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Sons Of Soul
''Sons of Soul'' is the third album by American R&B band Tony! Toni! Toné!, released on June 22, 1993, by Wing Records and Mercury Records. It follows the success of their 1990 album '' The Revival'', which had extended their popularity beyond R&B audiences and into the mainstream. The band originally held recording sessions for ''Sons of Soul'' at several studios in California, including Westlake Recording Studios in Hollywood and Paradise Recording Studio in Sacramento. When they became jaded with the various people frequenting those studios, Tony! Toni! Toné! moved their sessions to Caribbean Sound Basin in Trinidad, where they ultimately wrote and recorded most of the album. It was produced entirely by the group, who worked with various session musicians and utilized both vintage and contemporary recording equipment. ''Sons of Soul'' was recorded as an homage to Tony! Toni! Toné!'s musical influences—classic soul artists of the 1960s and 1970s. Its music incorporated liv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony! Toni! Toné!
Tony! Toni! Toné! was an American soul/ R&B band from Oakland, California, popular during the late 1980s and early to mid-1990s. During the band's heyday, it was composed of D'wayne Wiggins on lead vocals and guitar, his brother Raphael Saadiq (born Charles Ray Wiggins) on lead vocals and bass, and their cousin Timothy Christian Riley on drums, keyboards, and background vocals. Additional original founders are Choreographer/Bassist Elijah "EB" Baker, Songwriter/Producer/Keyboardist Antron "Ice Cream" Haile, and Producer/Jazz Guitarist John "Jubu" Smith. Originally, the band went by "Tony, Toni, Toné" as a joke, until they realized it "had a nice ring to it". After their debut album '' Who?'' in 1988 followed by '' The Revival'' in 1990, the group achieved their greatest commercial success with the double platinum certified ''Sons of Soul'' in 1993. Tony! Toni! Toné! disbanded after the release of their fourth album ''House of Music'' (1996), which critics cite as their best w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibe (magazine)
''Vibe'' is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version. The magazine features a broader range of interests than its closest competitors ''The Source'' and '' XXL'', which focus more narrowly on rap music, or the rock and pop-centric ''Rolling Stone'' and '' Spin''. Publication history Quincy Jones launched ''Vibe'' in 1993, in partnership with Time Inc. Originally, the publication was called ''Volume'' before co-founding editor, Scott Poulson-Bryant named it ''Vibe''. Though hip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turntablism
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists atypically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria Retrieved on September 11, 2006 Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Saadiq
Raphael Saadiq (; born Charles Ray Wiggins; May 14, 1966) is an American singer, songwriter, multi-instrumentalist, and record producer. He rose to fame as a member of the multiplatinum group Tony! Toni! Toné! In addition to his solo and group career, he has also produced songs for such artists as Erykah Badu, Jill Scott (singer), Jill Scott, Stevie Wonder, Joss Stone, D'Angelo, TLC (group), TLC, En Vogue, Kelis, Mary J. Blige, Ledisi, Whitney Houston, Solange Knowles and John Legend. Music critic Robert Christgau has called Saadiq the "preeminent R&B artist of the '90s". Saadiq was also a member of The Ummah, a music production collective, alongside D'Angelo, Q-Tip (rapper), Q-Tip, Ali Shaheed Muhammad, and J Dilla; and was a member of the Supergroup (music), supergroup Lucy Pearl with Dawn Robinson. He has released five solo albums, including the critically acclaimed retro-styled ''The Way I See It'' (2008) and ''Stone Rollin''' (2011). The more contemporary-sounding ''Jimmy L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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