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Soul Power (film)
''Soul Power'' is a 2008 documentary film directed by Jeff Levy-Hinte about the Zaire 74 music festival that took place in Kinshasa, Zaire, in September 1974. Although it was planned to accompany the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman, the festival went ahead as scheduled when the fight was delayed until October after Foreman sustained an injury during training. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the 1996 film ''When We Were Kings''. Performers in the film include James Brown ("Soul Power"), The Spinners ("One of a Kind"), OK Jazz featuring Franco, Bill Withers ("Hope She'll Be Happier"), Miriam Makeba (" Qongqothwane" a.k.a. "The Click Song"), B.B. King (" The Thrill Is Gone"), Pembe Dance Troupe, The Crusaders ("Put It Where You Want It"), Fania All-Stars featuring Celia Cruz, Danny "Big Black" Rey, Afrisa featuring Tabu Ley Roch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Levy-Hinte
Jeff Levy-Hinte (a.k.a. Jeffrey Kusama-Hinte) is an American film producer. He serves as the President of Antidote International Films (also known as Antidote Films), Inc. based in New York City. He produced ''The Kids Are All Right (film), The Kids Are All Right'', co-written and directed by Lisa Cholodenko, which won the 68th Golden Globe Awards for Best Motion Picture, Comedy or Musical, and Best Performance by an Actress for Annette Bening. Biography Jeffrey Levy-Hinte was born to a American Jews, Jewish family in Santa Monica, California. He graduated from California State University, Northridge and the University of Michigan in Ann Arbor, Michigan. He produced ''Mysterious Skin'' and ''The Hawk Is Dying''. His other productions include ''Chain (film), Chain'', Thirteen (2003 film), ''Thirteen'', ''Laurel Canyon (film), Laurel Canyon'', ''Wendigo (film), Wendigo'', ''American Saint'', and ''Limon''. Prior to 2000, Levy-Hinte produced Lisa Cholodenko's film ''High Art'' and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Withers
William Harrison Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer-songwriter and musician. He had several hits over a career spanning 18 years, including "Ain't No Sunshine" (1971), "Grandma's Hands" (1971), " Use Me" (1972), " Lean on Me" (1972), " Lovely Day" (1977) and "Just the Two of Us" (1981). Withers won three Grammy Awards and was nominated for six more. His life was the subject of the 2009 documentary film ''Still Bill''. Withers was inducted into the Songwriters Hall of Fame in 2005 and Rock and Roll Hall of Fame in 2015. Two of his songs were inducted into the Grammy Hall of Fame. Early life Withers, the youngest of six children, was born in the small coal-mining town of Slab Fork, West Virginia, on July 4, 1938. He was the son of Mattie (née Galloway), a maid, and William Withers, a miner. He was born with a stutter and later said he had a hard time fitting in. His parents divorced when he was three, and he was raised by his mother's family i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Sledge
Sister Sledge is an American musical vocal group from Philadelphia, Pennsylvania. Formed in 1971, the group consisted of sisters Debbie, Joni, Kim, and Kathy Sledge. The siblings achieved international success at the height of the disco era. In 1979, they released their breakthrough album '' We Are Family'', which peaked at number three on the ''Billboard'' 200 and included the 1979 US top-10 singles "He's the Greatest Dancer" and " We Are Family". A third single, " Lost in Music", reached the US top 40. "We Are Family" earned a Grammy Award nomination for Best R&B Performance by a Duo or Group with Vocal. Their other US singles include a 1982 remake of Mary Wells' 1964 hit "My Guy", "Mama Never Told Me" (1973), and " Thinking of You" (1984), before reaching number one on the UK Singles Chart with the song "Frankie" in 1985. Remixed versions of three of their singles in 1993 returned them to the UK Top 20. Although Kathy undertook a solo career in 1989, she continued to tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Try Me (James Brown Song)
"Try Me", titled "Try Me (I Need You)" in its original release, is a song recorded by James Brown and The Famous Flames in 1958. It was a #1 R&B hit and charted #48 Pop - the group's first appearance on the ''Billboard'' Hot 100.White, Cliff (1991). "Discography". In ''Star Time'' (pp. 54–59) D booklet New York: PolyGram Records. It was Brown and the Flames' second charting single, ending a two-year dry spell after the success of "Please, Please, Please". Background By 1958 James Brown's career was faltering. After disputes over royalties, songwriting credit, and the indignity of having been relegated to backup singers on the billing of "Please, Please, Please", most of the original Famous Flames (including founder Bobby Byrd) had walked out on him; only Johnny Terry remained. Brown continued to perform with a backing band and a new Flames lineup consisting of members of Little Richard's former vocal group, the Dominions. ("Big Bill" Hollings, Louis Madison, and J.W. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The J
J is the tenth letter of the Latin alphabet. J may also refer to: * Palatal approximant in the International Phonetic Alphabet * J, Cyrillic letter Je Astronomy * J, a provisional designation prefix for some objects discovered between May 1 and 15 of a year Computing * J (programming language), successor to APL * J# programming language for the Microsoft .NET Framework * J operator, a programming construct * J (operating system), an operating system for ICL's System 4 series of computers Genetics and medicine * Haplogroup J (mtDNA) * Haplogroup J (Y-DNA) * ATC code J ''Antiinfectives for systemic use'', a section of the Anatomical Therapeutic Chemical Classification System Mathematics * J, symbol used to denote the Bessel function * ''j'', used as the symbol for the imaginary unit (\sqrt) in fields where ''i'' is used for a different purpose (such as electrical current) * ''j'' and ''j2'' (or \bar) are also used for the complex cube roots of unity * ''j'', a numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabu Ley Rochereau
Pascal-Emmanuel Sinamoyi Tabu (13 November 1940 – 30 November 2013), better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of ''Orchestre Afrisa International'', as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the ''Los Angeles Times''. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s. During his career, Tabu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrisa
Pascal-Emmanuel Sinamoyi Tabu (13 November 1940 – 30 November 2013), better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of ''Orchestre Afrisa International'', as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the ''Los Angeles Times''. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s. During his career, Tabu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny "Big Black" Rey
Danny "Big Black" Rey (1934) is an American actor, musician, and percussionist specializing in Latin and Ethnic Jazz music. After playing at clubs and hotels in Miami and in calypso bands in the Bahamas during the 1950s, he moved to New York in the early 1960s, working mostly with Randy Weston, as well as performing with Junior Cook. In 1965 he played with Dizzy Gillespie and Ray Bryant and performed and recorded with Freddie Hubbard. The following year he was back with Weston’s band at the Monterey Jazz Festival. In 1975, he recorded with Charles Tolliver"Black, Big". ''Grove Music Online''. Oxford University Press. Retrieved 10 December 2022. and |
Celia Cruz
Úrsula Hilaria Celia de la Caridad Cruz Alfonso (21 October 1925 – 16 July 2003), known as Celia Cruz, was a naturalized Cuban-American singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". In the following decades, she became known internationally as the " Queen of Salsa" due to her contributions to Latin music. She began her career in her native Cuba, earning recognition as a vocalist of the popular musical group Sonora Matancera, a musical association that lasted fifteen years (1950-1965). Cruz mastered a wide variety of Afro-Cuban music styles including guaracha, rumba, afro, son and bolero, recording numerous singles in these styles for Seeco Records. In 1960, after the Cuban Revolution caused the nationalization of the music industry, Cruz left her native country, becoming one of the symbols and spokespersons of the Cuban community in exile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fania All-Stars
The Fania All-Stars is a musical group formed in 1968 as a showcase for the musicians on Fania Records, the leading salsa music record label of the time. History Beginnings In 1964, Fania Records was founded in New York City by Jerry Masucci, an Italian-American lawyer with a love for Cuban music, and Johnny Pacheco, a flutist, percussionist and bandleader born in the Dominican Republic but raised in the South Bronx who had like minded musical tastes. Masucci later bought out his partner Pacheco from Fania Entertainment Group, Ltd. and was the sole owner until his death in December 1997. Throughout the early years, Fania used to distribute its records around New York. Eventually success from Pacheco's ''Cañonazo'' recording would lead the label to develop its roster. Masucci and Pacheco, now executive negotiator and musical director respectively, began acquiring musicians such as Bobby Valentín, Larry Harlow, and Ray Barretto. Success In 1968, Fania Records created a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crusaders (Houston Group)
The Crusaders (formerly known as The Jazz Crusaders) were an American jazz group that was successful from the 1960s to the 1990s. The group was known as the Jazz Crusaders from their formation in 1960 until shortening their name in 1971. The Crusaders were comfortable playing a wide assortment of genres, from straight ahead jazz, to urban R&B, to R&B-based jazz, to even blues. The band reached a commercial apex in 1979 with their hit single " Street Life", featuring lead vocals by Randy Crawford, and their accompanying album of the same name. History High school friends Joe Sample (piano), Wilton Felder (tenor saxophone) and Nesbert "Stix" Hooper (drums) formed their first band together, the Swingsters, in Houston, Texas in 1954. They played a mixture of jazz and R&B, and were joined by Wayne Henderson (trombone), Hubert Laws (flute), and Henry Wilson (bass). The group soon turned more to hard bop, and renamed themselves the Modern Jazz Sextet, but also recorded in a more R& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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