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Soundtracks Volume 2
''Soundtracks Volume 2'' is a 2003 album of film music by Marc Ribot released on Tzadik Records. Reception The Allmusic review by Sean Westergaard states, "The already eclectic Marc Ribot may have released his widest-reaching album to date with ''Soundtracks, Vol. 2''. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album... Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well".Westergaard, SAllmusic Reviewaccessed August 3, 2009 Track listing All compositions are by Marc Ribot. # "Small Consolation" – 0:52 # "Prowler" – 2:57 # "House of Mirrors" – 1:48 # "Urbanight" – 2:38 # "Shockuhachi" – 1:23 # "Blue Party" – 1:07 # "The Beast in the Jungle" – 2:27 # "Nausea" – 2:57 # "Savannah" – 2:15 # "Miles to Go" – 1:01 # "The Dream of the Other" – 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Ribot
Marc Ribot (; born May 21, 1954) is an American guitarist and composer. His work has touched on many styles, including no wave, free jazz, rock, and Cuban music. Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn. Biography Marc Ribot was born in Newark, New Jersey. He grew up in the Montrose section of South Orange, New Jersey. He has worked extensively as a session guitarist. He has performed and recorded with Tom Waits, Caetano Veloso, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Sam Phillips, Elvis Costello, Tift Merritt, Allen Ginsberg, Foetus, Robert Plant and Alison Krauss, Susana Baca, The Black Keys, Vinicio Capossela, Alain Bashung, McCoy Tyner, Elton John, Madeleine Peyroux, Marianne Faithfull, Diana Krall, Mike Patton, Stormin’ Norman and Suzy Williams, Neko Case, Joe Henry, Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JD Foster
JD Foster is an American record producer, bassist, multi-instrumentalist, composer and songwriter. He is known for working with country and Americana performers including Dwight Yoakam and Patty Griffin. Producer, performer and recording artist JD Foster has produced albums and songs for a wide variety of artists and contributed as a bassist and multi-instrumentalist on many alternative, rock, and country albums. His list of collaborations includes Marc Ribot, Patty Griffin, Calexico, Ronnie Lane, Richard Buckner, Lucinda Williams, Vinicio Capossela, Anna Coogan, 17 Hippies, Il Pan Del Diavolo, Eszter Balint and many more. As well as being a producer, JD Foster is also a songwriter, musician, and recording artist. From Florida to L.A. He started his career in Central Florida, playing bass with numerous Orlando, Gainesville, and Saint Augustine musicians. Foster lived in Los Angeles throughout most of the 1980s playing with Dwight Yoakam, Jim Lauderdale, Rosie Flores, Pete A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack Compilation Albums
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzadik Records Soundtracks
Tzadik ( he, צַדִּיק , "righteous ne, also ''zadik'', ''ṣaddîq'' or ''sadiq''; pl. ''tzadikim'' ''ṣadiqim'') is a title in Judaism given to people considered righteous, such as biblical figures and later spiritual masters. The root of the word ''ṣadiq'', is '' ṣ- d- q'' ( ''tsedek''), which means "justice" or "righteousness". When applied to a righteous woman, the term is inflected as ''tzadika/tzaddikot''. ''Tzadik'' is also the root of the word ''tzedakah'' ('charity', literally 'righteousness'). The term ''tzadik'' "righteous", and its associated meanings, developed in rabbinic thought from its Talmudic contrast with ''hasid'' ("pious" honorific), to its exploration in ethical literature, and its esoteric spiritualisation in Kabbalah. Since the late 17th century, in Hasidic Judaism, the institution of the mystical tzadik as a divine channel assumed central importance, combining popularization of (hands-on) Jewish mysticism with social movement for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Soundtracks
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the fore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Soundtrack Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Ribot Albums
Marc or MARC may refer to: People * Marc (given name), people with the first name * Marc (surname), people with the family name Acronyms * MARC standards, a data format used for library cataloging, * MARC Train, a regional commuter rail system of the State of Maryland, serving Maryland, Washington, D.C., and eastern West Virginia * MARC (archive), a computer-related mailing list archive * M/A/R/C Research, a marketing research and consulting firm * Massachusetts Animal Rights Coalition, a non-profit, volunteer organization * Matador Automatic Radar Control, a guidance system for the Martin MGM-1 Matador cruise missile * Mid-America Regional Council, the Council of Governments and the Metropolitan Planning Organization for the bistate Kansas City region * Midwest Association for Race Cars, a former American stock car racing organization * Revolutionary Agrarian Movement of the Bolivian Peasantry (''Movimiento Agrario Revolucionario del Campesinado Boliviano''), a defunct right-w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Rothenberg
Ned Rothenberg (born September 15, 1956) is an American multi-instrumentalist and composer. He specializes in woodwind instruments, including the alto saxophone, clarinet, bass clarinet, flute, and shakuhachi (Japanese bamboo flute). He is known for his work in contemporary classical and free improvisation. Rothenberg is a graduate of the Oberlin Conservatory of Music. He was a founding member of the woodwind trio New Winds with J. D. Parran and Robert Dick. He has performed with Samm Bennett, Paul Dresher, Fred Frith, Evan Parker, Marc Ribot, Elliott Sharp, John Zorn, Yuji Takahashi, Sainkho Namtchylak, and Katsuya Yokoyama. Discography As leader * ''Trials of the Argo'' (Lumina, 1981) * ''Portal'' (Lumina, 1983) * ''Trespass'' (Lumina, 1986) * ''Overlays'' (Moers, 1991) * ''Opposites Attract'' with Paul Dresher (New World, 1991) * ''Power Lines'' (New World, 1995) * ''Real and Imagined Time'' (Moers, 1995) * ''Amulet'' with Sainkho (Leo, 1996) * ''Monkey Puzzle'' with Evan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Foster (musician)
Alex Foster (born May 10, 1953) is an American jazz musician who plays alto and tenor saxophone. He has recorded for record labels since the early 1970s. He is known for playing alto sax in the ''Saturday Night Live'' house band. He is also the co-musical director for the Mingus Big Band (which was nominated for a Grammy Award in 2005, and later winning the award for Best Large Jazz Ensemble), Mingus Orchestra and Mingus Dynasty. Discography * 1975: ''Cosmic Chicken'' (Prestige) with Jack DeJohnette's Directions * 1976: ''Untitled'' (ECM) with Jack DeJohnette's Directions * 1977: ''New Rags'' (ECM) with Jack DeJohnette's Directions * 1977: ''Transaxdrum'' (Finite) *1978: ''Headin' Home'' (A&M/Horizon) with Jimmy Owens * 1991: ''Beginnings: Goodbye'' (Big World) * 1995: ''The News'' (Jazzline) with Kirk Lightsey, Tony Lakatos, George Mraz * 1997: ''Pool of Dreams'' (Truspace) with Michael Wolff Collaborations * ''Sally Can't Dance'' - Lou Reed (1974) * ''I'll Keep On Loving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Coleman
Anthony Coleman (born August 30, 1955) is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on '' Cobra'', ''Kristallnacht'', ''The Big Gundown'', ''Archery'', and ''Spillane'' and helped push modern Jewish music into the 21st century. Career At the age of thirteen, Coleman started studying piano with Jaki Byard. At the New England Conservatory of Music he studied with George Russell, Donald Martino and Malcolm Peyton.Hyla, Lee"Anthony Coleman: Lapidation" Liner notes to ''Anthony Coleman: Lapidation''. New World Records. Coleman's collaborators over the years have included guitarist Elliott Sharp, trumpeter Dave Douglas, accordion player Guy Klucevsek, composer David Shea, former Captain Beefheart bandmember Gary Lucas, classical and klezmer clarinetist David Krakauer, guitarist Marc Ribot, bassist Greg Cohen, drummer Joey Baron and saxophonist Roy Nathanson. Coleman's compositions and solo work reflect his interest in his Jewish background. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
