Soul Brothers
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Soul Brothers
''Soul Brothers'' is the third album recorded by Ray Charles and the eleventh album by Milt Jackson and released by Atlantic Records in 1958. The album was later re-issued in a two-CD compilation together with the other Charles–Jackson album '' Soul Meeting'' and included additional tracks from the same recording sessions not present on the original LP releases. Track listing ''All songs composed by Ray Charles except where noted.'' Original LP release Side A # "Soul Brothers" (Quincy Jones) – 9:34 # "How Long, How Long Blues" (Leroy Carr) – 9:15 Side B # "Cosmic Ray" – 5:21 # "Blue Funk" – 8:09 # "Bag's Guitar Blues" (Milt Jackson) – 6:23 ono LP releaseref>''Soul Brothers'' / ''Soul Meeting'' compilation re-issue cover notes. # "'Deed I Do" (Walter Hirsch, Fred Rose) – 5:50 tereo LP release CD re-issue/compilation Disc one # "How Long, How Long Blues" Leroy Carr – 9:16 # "Cosmic Ray" – 5:23 # "The Genius After Hours" – 5:24 # "Charlesville" – 4:55 # "Ba ...
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Ray Charles
Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles's 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the ''Billboard'' ...
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Fred Rose (songwriter)
Knowles Fred Rose (August 24, 1898 – December 1, 1954) was an American musician, Hall of Fame songwriter, and music publishing executive. Biography Born in Evansville, Indiana, United States, Rose started playing piano and singing as a small boy. In his teens, he moved to Chicago, Illinois where he worked in bars busking for tips, and finally vaudeville. Eventually, he became successful as a songwriter, penning his first hit for entertainer Sophie Tucker. For a short time Rose lived in Nashville, Tennessee, but his radio show there did not last long and he headed to New York City's Tin Pan Alley in hopes of making a living as a songwriter. It was there that he began writing songs with Ray Whitley, an RKO B-Western film star and author of "Back in the Saddle Again", and this collaboration introduced Rose to the possibilities of country music. He lived for a time with Ray and Kay Whitley in an apartment in Hollywood, co-writing many tunes for Ray's movies. In 1942, he return ...
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Marvin Israel
Marvin Israel (July 3, 1924 – May 7, 1984) was an American artist, photographer, painter, teacher and art director from New York City known for modern/surreal interiors, abstract imagery. Israel created sinister shadowy and exuberant interiors with implications of violence that were often sexual in nature. History Marvin Israel was born in Syracuse, New York, the son of Bessie and Harry Israel. In 1950, Israel was a graduate student at Syracuse University and spent two years in Paris studying and painting. In 1952, he had his first one-man show at Galerie Arnaud, Paris, France. The start of his photographic period was in 1953; he studied design with Alexey Brodovitch. In 1955 he got his Masters of Fine Arts in graphic design from Yale; became art director for Seventeen Magazine. In 1956 he photographed Elvis. In 1960, he left photography as his main medium to concentrate on drawing in charcoal, pastel and ink. From 1961 to 1963 he was art director for ''Harper's Bazaar'' ...
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Tom Dowd
Thomas John Dowd (October 20, 1925 – October 27, 2002) was an American recording engineer and producer for Atlantic Records. He was credited with innovating the multitrack recording method. Dowd worked on a veritable "who's who" of recordings that encompassed blues, jazz, pop, rock, and soul records. Career Early years Born in Manhattan, New York City, Dowd grew up playing piano, tuba, violin, and string bass. His mother was an opera singer and his father was a concertmaster. Dowd graduated from Stuyvesant High School in June 1942 at the age of 16. He continued his musical education at City College of New York. Dowd also played in a band at New York's Columbia University, where he became a conductor. He was also employed at the physics laboratory of Columbia University. Military work At age 18, Dowd was drafted into the military with the rank of sergeant. He continued his work in physics at Columbia University. He worked on the Manhattan Project, which developed th ...
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Drumkit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Connie Kay
Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet. Self-taught on drums, he began performing in Los Angeles in the mid-1940s. His drumming is recorded in ''The Hunt'', the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young's quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis. Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as ''Shake, Rattle and Roll'' by Big Joe Turner and Ruth Brown's '' (Mama) He Treats Your Daughter Mean''. Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke. He remained through the group's dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he ha ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ...
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Skeeter Best
Clifton "Skeeter" Best (November 20, 1914 – May 27, 1985) was an American jazz guitarist. Best played in Philadelphia from 1935 to 1940, recording with Slim Marshall and Erskine Hawkins. In 1940, he joined Earl Hines's orchestra, playing with him until he joined the U.S. Navy in 1942. After the war, he played with Bill Johnson from 1945 to 1949. He toured East Asia with Oscar Pettiford in 1951Dicaire, David (2006) ''Jazz Musicians, 1945 to the Present'', p. 36. McFarland
at Google Books. Retrieved 30 April 2013. and 1952, and formed his own trio in the 1950s. He did a critically acclaimed session with and
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Billy Mitchell (saxophonist)
William Melvin Mitchell (November 3, 1926 – April 18, 2001) was an American jazz tenor saxophonist.Allmusic/ref> Career Mitchell was born in Kansas City, Missouri, United States. He and his family moved to Detroit, where he received early music education at Cass Tech. He was known for his close association with trumpeter Thad Jones, who was also from Detroit, and worked in several big bands, including Woody Herman's when he replaced Gene Ammons. In 1949, Mitchell recorded with the Milt Buckner band, as well as making several recordings with Thad Jones. From 1951 to 1954, Mitchell led the house band at the Blue Bird Inn in Detroit. The band operated in different configurations, including with drummer Oliver Jackson and his bassist brother Ali; as a quartet with Terry Pollard, Beans Richardson, and Elvin Jones; as a quintet including Thad Jones; and, for several months in 1953, with Miles Davis as a guest soloist. From 1956 to 1957, he played with Dizzy Gillespie in his bi ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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