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Spanish Rice (album)
''Spanish Rice'' is an album by American jazz trumpeter Clark Terry and Cuban composer-arranger Chico O'Farrill featuring performances recorded in 1966 for the Impulse! label.Impulse! Records discography accessed April 6, 2011Lord, T. Clark Terry discography accessed July 14, 2016 Reception The review by Ken Dryden awarded the album 3 stars stating "This is a fun recording that had the potential to be a memorable one, but it falls a bit short".Dryden, K[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Say "Si Si"
"Para Vigo me voy", known in English as "Say Si Si", is a popular song written in 1935 by Cuban composer Ernesto Lecuona with lyrics by Francia Luban (original Spanish version) and Al Stillman (translated English version). Early bands to record the song include Xavier Cugat's orchestra (1935) and Lecuona Cuban Boys (1937). The song was copyrighted in the United States in 1940. It became a hit in the US when it was recorded by The Andrews Sisters and Glenn Miller in 1940, and The Mills Brothers in 1953. Style Releases including "Para Vigo me voy" often label the song as a "conga", or occasionally a "rumba". Thus, it is considered an early example of a "salon conga" or "ballroom conga", in the same vein as the famous " ballroom rumbas" such as "The Peanut Vendor" ("El manisero"). According to musicologist Alberto Pérez Perazzo, "Para Vigo me voy" is one of the first popular songs with a true conga rhythm. Recordings One of the earliest recordings of "Para Vigo me voy" was made by Xav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everett Barksdale
Everett Barksdale (April 28, 1910 – January 29, 1986) was an American jazz guitarist and session musician. He played bass and banjo before settling on guitar. In the 1930s, Barksdale moved to Chicago, where he was in Erskine Tate's band. He recorded for the first time with violinist Eddie South in 1931, and he remained with South until 1939. He moved to New York City and became a member of the Benny Carter big band. Around the same time, he recorded with Sidney Bechet. During the 1940s, he worked for CBS as a session musician. As a sideman, Barksdale played guitar in many genres. He worked with vocalists Dean Barlow, Maxine Sullivan, the Blenders, and the Clovers. He played on the hit "Love Is Strange" by Mickey & Sylvia, and was music director for the Ink Spots. Beginning in 1949, he worked with pianist Art Tatum until Tatum died in 1956. During the 1950s and 1960s, he was a member of the house band at ABC. He played on recordings by Lena Horne, Sammy Davis Jr., Dinah Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snooky Young
Eugene Edward "Snooky" Young (February 3, 1919 – May 11, 2011) was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds. Biography Young was lead trumpeter of the Jimmie Lunceford band from 1939 to 1942. He played with Count Basie (three stints totalling eight years), Gerald Wilson and Lionel Hampton, among others, and was an original member of the Thad Jones/Mel Lewis Big Band. His longest engagement was with NBC, where, as a studio trumpeter, he joined The Tonight Show Band, ''The Tonight Show'' Band in 1967 and remained with them until 1992, when the band was replaced by a new, smaller group. He was part of the touring ensemble, the "Now Generation Brass" that traveled with Doc Severinsen, an ensemble that included other jazz greats such as reed man Lew Tabackin, drummer Ed Shaughnessy, saxophonist & arranger Tommy Newsom as well as singer Robert Ozn. Young went on to performing live concert d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Newman (trumpeter)
Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods. Early life and education Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour. Career In 1941, he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as the leader. He also played on Benny Goodman's 1962 tour of the Soviet Union. In 1961, Newman l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Portillo De La Luz
César Portillo de la Luz (October 31, 1922May 4, 2013) was a Cuban musician, lyricist and composer. Born in Havana, Cuba, Portillo is credited with founding the '' filin'' music genre. ''The Miami Herald'' described Portillo as "a fundamental author of Latin American music" and "one of Cuba's most celebrated composers". Portillo is also cited as "the most distinguished lyricist of his generation" and "one of the most prolific Cuban composers of the twentieth century". Early life Born on October 31, 1922 in Havana, Cuba to a cigar-roller, Portillo taught himself play the guitar. At first, he painted houses to earn his living and supplemented his income by giving guitar lessons. In 1946, he made his debut as a professional guitar player on radio. A weekly slot on Radio Mil Diez followed, which increased his popularity. Career and death Portillo had his own show titled ''Feeling Season''. Portillo received international prominence after his 1946 romance song " Contigo en la Distanci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
