United Kingdom and through RCA Records in the United States. Recorded between 2011 and 2014 across four different continents, with a new song being written and released every three months, it was primarily written and produced by Heap, with additional writing and production from collaborators Deadmau5, Vishal–Shekhar, and B.o.B, as well as production from Nick Ryan. The album is primarily an electropop record, also incorporating of other genres such as dance-pop, ambient, bhangra, a cappella, Bhutanese folk, and spoken word. It is also loosely a concept album, where each song makes use of different technological innovations such as crowdsourcing, 3D audio effects, reactive music, and a pair of musical gloves developed by Heap. Lyrically, the record covers a number of mostly disparate themes, among them being technology, relationships, sex, and H ...
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Imogen Heap
Imogen Jennifer Heap (born 9 December 1977) is a British musician, singer, songwriter and record producer. Her work has been considered pioneering in pop and electropop music. Heap classically trained in piano, cello and clarinet starting at a young age. She began writing songs at the age of 13 and, while attending boarding school, taught herself music production. After being discovered by manager Mickey Modern while attending the BRIT School, Heap signed to independent record label Almo Sounds at the age of 18 and later began working with experimental pop band Acacia. She released her debut album, an alternative rock record, '' I Megaphone'', in 1998. In early 2002, Heap and English record producer Guy Sigsworth formed the electronic duo Frou Frou and released their only album to date, '' Details'' (2002). Her second studio album, '' Speak for Yourself'', was released in 2005 on her own label, Megaphonic Records, and was certified gold in the United States and Canada. T ...
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Music Of Bhutan
The music of Bhutan is an integral part of its culture and plays a leading role in transmitting social values. Traditional Bhutanese music includes a spectrum of subgenres, ranging from folk to religious song and music. Some genres of traditional Bhutanese music intertwine vocals, instrumentation, and theatre and dance, while others are mainly vocal or instrumental. The much older traditional genres are distinguished from modern popular music such as rigsar. Instruments Instruments used in both traditional and modern genres of Bhutanese music include the lingm (six-holed flute), the chiwang (Tibetan two-stringed fiddle), and the dramnyen (similar to a large three-stringed rebec); modern musicians often update these instruments for use in rigsar. Other traditional instruments include tangtang namborong (four-holed bamboo bass flute), kongkha (bamboo mouth harp), and gombu (bull or buffalo horn). Newer instruments include the yangchen, brought from Tibet in the 1960s. Whil ...
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Fortnight
A fortnight is a unit of time equal to 14 days (two weeks). The word derives from the Old English term , meaning "" (or "fourteen days," since the Anglo-Saxons counted by nights). Astronomy and tides In astronomy, a ''lunar fortnight'' is half a lunar synodic month, which is equivalent to the mean period between a full moon and a new moon (and vice versa). This is equal to 14.77 days. It gives rise to a lunar fortnightly tidal constituent (see: Long-period tides). Analogs in other languages In many languages, there is no single word for a two-week period, and the equivalent terms "two weeks", "14 days", or "15 days" ( counting inclusively) have to be used. * Celtic languages: in Welsh, the term ''pythefnos'', meaning "15 nights", is used. This is in keeping with the Welsh term for a week, which is ''wythnos'' ("eight nights"). In Irish, the term is ''coicís''. * Similarly, in Greek, the term δεκαπενθήμερο (''dekapenthímero''), meaning "15 days", is used. * ...
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Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of electro ...
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AIM Independent Music Awards
The AIM Independent Music Awards, hosted by the Association of Independent Music (commonly abbreviated to AIM), began in 2011. It is established through a collection of independent record labels and providing service and support to independent and smaller artists and record labels globally, achieving recognition for their efforts and works. The AIM Independent Music Awards are also providing recipients with greater opportunities to further expand their careers and name in the music industry. About The Association of Independent Music The Association of Independent Music is a non-profit organization initiated in March 1999 and the current AIM's CEO is Paul Pacifico which previously held titles as CEO of the Featured Artists' Coalition (commonly abbreviated to FAC) and President of the International Artists Organisation (commonly abbreviated to IAO), a professor at Berklee College of Music (Campus in Valencia, Spain) and also owns his own Independent music company. The trade bo ...
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57th Annual Grammy Awards
The 57th Annual Grammy Awards were held on February 8, 2015, at the Staples Center in Los Angeles, California. The show was broadcast live by CBS at 5:00 p.m. PST ( UTC−8). Rapper LL Cool J hosted the show for the fourth consecutive time. The Grammy nominations were open for recordings released between October 1, 2013, and September 30, 2014. Breaking from tradition of a prime-time concert approach, the Grammy nominees were announced during an all-day event on December 5, 2014, starting with initial announcements on the ''CBS This Morning'' telecast, followed by updates made through The Grammys' official Twitter account. Sam Smith won four awards, including Best New Artist, Record of the Year, Song of the Year for "Stay with Me" and Best Pop Vocal Album for ''In the Lonely Hour''. Beck's album ''Morning Phase'' was named Album of the Year. This prompted Kanye West, who later said he thought Beyoncé should have won, to jokingly leap onstage to interrupt Beck in a re- ...
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Grammy Award For Best Boxed Or Special Limited Edition Package
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pr ... for Best Boxed or Special Limited Edition Package has been presented since 1995 to an album's art directors. The award is not bestowed upon or shared by the artist unless they are also a credited art director. The award year reflects the year of presentation, not the year the work was actually released. The award category has previously been known as Best Recording Package – Boxed (1995–1997) and Best Boxed Recording Package (1998–2002). Usually, five nominees are presented, through in 2016, amound of nominees was six. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References {{DEFAULTSORT:Grammy Award For Best Boxed Or Special Lim ...
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Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's '' Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their '' The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and '' The Wall'' (1979) albums. Pink Floyd have also released '' The Early Years 1965–1972'' box set which features mostly unreleased ...
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Dance/Electronic Albums
Top Dance/Electronic Albums, Dance/Electronic Albums (formerly Top Electronic Albums) is a music chart published weekly by ''Billboard'' magazine which ranks the top-selling electronic music albums in the United States based on sales compiled by Nielsen SoundScan. The chart debuted on the issue dated June 30, 2001 under the title Top Electronic Albums, with the first number-one title being the original soundtrack to the film ''Lara Croft: Tomb Raider''. It originally began as a fifteen-position chart and has since expanded to twenty-five positions. Top Electronic Albums features full-length albums by artists who are associated with electronic music genres (house, techno, IDM, trance, etc.) as well as pop-oriented dance music and electronic-leaning hip hop. Also eligible for this chart are remix albums by otherwise non-electronic-based artists and DJ-mixed compilation albums and film soundtracks which feature a majority of electronic or dance music. In 2019, ''Billboard'' add ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coi ...
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RjDj
RjDj (Reality Jockey Ltd.) was a startup founded in late 2008 by last.fm co-founder Michael Breidenbruecker. The company was based in London and was run by a small team of four employees. Its mission was to create sonic experiences specifically designed for the latest generation of personal music players. RjDj produced and distributed a network of mobile applications and sold additional musical content within this network. RjDj developed a new genre of music that it called reactive music, a non-linear form of music that was able to react to the listener and their environment in real-time. Reactive music is closely connected to generative music, interactive music, and augmented reality. Similar to music in video games, that is changed by specific events happening in the game, reactive music is affected by events occurring in the real life of the listener. Reactive music adapts to a listener and their environment by using built in sensors (e.g. camera, microphone, accelerometer, t ...
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3D Audio Effect
3D audio effects are a group of sound effects that manipulate the sound produced by stereo speakers, surround-sound speakers, speaker-arrays, or headphones. This frequently involves the virtual placement of sound sources anywhere in three-dimensional space, including behind, above or below the listener. 3-D audio (processing) is the spatial domain convolution of sound waves using Head-related transfer functions. It is the phenomenon of transforming sound waves (using head-related transfer function or HRTF filters and cross talk cancellation techniques) to mimic natural sounds waves, which emanate from a point in a 3-D space. It allows trickery of the brain using the ears and auditory nerves, pretending to place different sounds in different 3-D locations upon hearing the sounds, even though the sounds may just be produced from just 2 speakers (dissimilar to surround sound). Complete 3D positional audio Using head-related transfer functions and reverberation, the changes of sound ...
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