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Sorna
The sornā or sornāy ( fa, سُرنای، سُرنا, also ''surnā'', ''surnāy'' and also ''Zurna'') is an ancient Iranian woodwind instrument. Etymology The word ''sorna'' is a Pahlavi derivative of sūrnāy (literally "strong flute"), which is a compand of 'sūr-' (strong) and '-nāy' (flute).MacKenzie, D. N., ''A Concise Pahlavi Dictionary'', London (1971), p. 78 . Possibly it was called "strong flute" due to its double-reed-construction rather than usual '' nāy'', which was made of a single tube of cane. Also it is suggested that the first part of word of ''sorna'', is from ''sūr-'' again from Pahlavi and New-Persian, meaning the "banquet, meal and feast", thus the "banquet-flute". It is also suggested that "Sorna" is a cognate of "Horn", as "Sorna" simply means horn. This is a result of the Centum-Satem isogloss, and later Grimm's Law. Even in Persian there is another wind instrument whose name appears to be a cognate of both "Sorna" and "Horn", called " Karnā" ...
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Iranian Musical Instruments
Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East, Caucasus, Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia. In ancient era, the Silk road had an effective role in this distribution. String instruments Orchestral *Tar *Setar *Kamancheh *Ghaychak * Barbat *Chang (instrument)/Angular harp *Santoor * Qānūn * Shurangiz Safavid-style portrait, female musician plays a tar.jpg, Tar Woman with a setar, Safavid Iran, Isfahan (ca. 1600-1610).jpg, Setar, ca. 1610 A court musician playing the kemanche, painting by Abul Qasim, Qajar Iran.jpg, Kamancheh Woman playing a santur, Qajar Iran, artist named Ahmad.jpg, Woman playing a santur, 19th century File:Ralamb-89.jpg, Qanun, from Rålamb Costume Book, 1657 Folklore *Dotar *Tanbur *Tar (Azerbaijani ins ...
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Dohol
A dohol(Persian:دهل) is a large cylindrical drum with two skinheads. It is generally struck on one side with a wooden stick bowed at the end, and with a large thin stick on the other side, though it is also played with the bare hands. It is the principal accompaniment for the Sorna. A similar instrument, the Dhol, is used in traditional Egyptian, Pakistani and Indian music. The dohol is largely played in Kurdistan with the zurna. In Iran The dohol in Iran is mostly played in wedding ceremonies and other celebrations. The dohol is mostly played with a ''sorna''. In Afghanistan The dohol in Afghanistan is mostly played on special ceremonies such as wedding ceremonies. The "Surnay or Sorna" is mostly played with it. The Afghan dance Attan is traditionally performed with both the Dohol and Surnay. See also * Baluchi music * Caucasian Dhol *Davul *Dhol *Kurdish music *Afghan music The music of Afghanistan comprises many varieties of classical music, folk music, and modern ...
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Rhaita
The ''rhaita'' or ''ghaita'' ( ar, غيطة) is a double reed instrument from North Africa. It is nearly identical in construction to the Arabic '' mizmar'' and the Turkish ''zurna''. The distinctive name owes to a medieval Gothic-Iberian influence.Pierre Bec, Les instruments de musique d'origine arabe, sens et histoire de leurs désignations, Toulouse, Isatis, Conservatoire Occitan, 2005 In southern Iberia, various sorts of wind instruments, including the related shawm, are known as '' gaitas,'' but in northern Iberia ''gaita'' refers only to bagpipes. The rhaita was featured in ''The Lord of the Rings'' soundtracks by Howard Shore, specifically in the Mordor theme. American composer John Corigliano calls one of the movements of his 1975 Concerto for Oboe and Orchestra "Rhaita Dance", asking the oboist to imitate a rhaita by pushing the reed further into his or her mouth. In 1981 while composing the soundtrack to Altered States Corigliano again called for oboists to mimic the r ...
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Shawm
The shawm () is a Bore_(wind_instruments)#Conical_bore, conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal
from the Diabolus in Musica Guide to Early Instruments
Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the Ancient Greek music, ancient Greek, and later Byzantine Empire#Music, Byzantine, aulos, the Persian sorna,Anthony C. Baines and Martin Kirnba ...
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Shawm
The shawm () is a Bore_(wind_instruments)#Conical_bore, conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal
from the Diabolus in Musica Guide to Early Instruments
Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the Ancient Greek music, ancient Greek, and later Byzantine Empire#Music, Byzantine, aulos, the Persian sorna,Anthony C. Baines and Martin Kirnba ...
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Suona
''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name refers to the ''suona'' itself in Taiwanese Hokkien). Stephen Jones has written extensively on its use in ritual music ...
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Sopila
The sopile (or roženice, as it is called in Istria) is an ancient traditional woodwind instrument of Croatia, similar to the oboe or shawm. It is used in the regions of Kvarner, Kastav, Vinodol, Island Krk, and Istria. ''Sopile'' are always played in pairs so there are great and small or thin and fat ''sopila''. ''Sopile'' are musical instruments offering very interesting possibilities with a unique piercing sound. This is replicated in more modern examples of Kvarner music through use of modified double reed clarinet or soprano Dulzaina. ''Sopile'' are, by "mih" and "šurle," and today are very popular in the folk traditions of Istria, Kvarner and Island Krk. ''Roženice'' are ancient traditional musical instruments which continue to be used today in the region of Istria. ''Roženice'' are very similar to ''sopile'' from Island Krk. ''Roženice'' are always played in pairs so there are great and small or thin and fat ''rozenica''. ''Roženice'' have a very piercing special sound ...
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Zurna
The zurna (Armenian language, Armenian: զուռնա zuṙna; Classical Armenian, Old Armenian: սուռնայ suṙnay; Albanian language, Albanian: surle/surla; Persian language, Persian: karna/Kornay/surnay; Macedonian language, Macedonian: зурла/сурла zurla/surla; Bulgarian language, Bulgarian: ''зурна/зурла''; Serbian language, Serbian: зурла/zurla; Syriac language, Syriac Aramaic: ܙܘܪܢܐ/zurna; Tat language (Caucasus), Tat: zurna; Turkish language, Turkish: zurna; Kurdish Language, Kurdish: zirne; Greek language, Greek : ζουρνας; Azerbaijani language, Azeri: zurna) is a double reed wind instrument played in central Eurasia, Western Asia and parts of North Africa. It is usually accompanied by a davul (bass drum) in Music of Armenia, Armenian, Anatolian and Assyrian folk/pop music, Assyrian folk music. Characteristics and history The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from ...
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Mey (instrument)
The ''mey'' is a double-reed aerophone used in Turkish folk music. The ''mey'', ''duduk'', and '' balaban'' are almost identical, except for historical and geographical differences. Description A ''mey'' consists of three parts: ''ana gövde'' (main part), ''kamış'' (reed), and ''kıskaç'' (clip). #Cylindrical in shape and made of wood, the main part has seven finger holes on its front side, and one finger hole at the back. The ''mey's'' main tubular body is usually built from the wood of harder trees such as plum, walnut, beech, etc. It has a sound range of about one octave. There are three sizes of ''mey'': ''cura mey'' (smallest, highest pitched), ''orta mey'', and ''ana mey'' (largest, lowest pitched). #A double reed (''kamış'' in Turkish) essentially a large and almost flattened cylinder on the mouth side, and conical-round where it is attached to the main part, gives this instrument its characteristic deep sound. #A tuning-bridle called ''kıskaç'' (clip) mounted ...
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Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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