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Soul Summit Vol. 2
''Soul Summit Vol 2'' is an album by saxophonist Gene Ammons with vocalist Etta Jones and organist Jack McDuff recorded in 1961 and 1962 and released on the Prestige label. accessed April 19, 2012 Reception The review stated "Some of the first records Prestige released after Gene Ammons' incarceration were ''Soul Summit'' and ''Soul Summit, Vol. 2'', two albums whose slapdash nature was partially hidden by their presentation as all-star jam sessions. The tunes, recorded in four sessions in 1961 and 1962, are a widely varied lot in terms of material, arrangements, and accompanists... Like most of the Prestige albums of this period, ''Soul Summit, Vol. 2'' is u ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, Ammon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Marvelous For Words
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting. It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film '' Ready, Willing and Able'', as well as used for a production number in a musical revue on Broadway. The song has become a pop and jazz standard and has been recorded by many artists. Overview The song was used as the love theme for the characters played by Lauren Bacall and Humphrey Bogart in the 1947 film noir '' Dark Passage'', directed by Delmer Daves. It was introduced in a vocal version (often erroneously credited, without verification, to Jo Stafford), then recurred as an instrumental at important points in the story. Harry James recorded a version in 1947 on Columbia 37851. Alec Wilder has praised the song as a "model of pop song writing, musically and lyrically". He cited its surprising shifts in rhythm and key. The lyrics have won praise as sophisticated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Vick
Harold Vick (April 3, 1936 – November 13, 1987) was an American jazz saxophonist and flutist. Biography Harold Vick was born on April 3, 1936 in Rocky Mount, North Carolina. At the age of 13 he was given a clarinet by his uncle, Prince Robinson,Barry Kernfeld (ed.)(2002): ''The New Grove dictionary of Jazz''. London: Macmillan Publishers Limited. 2nd ed, Vol 3, p. 843. a clarinet and tenor saxophone player who had been a member of McKinney's Cotton Pickers.Sarah Bryan, Beverly Patterson (2013). ''African American Music Trails of Eastern North Carolina''. Chapel Hill, NC: UNC Press Books, p. 112. Three years later he took up the tenor saxophone, and soon began playing in R&B bands. He continued to perform, still largely with R&B bands, while studying psychology at Howard University. Recordings as leader '' Steppin' Out!'', Vick's first album as leader, was recorded for Blue Note in 1963. After a 1965 performance at Carnegie Hall with Donald Byrd, Vick secured a contract for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Holloway
James Wesley "Red" Holloway (May 31, 1927 – February 25, 2012) was an American jazz saxophonist. Biography Born in Helena, Arkansas,Daniel E. Slotnik"Red Holloway, Swinger of the Sax, Dies at 84" ''The New York Times'', February 28, 2012. Holloway started playing banjo and harmonica, switching to tenor saxophone when he was 12 years old. He graduated from DuSable High School in Chicago, where he had played in the school big band with Johnny Griffin and Eugene Wright, and went on to attend the city's Conservatory of Music. He joined the Army when he was 19 and became bandmaster for the U.S. Fifth Army Band, and after completing his military service returned to Chicago and played with Yusef Lateef and Dexter Gordon, among others. In 1948, he joined blues vocalist Roosevelt Sykes, and later played with other rhythm & blues musicians such as Willie Dixon, Junior Parker, and Lloyd Price. In the 1950s, he played in the Chicago area with Billie Holiday, Muddy Waters, Chuck Berry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Barrow (musician)
George Barrow (25 September 1921 – 20 March 2013) was an American jazz saxophonist who played both tenor and baritone saxes. Self-taught on the saxophone, flute and clarinet, by the mid-1950s, he was playing in different line-ups led by Charles Mingus, including the Quintet (with Eddie Bert, Mal Waldron and Max Roach) before going on to join line-ups led by Ernie Wilkins, including the Ernie Wilkins-Kenny Clarke Septet and the Ernie Wilkins Orchestra, as well as with Oliver Nelson, notably on the classic album '' The Blues and the Abstract Truth''. Discography As leader *''The Amram-Barrow Quartet'' – with David Amram As sideman With Kenny Clarke and Ernie Wilkins *'' Kenny Clarke & Ernie Wilkins'' (Savoy, 1955) With Charles Mingus *''The Moods of Mingus'' (Savoy, 1955) *''Mingus at the Bohemia'' (Debut, 1955) *'' The Charles Mingus Quintet & Max Roach'' (Debut, 1955) With Teddy Charles *''The Teddy Charles Tentet'' (Atlantic, 1956) *''Word from Bird'' (Atlantic, 1957) With ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album '' The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are '' More Blues and the Abstract Truth'' and ''Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moe Jaffe
Moe Jaffe (October 23, 1901 – December 2, 1972) was a songwriter and bandleader who composed more than 250 songs. He is best known for six: "Collegiate" (which was played by Chico Marx in the movie ''Horse Feathers''), "The Gypsy in My Soul", " If I Had My Life to Live Over", "If You Are But a Dream", " Bell Bottom Trousers", and "I'm My Own Grandpa". First success Jaffe was born into a Jewish family in Vilna in the Russian Empire (now Vilnius, Lithuania). Shortly after his birth, the family emigrated to America and settled in Keyport, New Jersey. After graduating from Keyport High School, Jaffe worked his way through the University of Pennsylvania's Wharton School (class of '23) and the University of Pennsylvania Law School (class of '26) by playing piano and leading a campus dance band, Jaffe's Collegians. It was the band's theme song, "Collegiate", that turned him toward Tin Pan Alley. Written by Jaffe and fellow student Nat Bonx, "Collegiate" was well known on the campus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Fulton (singer)
John Collins Fulton (June 13, 1903 – November 13, 1993) was an American composer, trombonist, and vocalist. At the age of 17, he started playing the trombone for small-town dances. He sang with the Mason-Dixon Orchestra. He also played the trombone and sang with the George Olsen Orchestra. He was part of the trio that sang on the 1925 number one hit " Who?" The other vocalists were Bob Rice and Fran Frey. In 1926, he joined the Paul Whiteman orchestra. He provided the vocals for many Whiteman recordings. He was part of a trio with Charles Gaylord and Austin Young on a recording of "Makin' Whoopee." They sang with The Rhythm Boys on their 1927 recording of "Changes" and accompany Bing Crosby and Bix Beiderbecke during their solos. He appeared in '' King of Jazz'' as a part of the orchestra, briefly singing "A Bench in the Park". With the orchestra, he popularized the song " Body and Soul" in 1930. He introduced the song " How Deep Is the Ocean?" in 1932. He wrote around 120 co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
