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Southeast Asian Music
300px, Location of Southeast Asia Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei, Cambodia, East Timor, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand and Vietnam, which accommodate hundreds of ethnic groups. Thousands of styles of music are present as a result of regional groups speaking many languages all over the subregion of Asia. Regionalism is usually accepted and celebrated, however, it is sometimes suppressed by the people, even though countries from southeast Asia are trying to construct national cultures. Hinduism, Buddhism, Islam, and Christianity are the paramount faiths in Southeast Asia. Throughout history to the present time, instrumental and vocal music has been centralized and focused on the religious life of subregional Asia. Urbanization has helped to assimilate musical and religious practices. Although modernization has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ASEAN Members
, the Association of Southeast Asian Nations (ASEAN) has 10 member states, one candidate member state, and one observer state. ASEAN ASEAN Declaration, was founded on 8 August 1967 with five members: Indonesia, Malaysia, the Philippines, Singapore, and Thailand. It is headquartered in Jakarta. Lists A list of member states is provided below. The members of ASEAN Free Trade Area#ASEAN Plus Three, ASEAN Plus Three and the East Asia Summit are also listed. Both forums are ASEAN-led and meetings are held following the ASEAN Summit. Also listed are participants of the ASEAN#Regional Forum, ASEAN Regional Forum (ARF), an organisation throughout the Asia-Pacific region whose objectives are to foster dialogue and consultation, and promote confidence-building and preventive diplomacy in the region. The ASEAN is an organisation on the Southeast Asian region that aims to accelerate economic growth, social progress, and cultural development among its members and to promote regional peace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faiths
Faith, derived from Latin ''fides'' and Old French ''feid'', is confidence or trust in a person, thing, or In the context of religion, one can define faith as "belief in God or in the doctrines or teachings of religion". Religious people often think of faith as confidence based on a perceived degree of warrant, or evidence while others who are more skeptical of religion tend to think of faith as simply belief without evidence.Russell, Bertrand"Will Religious Faith Cure Our Troubles?" ''Human Society in Ethics and Politics''. Ch 7. Pt 2. Retrieved 16 August 2009. Etymology The English word ''faith'' is thought to date from 1200 to 1250, from the Middle English ''feith'', via Anglo-French ''fed'', Old French ''feid'', ''feit'' from Latin ''fidem'', accusative of ''fidēs'' (trust), akin to ''fīdere'' (to trust). Stages of faith development James W. Fowler (1940–2015) proposes a series of stages of faith-development (or spiritual development) across the human lifespan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Myanmar
The music of Myanmar (or Burma) ( my, မြန်မာ့ဂီတ) shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a (''na-yi-se''), a (''wa-let-se'') or a () time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in ''Mahagita'' (the Burmese body of music) is known as ''twe-lone,'' which is similar to a chord in western music. For example, C is combined with F or G. Musical instruments include the brass se (which is like a triangle), '' hne'' (a kind of oboe), the bamboo wa, as well as the well-known ''saung'', a boat-shaped harp. Traditionally, the instruments are classified into five groups called (). These instruments are played on a musical scale consisting of seven tones, each associated with an animal that is said to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Malaysia
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as ''Nobat'', '' Mak Yong'', ''Mak Inang'', '' Dikir barat'', ''Ulek mayang'' and '' Menora''. The syncretic music developed during the post-Portuguese period (16th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and theatrical sources. Among genres of this music are ''Zapin'', ''Ghazal'', '' Mata-kantiga'', ''Joget'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Laos
The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam. Classical music The Lao term ເພງລາວເດີມ "peng Lao deum" (traditional Lao songs) describes the royal court music of Laos. Historical records indicate that an indigenous classical tradition existed, which was mainly influenced by ancient Khmer traditions and mountainous ethnic groups. King Fa Ngum was raised and educated in Angkor Wat, so the Khmer traditions were the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sumatra
The Music of Sumatra, Sumatra is a part of Indonesia; its best-known musical output is probably dangdut, a rabab/ saluang instrumental style. The Sumatran Toba people are distinctive in their use of tuned drums to carry the melody in their music; this practice is very rare worldwide. The Toba also use an instrument similar to the oboe and several kinds of gongs. Ensembles include the '' gondang sabangunan''. The Mandailing people is one of the ethnic group from the Province of North Sumatra. Their cultural heritage is the Gordang sambilan (nine drums graded in size from large to small), complemented by two big gongs (''agung''), a bamboo flute called ''sarune'' or ''saleot'', and a pair of small cymbals called ''tali sasayat''. Films *2007 – Sumatran Folk Cinema' (dir. Mark Gergis and Alan Bishop; Sublime Frequencies) See also * Music of Indonesia * Music of Sunda * Music of Java * Music of Bali The Music of Bali, Bali is an Indonesian island that shares in the gamela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Java
The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history. Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian cultures and European colonial forms. Gamelan The gamelan orchestra, based on metallic idiophones and drums, is perhaps the form which is most readily identified as being distinctly "Javanese" by outsiders. In various forms, it is ubiquitous to Southeast Asia. In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sunda
Sundanese Music (Sundanese: ) is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture. The people of Sundanese, who inhabit the Westernmost third of the island of Java, are sometimes wrongly referred to by foreigners as Javanese. Sundanese culture, language and music are quite distinct from those of the Javanese people of Central and East Java - although of course there are also elements in common. In Sunda there is a bewildering diversity of musical genres, musical composition and tuning systems are recognizably differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bali
The Music of Bali, Bali is an Indonesian island that shares in the gamelan and other Indonesian musical styles. Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog, gamelan gong gede, gamelan gambang, gamelan selunding and gamelan semar pegulingan, the cremation music angklung and the processional music bebonangan. Modern popular styles include gamelan gong kebyar, dance music which developed during the Dutch occupation and 1950s era joged bumbung, another popular dance style. In Balinese music you can also hear metallophones, gongs and xylophones. Characteristics More than 50 people must be dancing during the music. Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Indonesia
As it is a country with many different tribes and ethnic groups, the music of Indonesia ( id, Musik Indonesia) itself is also very diverse, coming in hundreds of different forms and styles. Every region have its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores ( Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of East Timor
East Timor's music reflects its history under the control of both Portugal and Indonesia, who have imported music like gamelan and fado. The most widespread form of native folk music was the likurai dance, performed by women to welcome home men after war. They used a small drum and sometimes carried enemy heads in processions through villages; a modern version of the dance is used by women in courtship. In the modern era, East Timorese music has been closely associated with the independence movement; for example, the band Dili Allstars released a song that became an anthem in the build-up to the referendum on independence in 2000, while the United Nations commissioned a song called "Hakotu Ba" (by Lahane) to encourage people to register to vote in the referendum. East Timorese popular musicians include Teo Batiste Ximenes, who grew up in Australia and uses folk rhythms from his homeland in his music . With many East Timorese people in emigrant communities in Australia, Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
