Soul Street (album)
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Soul Street (album)
''Soul Street'' is an album by saxophonist Jimmy Forrest compiled from four different sessions between 1960 and 1962 (with the CD edition adding a bonus track from 1958) and released on New Jazz Some tracks appear as CD bonus tracks on other CDs but this is the only album on which the Big Band tracks appear.New Jazz Records discography
accessed January 29, 2013


Reception

awarded the album 3 stars stating "A popular yet underrated tenor saxophonist, Jimmy Forrest is featured in several different settings".Yanow, S

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Jimmy Forrest (musician)
James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career. Forrest is known for his first solo recording of " Night Train". It reached No. 1 on the ''Billboard'' R&B chart in March 1952, and stayed at the top for seven weeks. "Hey Mrs. Jones" (No. 3 R&B) and "Bolo Blues" were his other hits. All were made for United Records, for which he recorded between 1951 and 1953; he recorded frequently as both a sideman and a bandleader. Biography Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington. During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry "Sweets" Edison and Al Grey, as well as appearing with Count Basie. L ...
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Eddie Heywood
Edward Heywood Jr. (December 4, 1915 – January 3, 1989) was an American jazz pianist particularly active in the 1940s and 1950s. Biography Heywood was born in Atlanta, Georgia, United States. His father, Eddie Heywood Sr., was also a jazz musician from the 1920s and provided him with training from the age of 12 as an accompanist playing in the pit band in a vaudeville theater in Atlanta, occasionally accompanying singers such as Bessie Smith and Ethel Waters. Heywood moved, first to New Orleans and then to Kansas City, when vaudeville began to be replaced by sound pictures.Wilson, John S. (January 04, 1989) "Eddie Heywood, 73, Jazz Pianist, Arranger and Composer, Is Dead"
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ...
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Idrees Sulieman
Idrees Sulieman (August 7, 1923 – July 23, 2002) was an American bop and hard bop trumpeter. Biography He was born Leonard Graham in St. Petersburg, Florida, United States, later changing his name to Idrees Sulieman, after converting to Islam. He studied at the Boston Conservatory, and gained early experience playing with the Carolina Cotton Pickers and the wartime Earl Hines Orchestra (1943–1944). On October 15, 1947, he played on Thelonious Monk's first recording for Blue Note Records. Sulieman was closely associated with Mary Lou Williams and for a time and had stints with Cab Calloway, John Coltrane, Count Basie, and Lionel Hampton. Sulieman recorded with Coleman Hawkins (1957) and gigged with Randy Weston (1958–1959), in addition to appearing in many other situations. He toured Europe in 1961 with Oscar Dennard, and stayed, settling in Stockholm at first, and then moved to Copenhagen in 1964. A soloist with the Kenny Clarke/Francy Boland Big Band from the mid-19 ...
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Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording ''The Genius of Ray Charles'' (1959). Career He began in Los Angeles Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world ... as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis (pianist), John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the ...
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Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960 ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Bob Haymes
Robert William Haymes (March 29, 1923 – January 27, 1989), also known by the stage names Robert Stanton and Bob Stanton, was an American singer, songwriter, actor and radio and television host. He is best remembered for co-writing the song " That's All", part of the Great American Songbook. He was the younger brother of singer and actor Dick Haymes.Solid! biography of Bob Haymes


Early life

Haymes was born in . His mother was Marguerite Wilson, an American of Irish descent. Benjamin Haymes, from



Alan Brandt
Allan Morris Brandt (born 1953) is a historian of medicine and the Amalie Kass Professor of History of Medicine and Professor of the History of Science at Harvard University. He is an author of several books, including ''The Cigarette Century: The Rise, Fall, and Deadly Persistence of the Product that Defined America'', which was a finalist for the Pulitzer Prize for General Non-Fiction. Life Brandt received his B.A. in history from Brandeis University in 1974. He then attended Columbia University, where he received his Ph.D. (1983) in American history. He has written on the social history of epidemic disease; the history of public health and health policy; and the history of human experimentation among other topics. In 1998, he was elected to the Institute of Medicine of the National Academy of Sciences. In September 2004, he testified as an expert witness for the U.S. Department of Justice in U.S. v Philip Morris et al. The federal district court judge in the case found that the ...
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That's All (1952 Song)
"That's All" is a 1952 song written by Alan Brandt with music by Bob Haymes. It has been covered by many jazz and blues artists. The first recording, by Nat King Cole in 1953, achieved some popularity but was not among that year's top 20 songs. It was Bobby Darin's version from his 1959 album of the same title that introduced the song to a wider audience, and it has since become a jazz standard. The song is part of the Great American Songbook, and Alec Wilder included it in his book ''American Popular Song: The Great Innovators, 1900–1950'', even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) “it is one of the last free-flowing, native, and natural melodies in the grand pop style”; (2) “it went through no initial hit phase but became an immediate standard”. Cover versions *Edie Adams on the final episode of ''The Lucy–Desi Comedy Hour'' (1960) *Michael Bublé on ''Michael Bublé (2003) *Ceil Clayton on ''Ce ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include " Take the 'A' Train", " Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellingto ...
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Lee Gaines
Otho Lee Gaines (April 21, 1914 – July 15, 1987) was an American jazz singer and lyricist. Gaines wrote the lyrics for " Take the "A" Train" and "Just A-Sittin' and A-Rockin'", two jazz standards by Billy Strayhorn. Lee Gaines was from Buena Vista, in Mississippi, and began singing as a bass in high school, he formed a vocal quartet at Langston University in 1933, and returned to the United States in 1937 having toured South America. Gaines was a founding member of the Delta Rhythm Boys who achieved their peak popularity in the 1940s and 50's, having recorded with Ella Fitzgerald, Count Basie, Jimmy Lunceford, Charlie Barnet, Fred Astaire, Ruth Brown and Les Paul. The Delta Rhythm Boys moved to Europe in the 1950s. Gaines had lived in Finland for a year at the time of his death from cancer in 1987 and he is buried in Maunulan uurnalehto, an urn cemetery at Helsinki (section 39, lot 109). Gaines was married to Muriel Gaines, a calypso singer and former Cotton Club The Cot ...
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