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Sopanam (film)
Sopanam is a 1993 Malayalam drama film directed by Jayaraj, starring J. V. Somayajulu, Manoj K. Jayan, Chippy in lead roles. Scripted by Kaithapram Damodaran Namboothiri, this film tells the story of a singer who loves his teacher's daughter. Plot Ananthu is a gifted singer who has not learned singing professionally. His hearts for learning singing from Varma Thampuran. Varma likes him and takes him in as his disciple. Varma also teaches him about the characteristics of wise man is to be humble and have the right devotion to his teacher and god, also says what drives a man is his understanding and anger. Ananthu and Anju falls in love. Varma discovers this and is angered. He asks Ananthu to not to show his face again at his home. Ananthu takes it as a punishment and leaves. However, his departure disturbs Anju psychologically. Varma has stopped singing, because he is not able to find rhythm anymore. He is traveling with his daughters from one temple to another. On such an occa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayaraj
Jayarajan Rajasekharan Nair, professionally credited as Jayaraj, is an Indian filmmaker, who predominantly works in Malayalam film industry. He has won many awards, including Crystal Bear at the Berlin International Film Festival, the Golden Peacock award at the IFFI, and the FIPRESCI Award from the International Federation of Film Critics. He is also a seven-time recipient of the National Film Award and several Kerala State Film Awards. His films include ''Paithrukam'' (1993), ''Desadanam'' (1996), '' 4 The People'' (2004), ''Vellapokkathil'' (2007), ''Ottaal'' (2015), and ''Bhayanakam'' (2018). He is the founder of the Birds Club International and is actively involved in philanthropic work. Early life During his stay at Thiruvananthapuram, he attended film festivals including the International Film Festival of Kerala and watched many world classics. Kurosawa's ''Rashomon'' and DeSica's ''Bicycle Thieves'' were among them, and they influenced him immensely. Career Bh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dheerasankarabharanam
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Maaṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th rāga in the 5th ''Chakra Bāṇ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabhi
Arabhi or Aarabhi (pronounced ārabhi) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharanam'', 29th in the 72 ''Melakarta'' raga system. It is a combination of the pentatonic scale ''Shuddha Saveri'' (or ''Durga'' in Hindustani Music) and the ''sampurna raga'' scale ''Shankarabharanam''. ''Arabhi'' is a raga that dates back to 7 AD. Originally, it was called as ''pazhanthakkam'' in Ancient Tamil music. A very auspicious ragam that emanates Veera rasa (valour), Arabhi is one of the five ''Ghana'' ragams that shine with special brilliance when '' Thanam'' is played on Veena. Structure and Lakshana Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : ''Arabhi'' raga is an ''Owdava-sampoorna'' raga meaning, 5 ''swaras'' occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jog (raga)
Jog is a Raga in Hindustani classical music. It is one of the more popular ragas appearing often in films. Sometimes, experts assign this raga to be a member of Kafi thaat. Structure Raga Jog omits the second and the sixth intervals, Ri and Dha, making it pentatonic, or Audav in nature. In ascending, it uses Shuddha Ga, and in descending, it uses Komal Ga. It takes Raga Tilang for its base which itself is derived from Khamaj. The Arohana is: Sa Ga Ma Pa ni(komal) Sa' The Avarohana is: Sa' ni(komal) Pa Ma Ga(shuddha) Ma ga(komal) Sa In the notes of the Western scale in the key of C, these roughly correspond to C, E, F, G, B, C; C, B, G, F, E, F, E, C. Time of the day The raga is played during the late evening (9 PM - 12 night): 2nd Prahar of the night, Ratri ka Dwitiya Prahar Notable recordings in raga Jog * Pramadhavanam by Raveendran Master in His Highness Abdullah, *Ravi Shankar on his 1956 album Three Ragas, *Hariprasad Chaurasia & Zakir Hussain, *Ali Akbar Khan & L Subram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsanandi
Hamsanandi (pronounced hamsānandi) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (''shadava'' rāgam, which means "of 6"). It is a derived scale (''janya'' rāgam), as it does not have all the seven ''swaras'' (musical notes). ''Hamsanandi'' is a ''janya'' rāgam of ''Gamanashrama'', the 53rd ''Melakarta'' rāgam. It has only the invariant ''panchamam'' missing from its parent scale, ''Gamanashrama'', like ''Shree ranjani''. Sohni raga in Hindustani classical music that belongs to the Marwa thaat resembles Hamsanandi.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Hamsanandi'' is a symmetric scale that does not contain ''panchamam''. It is called a ''shadava-shadava'' rāgam,''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications in Carnatic music classification (as it has 6 notes in both ascending and descending scales). Its ''ārohaṇa-avaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mano (singer)
Nagoor Babu, known by his stage name Mano, is an Indian playback singer, voice-over artist, actor, producer, television anchor and composer. He is a recipient of several awards such as the Nandi Awards from the Government of Andhra Pradesh and Kalaimamani award from the Government of Tamil Nadu. Mano has recorded more than 1,000 songs for film and private various Telugu, Tamil, Bengali, Kannada, Malayalam, Oriya and Hindi films. He has also performed for over 3000 live concerts across the continents. Notably, he has recorded 500 songs for music director Ilayaraja. Mano is also recognized for being as the full-fledged dubbing artist for Rajanikanth in Telugu from ''Muthu'' (1995) onwards. Early life and background Mano was born as Nagoor Babu in Tenali, Guntur district of Andhra Pradesh. His father Rasool, was a musician in the All India Radio, Vijayawada division and his mother Shaheeda, was a popular Stage actress. Inspired heavily by his mother, Mano joined the stage the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamavati
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). It is a ''janya'' rāga (derived scale). The equivalent of ''Madhyamavati'' in Hindustani music is ''Madhumad Sarang''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar. It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths ''S, P and R2'' and fourths ''S, M1 and N2''. Structure and Lakshana ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devagandhari
Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In carnatic classical music, Devagandhari is a ''janya'' raga (derived scale), whose ''melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharanam'', 29th in the 72 ''Melakarta'' raga system. This is not to be confused with Karnataka Devagandhari, which is a janya of Kharaharapriya similar to Abheri. It is also present in the Sikh tradition of northern India and is part of the Guru Granth Sahib. In Carnatic music Structure and lakshana Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : Devagandhari ragam is an ''audava-vakra-sampurna'' raga meaning, in ''arohana'' 5 ''swaras'' come (so it is called ''audava'') and in ''avarohana'' all ''swaras'' come (so ''sampurna''), and there is a "zigzag" pattern of notes (so ''vakra''). The notes used in this ragam are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swathi Thirunal
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th ''melakarta'' raga under Venkatamakhin's ''melakarta'' system. Originally known as ''malavagowla'', "maya" was prefixed to it after the advent of the scheme of the 72 ''melas''. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga. Structure and Lakshana Venkatamakhin defines its lakshana thus: पूर्णो माळवगोळाख्यः स ग्रहो गीयते सदा ''Mayamalavagowla'' is the 3rd raga in the 3rd ''chakra, Agni''. Its mnemonic name is ''Agni-Go''. Its mnemonic phrase is ''sa ra gu ma pa dha nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes in this raga are ''ṣaḍjam, śuddha r̥ṣabham, ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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