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Soviet Kobzars
Soviet kobzars were stylised performers on the bandura created to replace the traditional authentic kobzari who had been wiped out in the 1930s. These performers were often blind and although some actually had contact with the authentic kobzari of the previous generation, many received formal training in the Folk conservatories by trained musicians and played on contemporary chromatic concert factory made instruments. Their repertoire was primarily made up of censored versions of traditional kobzar repertoire and focused on stylized works that praised the Soviet system and Soviet heroes. Most of this music lost its traditional folk characteristics such as modal tunings, traditional folk melodic embellishments, playing style etc. The group includes performers such as Yevhen Adamtsevych, Petro Huz', and Yehor Movchan. See also * Persecuted bandurists Kobzars and bandurists were a unique class of musicians in Ukraine, who travelled between towns and sang dumas, a meditative p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandura
A bandura ( uk, банду́ра) is a Ukrainian plucked string folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings and similar to the lute. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern 'concert' instruments (1954).Mizynec, V. Folk Instruments of Ukraine. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th – early 20th century traditional bandura players, often blind, were referred to as kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' can date itself to Polish chronicles from 1441. The hybridization, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzar
A ''kobzar'' ( ua, кобзар, pl. kobzari ua, кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed bandura or kobza. Tradition Kobzars were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means 'kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura, or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas. At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style. Guilds In Ukraine, kobzar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persecuted Bandurists
Kobzars and bandurists were a unique class of musicians in Ukraine, who travelled between towns and sang dumas, a meditative poem-song. Kobzars were usually blind, and required the completion of a three-year apprenticeship in specialized Kobzar guilds, in order to be officially recognized as such. In 1932, on the order of Stalin, the Soviet authorities called on all Ukrainian Kobzars to attend a congress in Kharkiv. Those that arrived were taken outside the city and were all put to death. Persecution of bandurists and kobzari by the Soviet authorities can be divided up into various periods. These periods differed in the type and length of persecution and punishments were dealt out and also the reason for the punishment. Following is a list of persecuted Bandurists sourced from ''Music from the shadows'' Roman Malko and ''The Voices of the Dead'' by Kuromiya Hiroaki. A * Andriychyk, Hryhoriy – member of Kiev Bandurist Capella arrested in 1937, shot in 1938. * Andrusenko, Mykhailo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Union
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk ( Byelorussian SSR), Tashkent (Uzbek SSR), Alma-Ata (Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yevhen Adamtsevych
Yevhen Oleksandrovych Adamtsevych (19 December 19041 January 1972) was a prominent blind Ukrainian bandurist. Biography Yevhen Oleksandrovych Adamtsevych was born in the village of Solonytsia on 1 January 1904, not far from the town of Lubny, in Poltava oblast. His father, who came from Snovsk, worked at one time at the railway station at , possibly as the station master. His mother was Maria Mykhailivna (Birth_name#Maiden_and_married_names, née Bilan), the middle class daughter of a tailor whose five children were all educated at home. Yevhen became blind at the age of two. He was educated at a school for the blind in Kyiv. He lived in Romny where from 1925 he was apprenticed to the kobzar , who taught him to play the bandura. Adamtsevych began to perform as a soloist in 1927, where he led a group of bandurists. In 1927 he married Lidia Dmytrivna Paradis; her relatives did not approve of this marriage and were only reconciled years later. During the 1930s, he was a travelling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petro Huz'
Petro is a masculine given name, a surname and an Ancient Roman cognomen. It may refer to: Given name * Petro Balabuyev (1931-2007), Ukrainian airplane designer, engineer and professor, lead designer of many Antonov airplanes * Petro Doroshenko (1627–1698), Cossack political and military leader, Hetman of Right-bank Ukraine (1665–1672) and a Russian ''voyevoda'' (governor) * Petro Drevchenko (1863-1934), Ukrainian bandurist * Petro Dyachenko (1895-1965), Ukrainian military commander * Petro Dyminskyi (born 1954), Ukrainian politician, businessman and former footballer * Petro Franko (1890-1941), Ukrainian educator and author * Petro Georgiou (born 1947), Australian politician * Petro Goga, Chairman of the Constituent Assembly of Albania in 1924 * Petro Kalnyshevsky (1691?–1803), last Koshovyi Otaman of the Zaporozhian Host (in what is now Ukraine) * Petro Kharchenko (born 1983), Ukrainian former pair ice skater * Petro Kasui Kibe (1587–1639), Japanese Christian missionary, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Culture
The culture of the Soviet Union passed through several stages during the country's 69-year existence. It was contributed to by people of various nationalities from every one of fifteen union republics, although a majority of the influence was made by Russians. The Soviet state supported cultural institutions, but also carried out strict censorship. History Lenin era The main feature of communist attitudes towards the arts and artists in the years 1918–1929 was relative freedom, with significant experimentation in several different styles in an effort to find a distinctive Soviet style of art. In many respects, the NEP period was a time of relative freedom and experimentation for the social and cultural life of the Soviet Union. The government tolerated a variety of trends in these fields, provided they were not overtly hostile to the regime. In art and literature, numerous schools, some traditional and others radically experimental, proliferated. Communist writers Maxim Gorky an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzarstvo
Kobzarstvo () in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian folk instruments known as the bandura, kobza and the Ukrainian hurdy-gurdy whom as the lira. More specifically, it deals with the related culture of the blind professional itinerant folk singers, known as the kobzars and the lirnyk ] The lirnyk ( Ukrainian language, Ukrainian: лірник; plural лірники - lirnyky) were itinerant Ukrainian musicians who performed religious, historical and epic songs to the accompaniment of a lira, the Ukrainian version of the hurd ...s. It includes their musical genres, style of performing, playing techniques, customs, secret language (known as Lebiy), organization and para-religious traditions. The study of kobzarstvo initially started in the mid 18th century and continues to this day. The wider definition, although not accurate, it can also include the culture of the more modern non-blind conservatory trained musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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