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Soundtrack From Twin Peaks
''Soundtrack from Twin Peaks'' (also known as ''Music from Twin Peaks'') is a soundtrack album by American composer Angelo Badalamenti. It was released on September 11, 1990, by Warner Bros. Records and is the official soundtrack to the television series ''Twin Peaks'' (1990–1991). Though mostly instrumental, three tracks feature vocals by Julee Cruise. Background The series' co-creator David Lynch produced the album alongside Badalamenti and wrote lyrics for several tracks, including the series' theme song "Falling". Upon its release, ''Soundtrack from Twin Peaks'' placed in several international charts—including the top 10 in Norway, Sweden, Australia and the Netherlands—and "''Twin Peaks'' Theme" received the award for Best Pop Instrumental Performance at 33rd Annual Grammy Awards. Several tracks of the soundtrack were sampled numerous times, a famous example is "Laura Palmer's Theme", which was sampled in the ''Woodtick Mix'' of the song " Go" by Moby. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Badalamenti
Angelo Daniel Badalamenti (March 22, 1937 – December 11, 2022) was an American composer, best known for his work scoring films for director David Lynch, notably '' Blue Velvet'', the ''Twin Peaks'' saga (1990–1992, 2017), ''The Straight Story'', and ''Mulholland Drive''. Badalamenti received the 1990 Grammy Award for Best Pop Instrumental Performance for his "''Twin Peaks'' Theme". Badalamenti also received a "Lifetime Achievement Award" from the World Soundtrack Awards's Academy in 2008, and the "Henry Mancini Award" from the American Society of Composers, Authors and Publishers in 2011. Early life Angelo Daniel Badalamenti was born on March 22, 1937, in Brooklyn, New York, the second of four children born to John and Leonora (née Ferrari) Badalamenti. His father, who was of Sicilian descent from the town Cinisi, was a fish market owner. He began taking piano lessons at age eight. By the time Badalamenti was a teenager, his aptitude at the piano earned him a summer jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
33rd Annual Grammy Awards
The 33rd Annual Grammy Awards were held on February 20, 1991. They recognized accomplishments by musicians from the previous year. Quincy Jones was the night's biggest winner winning a total of six awards including Album of the Year. Performers Award winners General ;Record of the Year * "Another Day in Paradise" – Phil Collins ** Hugh Padgham & Phil Collins, producers * "Vision of Love" – Mariah Carey ** Rhett Lawrence & Narada Michael Walden, producers * "U Can't Touch This" – MC Hammer ** MC Hammer, producer * "From a Distance" – Bette Midler ** Arif Mardin, producer * "Nothing Compares 2 U" – Sinéad O'Connor ** Sinéad O'Connor & Nellee Hooper, producers ; Album of the Year *Quincy Jones (producer & artist) for ''Back on the Block'' ; Song of the Year *Julie Gold (songwriter) for "From a Distance" performed by Bette Midler ;Best New Artist *Mariah Carey *Lisa Stansfield *The Black Crowes *The Kentucky Headhunters *Wilson Phillips Alternative *Best Alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howie Weinberg
Howie Weinberg is an American audio mastering engineer with over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' ''Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1979, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1993, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Classic Records" sometimes working in a teaching cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated '' Schoolhouse Rock!'' series. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s. During the 1970s he was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Daniels
Eddie Daniels (born October 19, 1941) is an American musician and composer. Although he is best known as a jazz clarinetist, he has also played saxophone and flute as well as classical music on clarinet. Early life, family and education Daniels was born in New York City to a Jewish family. His mother emigrated from Romania. He was raised in the Manhattan Beach neighborhood of Brooklyn in New York City. He became interested in jazz as a teenager when he was impressed by the musicians accompanying singers, such as Frank Sinatra, on recordings. Daniels' first instrument was the alto saxophone. At the age of 13 he was also playing clarinet, and by the age of 15 he had played at the Newport Jazz Festival youth competition. Career Daniels has toured and recorded with a variety of bands, small groups and orchestras, and appeared on television many times. He has played with Bucky Pizzarelli, Freddie Hubbard, Billy Joel, Don Patterson, and Richard Davis. ''DownBeat'' gave Daniels th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinnie Bell
Vincent Edward Gambella (July 28, 1932 – October 3, 2019), known as Vinnie Bell, was an American session guitarist, instrument designer and pioneer of electronic effects in pop music. Life and career He was born in Brooklyn">p> Life and career He was born in Brooklyn, New York City, and studied guitar from childhood. He made his first recordings as a session musician on singles by such instrumental groups as the Overtones and the Gallahads, and played in nightclubs in New York City in the late 1950s. During this time, he developed his characteristic "watery" guitar sound, popular in instrumental recordings in the 1960s. By 1962, Bell decided to devote his energies to working as a studio musician in New York and Los Angeles. In 1963 he did a session with the French Jean-Jacques Perrey for Kai Winding, in which he played the guitar and Perrey played the Ondioline. After that Vinnie along with Perrey recorded several successful commercials, when Jean-Jacques got a contract wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audrey's Dance
"Audrey's Dance" is an instrumental song by American composer Angelo Badalamenti for the television series ''Twin Peaks'', appearing as the third track on the soundtrack album ''Soundtrack from Twin Peaks'' (1990). Like the rest of the soundtrack, it was produced by both Badalamenti and show creator David Lynch. "Audrey's Dance" first appeared in the show's pilot, aired on April 8, 1990. Named after the character Audrey Horne, the song was memorably featured in " Episode 2" when Audrey dances along to the jukebox in the Double R Diner. "Audrey's Dance" has a cool jazz style with a distinctive "walking" bassline, rhythmic finger snaps, and drums played with brushes. The song shares stylistic elements and melodic motifs with other songs on the ''Twin Peaks'' soundtrack, and several variations and alternate arrangements of the song were used throughout the show's run. Despite its title, the song frequently accompanied characters other than Audrey, particularly Bobby Briggs. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
