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Soul Meeting (King Curtis Album)
''Soul Meeting'' is the sixth album by saxophonist King Curtis and was released on the Prestige label in 1960 as 7222 and PRLP 7222. It features performances by Curtis, Nat Adderley, Wynton Kelly, Sam Jones, Paul Chambers, Belton Evans, and Oliver Jackson. Track listing All compositions by King Curtis, except where noted. # "Soul Meeting" – 7:01 # "Lazy Soul" – 7:14 # "All the Way" (Jimmy Van Heusen, Sammy Cahn) – 5:30 # "Jeep's Blues" (Duke Ellington, Johnny Hodges) – 6:55 # "What Is This Thing Called Love?" (Cole Porter) – 5:42 # "Do You Have Soul Now?" – 6:25 Personnel Sources: Musicians * King Curtis – tenor saxophone * Nat Adderley – trumpet, cornet * Wynton Kelly – piano * Sam Jones – bass * Paul Chambers – bass * Belton Evans – drums * Oliver Jackson – drums Technical * Esmond Edwards – photography * Don Schlitten – cover design * Rudy Van Gelder Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Curtis
Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as " Respect" by Aretha Franklin (1965), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All The Way (Frank Sinatra Song)
"All the Way" is a song published in 1957 by Maraville Music Corporation. The music was written by Jimmy Van Heusen with lyrics by Sammy Cahn. Frank Sinatra recording In 1957, a recording of "All the Way", was made famous by Frank Sinatra It was introduced in the film ''The Joker Is Wild.'' Sinatra also had the best-selling recorded version of the song. Aside from this song, he also sang " Chicago (That Toddlin' Town)" for the movie. It wound up as the flipside of "All the Way" when Capitol Records released the song as a single. The single reached #15 in sales and #2 in airplay in Billboard's charts. The track peaked at #3 in the UK Singles Chart. The song in its orchestral arrangement by Nelson Riddle received the 1957 Academy Award for Best Original Song. Sinatra rerecorded the song, with a Nelson Riddle arrangement, for his 1963 album ''Sinatra's Sinatra''. Translations Mina performed "Si, amor", the Italian version of the song, in ''Canzonissima'', a 1968 RAI musical variety ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Schlitten
Don Schlitten (born March 4, 1932) is an American jazz record producer. Signal Records was founded in 1955 by Jules Colomby (assisted by Schlitten) with Harold Goldberg. His credits for Signal included work with Duke Jordan, Gigi Gryce, and Red Rodney. Signal was sold to Savoy Records in the late 1950s, and after this, Schlitten worked as a freelance producer through the 1960s, including for a period, at Prestige Records. He and Joe Fields co-founded Cobblestone Records in 1972, producing Sonny Stitt and the Newport Jazz Festival 1972 releases from the label. He and Fields also worked together at Muse Records and Onyx Records. Fields and Schlitten ceased working together in the mid-1970s; Fields continued at Muse, and Schlitten founded Xanadu Records, where he produced Barry Harris, Al Cohn, and Charles McPherson, among others. He also oversaw the reissue of many early bebop sessions. Aside from production work, Schlitten had extensive credits as a writer of liner notes. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Is This Thing Called Love?
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical '' Wake Up and Dream''. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions."What Is This Thing Called Love?" at jazzstandards.com. Retrieved 8 July 2009 Background ''Wake Up and Dream'' ran for 263 shows in London. The show was also noticed in New York, and the critics praised 's performance of the song. The show was produced on |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
