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Soul Of The Bible
''Soul of the Bible'' is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to ''Soul Zodiac'' through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley. The album features narration from Rick Holmes and contributions from the sextet: Nat Adderley on cornet, George Duke and Nat Adderley Jr. on electric piano, Walter Booker on acoustic bass, Francisco Centeno on electric bass, and Roy McCurdy on drums, with guest appearances by vocalists Fleming Williams, Arthur Charma, Olga James and Stephanie Spruill, and percussionists Airto Moreira, King Errisson, Mayuto Correa and Octavio Bailly, Jr. Track listing Personnel Musicians * Nathaniel Carlyle Adderley – cornet * George Duke – electric piano, piano * Walter Booker – acoustic bass * Roy McC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Booker
Walter Booker (December 17, 1933 – November 24, 2006) was an American jazz musician. A native of Prairie View, Texas, Booker was a reliable bass player and an underrated stylist. His playing was marked by voice-like inflections, glissandos and tremolo techniques. Biography Booker moved with his family to Washington, D.C. in the mid-1940s. He played clarinet and alto sax in college with a concert band. In 1959 he began on bass while in the US Army while serving in the same unit as Elvis Presley. He worked with Andrew White in Washington after his discharge, playing in the ''JFK Quintet'' during the early 1960s. In 1964 Booker moved to New York City, being hired by Donald Byrd. After that, he recorded and toured with Ray Bryant, Betty Carter, Chick Corea, Stan Getz, Art Farmer, Milt Jackson, Thelonious Monk and Sonny Rollins, before joining the Cannonball Adderley Quintet in 1969, starting an association which lasted until Adderley's death in 1975. He then toured the United S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Bass
The acoustic bass guitar (sometimes shortened to acoustic bass or initialized ABG) is a bass instrument with a hollow wooden body similar to, though usually larger than a steel-string acoustic guitar. Like the traditional electric bass guitar and the double bass, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an octave below the lowest four strings of the 6-string guitar, which is the same tuning pitch as an electric bass guitar. Because it can sometimes be difficult to hear an acoustic bass guitar without an amplifier, even in settings with other acoustic instruments, most acoustic basses have pickups, either magnetic or piezoelectric or both, so that they can be amplified with a bass amp. Traditional music of Mexico features several varieties of acoustic bass guitars, such as the guitarrón, a very large, deep-bodied Mexican 6-string acoustic bass guitar played in Mariachi bands, the león, plucked with a pick, and the bajo sexto, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. He won 27 Grammy Awards and was nominated more than 60 times. Early life and education Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayuto Correa
Mayuto Correa (born 9 March 1943) is a Brazilian percussionist, guitarist, and composer. Life and career Correa was born in São Gonçalo, Rio de Janeiro and began playing in local bands from the age of 12 when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them. He also played for the under-17 squad of the Brazil national football team. In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos's ensemble RC-7 and performing in Chacrinha's television shows.''Dicionário Cravo Albin da Música Popular Brasileira''"Mayuto Correa" Instituto Cultural Cravo Albi. Retrieved 28 July 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airto Moreira
Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the Brazilian ensemble Quarteto Novo, he moved to the United States and worked in jazz fusion with Miles Davis and Return to Forever. Biography Airto Moreira was born in Itaiópolis, Brazil, into a family of folk healers, and raised in Curitiba and São Paulo. Showing an extraordinary talent for music at a young age, he became a professional musician at age 13, noticed first as a member of the samba jazz pioneers Sambalanço Trio and for his landmark recording with Hermeto Pascoal in Quarteto Novo in 1967. Shortly after, he followed his wife Flora Purim to the United States. After moving to the US, Moreira studied with Moacir Santos in Los Angeles. He then moved to New York where he began playing regularly with jazz musicians, including th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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