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Sonnet Written In The Church Yard At Middleton
"Sonnet Written in the Church Yard at Middleton in Sussex," also known as Charlotte Turner Smith's "Sonnet XLIV," is Smith's most widely read and anthologized sonnet. The poem first appeared in the fifth edition of Smith's '' Elegiac Sonnets'' in 1789. Background The poem describes the sight of a thirteenth-century church in what is now known as Middleton-on-Sea in West Sussex. The churchyard of the poem's title was the church's cemetery. The area had been subject to substantial erosion since at least 1341, and preventative measures were employed in 1570 and 1779. In 1606 the church was approximately 170 yards from the high tide mark, but in 1724 the sea had encroached so much that the church was 20 yards from the edge. Smith visited the church in 1789, at which time the church was only a few feet from the shore, and the surrounding wall and many of the graves had eroded into the sea. Nonetheless, the church continued to be used until the building collapsed in 1838. In 1840, all that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Turner Smith
Charlotte Smith (née Turner; – ) was an English novelist and poet of the School of Sensibility whose ''Elegiac Sonnets'' (1784) contributed to the revival of the form in England. She also helped to set conventions for Gothic fiction and wrote political novels of sensibility. Despite ten novels, four children's books and other works, she saw herself mainly as a poet and expected to be remembered for that. Smith left her husband and began writing to support their children. Her struggles for legal independence as a woman affect her poetry, novels and autobiographical prefaces. She is credited with turning the sonnet into an expression of woeful sentiment and her early novels show development in sentimentality. Later novels such as ''Desmond'' and '' The Old Manor House'' praised the ideals of the French Revolution. Waning interest left her destitute by 1803. Barely able to hold a pen, she sold her book collection to pay debts and died in 1806. Largely forgotten by the mid-19t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sestet
A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines. The etymology of the word can be traced to the Italian word ''sestetto'', meaning “sixth”. The origin of the sonnet form has been traced to poems by Giacomo di Lentino in Sicily. The original sonnet form is the Sicilian Sonnet (also in octave and sestet) rhyming ABABABAB CDECDE or CDCDCD. It is generally believed that the first eight lines derive from the Sicilian form of the ''Stramboto''. The first recognized and documented user of this poetical form was the Italian poet Petrarch. In the usual course the rhymes are arranged ABCABC, but this is not necessary. Early Italian sonnets, and in particular those of Dante, often close with the rhyme arrangement ABCCBA, but in languages where the sonority of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poems About Death
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Wordsworth
William Wordsworth (7 April 177023 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication ''Lyrical Ballads'' (1798). Wordsworth's ''magnum opus'' is generally considered to be ''The Prelude'', a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published by his wife in the year of his death, before which it was generally known as "the poem to Coleridge". Wordsworth was Poet Laureate from 1843 until his death from pleurisy on 23 April 1850. Early life The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in what is now named Wordsworth House in Cockermouth, Cumberland, (now in Cumbria), part of the scenic region in northwestern England known as the Lake District. William's sister, the poet and diarist Dorothy Wordsworth, to whom he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi calls the turn a "fulcrum". In ''The Poet's Art'', M.L. Rosenthal employs two different terms for different kinds of turns: "gentle ''modulations'', or at the furthest extreme, wrenching turns of emphasis or focus or emotional pitch (''torques'')". Hank Lazer primarily refers to the turn as a "swerve", asking, "Is there a describable lyricism of swerving? For those poems for which the swerve, the turn, the sudden change in direction are integral, can we begin to articulate a precise appreciation? Is there a describable and individualistic lyricism of swerving?" What Leslie Ullman calls the "center" of a poem largely is the poem's turn. Importance Author and historian Paul Fussell calls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespearean Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines (in English sonnets, iambic pentameter is used) in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets). This form was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave (poetry)
An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of one idea, giving way to another idea in the sestet. Some English sonnets break that rule, often to striking effect. In Milton's Sonnet 19, the sestet begins early, halfway through the last line of the octave: See also *Sicilian octave *''Ottava rima Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The otta ...'' References External linksPoetic Form: Sonnet- Poets.org {{Western medieval lyric forms Stanzaic form Sonnet studies Western mediev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegiac Sonnets
''Elegiac Sonnets'', titled ''Elegiac Sonnets, and Other Essays by Charlotte Sussman of Bignor Park, in Sussex'' in its first edition, is a collection of poetry written by Charlotte Smith, first published in 1784. It was widely popular and frequently reprinted, with Smith adding more poems over time. ''Elegiac Sonnets'' is credited with re-popularizing the sonnet form in the eighteenth century. It is notable for its poetic representations of personal emotion, which made it an important early text in the Romantic literary movement. Publication history The first edition of ''Elegiac Sonnets'' in 1784 was a single volume with sixteen sonnets and three other poems. Six of these sonnets had previously appeared in the periodicals ''The European Magazine'' and ''The New Annual Register''. The ninth edition, in 1800, was the last which Smith supervised. The last edition to add new poems, the tenth edition in 1812, was two volumes, with fifty-nine sonnets and eight other poems. Conten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gentleman's Magazine
''The Gentleman's Magazine'' was a monthly magazine founded in London, England, by Edward Cave in January 1731. It ran uninterrupted for almost 200 years, until 1922. It was the first to use the term ''magazine'' (from the French ''magazine'', meaning "storehouse") for a periodical. Samuel Johnson's first regular employment as a writer was with ''The Gentleman's Magazine''. History The original complete title was ''The Gentleman's Magazine: or, Trader's monthly intelligencer''. Cave's innovation was to create a monthly digest of news and commentary on any topic the educated public might be interested in, from commodity prices to Latin poetry. It carried original content from a stable of regular contributors, as well as extensive quotations and extracts from other periodicals and books. Cave, who edited ''The Gentleman's Magazine'' under the pen name "Sylvanus Urban", was the first to use the term ''magazine'' (meaning "storehouse") for a periodical. Contributions to the magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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