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Sonny Stitt
Sonny Stitt (born Edward Hammond Boatner Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a piano t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, Ammon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Amsterdam News
The ''Amsterdam News'' (also known as ''New York Amsterdam News'') is a weekly Black-owned newspaper serving New York City. It is one of the oldest newspapers geared toward African Americans in the United States and has published columns by such figures as W. E. B. Du Bois, Roy Wilkins, and Adam Clayton Powell Jr., and was the first to recognize and publish Malcolm X. Foundation The ''Amsterdam News'' was founded on December 4, 1909, and is headquartered in the Harlem neighborhood of Upper Manhattan. The newspaper takes its name from its original location one block east of Amsterdam Avenue, at West 65th Street and Broadway. An investment of US$10 in 1909 () turned the ''Amsterdam News'' into one of New York's largest and most influential black-owned-and-operated business institutions, and one of the nation's most prominent ethnic publications. It was later reported that James Henry Anderson published the first copy: "...with a dream in mind, $10 in his pocket, six sheets of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Boatner
Edward Hammond Boatner (1898–1981) was an American composer who wrote many popular concert arrangements of Black American spirituals. Biography Boatner was educated at Western University in Quindaro, Kansas, Boston Conservatory and received a Bachelor of Music from the Chicago Music College (Now the College of Performing Arts at Roosevelt University). He also studied music privately. He began as a Concert singer with the encouragement and assistance of Roland Hayes — who performed many of Boatner's works on his concert programs—and choral director R. Nathaniel Dett. He also sang leading roles with the National Negro Opera Company. For the National Baptist Convention, he served as the director of music from 1925 to 1931. Boatner was a professor for Samuel Huston College (now Huston–Tillotson University) and Wiley College in Marshall, TX. He then settled in New York conducting a studio and directed community and church choirs. This allowed him to conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saginaw, Michigan
Saginaw () is a city in the U.S. state of Michigan and the seat of Saginaw County. The city of Saginaw and Saginaw County are both in the area known as Mid-Michigan. Saginaw is adjacent to Saginaw Charter Township and considered part of Greater Tri-Cities region of Central Michigan. The Saginaw County MSA had a population of 190,124 in 2020. The city is also the largest municipality in the Saginaw, Midland, and Bay City Metropolitan Area, with a combined population of 377,474 in the combined statistical area in 2020. The city proper had a population of 44,202 at the 2020 census. Saginaw was a thriving lumber town in the 19th century and an important industrial city and manufacturing center throughout much of the 20th century. During the late 20th century, its industry and strong manufacturing presence declined, leading to increased unemployment, crime, and a population decline. Neighboring communities, such as Saginaw Charter Township, saw subsequent population increases whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Morgenstern
Dan Morgenstern (born October 24, 1929) is a jazz writer, editor, archivist, and producer. He is the son of the German-language Jewish author Soma Morgenstern. Morgenstern was raised in Vienna and Copenhagen and arrived in the United States in 1947. He wrote for ''Jazz Journal'' from 1958 to 1961, then edited several jazz magazines: ''Metronome'' in 1961, ''Jazz'' from 1962 to 1963, and ''Down Beat'' from 1967 to 1973. In 1976, he was named director of Rutgers–Newark's Institute of Jazz Studies, where he continued the work of Marshall Stearns and made the Institute the world's largest collection of jazz documents, recordings, and memorabilia. Over the course of his career, Morgenstern has arranged concerts (including the Jazz in the Garden series at the Museum of Modern Art); produced and hosted television and radio programs; taught jazz history at universities and conservatories; and served as a panelist for jazz festivals and awards across the U.S. and Europe. Morgenstern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk and Lee Morgan. Musical style Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to describe soul jazz, which is commonly a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
