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Sounds Unheard Of!
''Sounds Unheard Of!'' (subtitled ''Percussion & Guitar!! Shelly Manne!! and Jack Marshall!!! In a Spectacular Demonstration of Musical Daring and Brilliant New Stereo!!'') is an album by drummer Shelly Manne and guitarist Jack Marshall recorded in early 1962 and released on the Contemporary label.Contemporary Records discography accessed May 21, 2015 The album was produced as a test and demonstration record to be used by hi-fi enthusiasts to test the performance of their audio systems. The two men followed this with another release in 1966 on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makin' Whoopee
"Makin' Whoopee" is a jazz/blues song, first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. Other versions *1928 George Olsen and His Music. Released by Victor on November 12, 1928 as catalog number 21816- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. Beguine is a dance and music form, similar to a slow rumba. Music Musicologist and composer Alec Wilder described it in his book ''American Popular Song: The Great Innovators 1900–1950'' as "a maverick, an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish without the printed music ... about the sixtieth measure I find myself muttering another title, ''End the Beguine.''" Artie Shaw version At first, the song gained little popularity, perhaps because of its length and unconventional form. Josephine Baker danced to it in her return to America in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stormy Weather (song)
"Stormy Weather" is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called ''The Cotton Club Parade of 1933'' but for the road tour it was changed to ''Stormy Weather Revue''; it contained the song "Stormy Weather", which was sung by Adelaide Hall. In September 1933, the group Comedian Harmonists released their German cover version, titled "''Ohne Dich''" ("Without You") with lyrics that are quite different. The song has since been performed by Frank Sinatra, Judy Garland, Etta James, Ella Fitzgerald, Dinah Washington, Clodagh Rodgers, Reigning Sound, Lena Horne, Billie Holiday, The Spaniels and others. Leo Reisman's o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Dietz
Howard Dietz (September 8, 1896 – July 30, 1983) was an American publicist, lyricist, and librettist, best remembered for his songwriting collaboration with Arthur Schwartz. Biography Dietz was born in New York City. He attended Columbia College and then studied journalism at Columbia University. He also served as publicist/director of advertising for Goldwyn Pictures and later MGM and is often credited with creating Leo the Lion, its lion mascot, and choosing their slogan '' Ars Gratia Artis''. In 1942, he was made MGM's Vice President in Charge of Publicity. He held that position until his retirement in 1957. He began a long association with composer Arthur Schwartz, when they teamed up for the Broadway revue ''The Little Show'' in 1929. They would continue to work on and off over the next 30 or so years. Dietz served in the US Navy in World War I and became editor of their magazine, ''Navy Life''. During World War II, he assisted the U.S. Treasury Department with the public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
By Myself (1937 Song)
"By Myself" is a 1937 jazz standard. It was written by Arthur Schwartz and Howard Dietz. The song was first sung by Jack Buchanan in the show " Between the Devil" (1937) and was a musical number in the 1953 musical comedy film, ''The Band Wagon''. Notable Recordings *Mabel Mercer – ''Songs by Mabel Mercer, Vol. 2'' (1953) * Barbara Carroll Trio – ''Lullabies in Rhythm'' (1954) *Lee Wiley and Ellis Larkins – ''Duologue: Lee Wiley Sings Rogers & Hart; Ellis Larkins Plays Piano Solos'' (1954) *Art Farmer – ''Farmer's Market'' (1956) *Patty McGovern – ''Wednesday's Child (1956), arranged by Thomas Talbert *Helen Merrill – '' Dream of You'' (1956), arranged by Gil Evans *Sammy Davis Jr. – ''Sammy Swings'' (1957) *Judy Garland – '' Alone'' (1957), arranged by Gordon Jenkins; ''I Could Go On Singing (Original Motion Picture Soundtrack)'' (1963) *Gogi Grant – ''Granted It's Gogi'' (1957), arranged by Johnny Mandel *Jerry Lewis – ''Jerry Lewis Just Sings'' (1957), arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
