Sophie Karthäuser
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Sophie Karthäuser
Sophie Karthäuser (born May 1974) is a Belgian operatic soprano. She has performed internationally, especially in roles by Mozart such as Ilia in ''Idomeneo'' and Pamina in ''The Magic Flute''. She is also a recitalist, performing and recording for example the complete songs by Mozart and lieder by Hugo Wolf. Early life Born in Malmedy, her musical training began in her village of , where she learned the clarinet at the local academy and was a member of the church choir. At the age of 16, she decided to take singing lessons at the regional academy. In 1992, at the age of 18, she entered the Royal Conservatory of Liège, studying with Greta de Reyghere and Thierry Migliorini. Winner of the in 1997, she continued her studies at the Guildhall School of Music and Drama in London with Noelle Barker. She participated in some masterclasses and took private lessons, notably with Elisabeth Schwarzkopf. Debut Karthäuser made her stage debut as Papagena in Mozart's ''Die Zauber ...
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Malmedy
Malmedy (; german: Malmünd, ; wa, Måmdiy) is a city and municipality of Wallonia located in the province of Liège, Belgium. On January 1, 2018, Malmedy had a total population of 12,654. The total area is 99.96 km2 which gives a population density of 127 inhabitants per km2. The municipality consists of the following districts: Bellevaux-Ligneuville, Bévercé (including the hamlets of Baugnez and Xhoffraix), and Malmedy. Under the complex administrative structures of Belgium, which has separate structures for territorial administration and for language community rights, Malmedy is part of Wallonia and of the French Community of Belgium. But since it has a German speaking minority, it is one of Belgium's municipalities with language facilities (or "municipalities with facilities"). Malmedy and Waimes are the two municipalities in the French-speaking part of Wallonia with facilities for German speakers. The population of Malmedy is approximately 95% French speakers and ...
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Great Mass In C Minor, K
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" *Artel Great (born 1981), American actor Other uses * ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training Gang Resistance Education And Training, abbreviated G.R.E.A.T., provides a school-based, police officer instructed program that includes classroom instruction and various learning activities. Their intention is to teach the students to avoid gang ..., or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a cybersecurity team at Kaspersky Lab *'' Great!'', a 20 ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Le Monde
''Le Monde'' (; ) is a French daily afternoon newspaper. It is the main publication of Le Monde Group and reported an average circulation of 323,039 copies per issue in 2009, about 40,000 of which were sold abroad. It has had its own website since 19 December 1995, and is often the only French newspaper easily obtainable in non-French-speaking countries. It is considered one of the French newspapers of record, along with '' Libération'', and ''Le Figaro''. It should not be confused with the monthly publication '' Le Monde diplomatique'', of which ''Le Monde'' has 51% ownership, but which is editorially independent. A Reuters Institute poll in 2021 in France found that "''Le Monde'' is the most trusted national newspaper". ''Le Monde'' was founded by Hubert Beuve-Méry at the request of Charles de Gaulle (as Chairman of the Provisional Government of the French Republic) on 19 December 1944, shortly after the Liberation of Paris, and published continuously since its first edit ...
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René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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Toshio Hosokawa
is a Japanese composer of contemporary classical music. He studied in Germany but returned to Japan, finding a personal style inspired by classical Japanese music and culture. He has composed operas, the oratorio ''Voiceless Voice in Hiroshima'', and instrumental music. He was the cofounder and artistic director of a Japanese festival for contemporary music and has been a composer in residence at international festivals such as the Venice Biennale, Lucerne Festival, Warsaw Autumn and Rheingau Musik Festival. His operas premiered at the Munich Biennale and La Monnaie, among others. Career Hosokawa was born in Hiroshima. He first studied piano and composition in Tokyo, then from 1976 with Yun Isang at the Berlin University of the Arts. From 1983 to 1986, he studied with Klaus Huber and Brian Ferneyhough at the Hochschule für Musik Freiburg. In 1980, he first took part in the Darmstädter Ferienkurse, including the performance of his compositions. He lectured there regularly ...
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Eliogabalo
''Eliogabalo'' (''Heliogabalus'') is an opera by the Italian composer Francesco Cavalli based on the life of the Roman emperor Heliogabalus. The author of the original libretto is unknown but it was probably reworked by Aurelio Aureli. The opera was composed in 1667 and was intended to be premiered during the Venetian Carnival season of 1668. In fact, it was never staged and was replaced by another opera of the same name by Giovanni Antonio Boretti, perhaps because Cavalli's style was considered too old-fashioned. ''Eliogabalo'' was first performed in 1999, in Crema, Italy. ''Eliogabalo'' was revived at La Monnaie in 2004 by René Jacobs. Its North American premiere took place in 2007 at the Aspen Music Festival, conducted by Jane Glover. Gotham Chamber Opera in performed it in 2013 in a Manhattan nightclub in Chrystie Street, Richard Kimmel's The Box, directed by James Marvel. In a co-production with the Dutch National Opera, the Paris Opera The Paris Opera (, ) is the ...
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L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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Stéphane Denève
Stéphane Denève (born 24 November 1971) is a French conductor. He is currently music director of the St. Louis Symphony Orchestra and artistic director of the New World Symphony. Biography Denève was born in Tourcoing, France, and graduated from the Paris Conservatoire. Denève worked as conducting assistant to Sir Georg Solti with the Orchestre de Paris, Georges Prêtre at the Opéra National de Paris, and Seiji Ozawa at the Saito Kinen Festival Matsumoto in 1998. Denève assumed the post of music director of the Royal Scottish National Orchestra (RSNO) in September 2005, his first music directorship. He led the RSNO at the 2006 Proms concerts in London and its first-ever performance in France. In April 2007, his contract with the orchestra was extended through 2011. In March 2010, the RSNO announced the further extension of Denève's contract for one more year and the conclusion of his tenure after the 2011–2012 season. Denève and the RSNO have made several commerci ...
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Les Nuits D'été
''Les nuits d'été'' (''Summer Nights''), Opus number, Op. 7, is a song cycle by the French composer Hector Berlioz. It is a setting of six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843, and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. The full orchestral version is more frequently performed in concert and on record than the piano original. The theme of the work is the progress of love, from youthful innocence to loss and finally renewal. Background Berlioz and the poet Théophile Gautier were neighbours and friends. Gautier wrote, "Berlioz represents the romantic musical idea ... unexpected effects in sound, tumultuous and Shakespearean depth of passion." It is possible that Berlioz read Gautier's collection ''La comédie de la mort'' (Th ...
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