Sonnet 144
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Sonnet 144
Sonnet 144 (along with Sonnet 138) was published in the '' Passionate Pilgrim'' (1599). Shortly before this, Francis Meres referred to Shakespeare's Sonnets in his handbook of Elizabethan poetry, '' Palladis Tamia, or Wit's Treasurie'', published in 1598, which was frequently talked about in the literary centers of London taverns. Shakespeare's sonnets are mostly addressed to a young man, but the chief subject of Sonnet 127 through Sonnet 152 is the "dark lady". Several sonnets portray a conflicted relationship between the speaker, the "dark lady" and the young man. Sonnet 144 is one of the most prominent sonnets to address this conflict. Structure Sonnet 144 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form ''abab cdcd efef gg'' and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line e ...
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Sonnet 138
Sonnet 138 is one of the most famous of William Shakespeare's sonnets. Making use of frequent puns ("lie" and "lie" being the most obvious), it shows an understanding of the nature of truth and flattery in romantic relationships. The poem has also been argued to be biographical: many scholars have suggested Shakespeare used the poem to discuss his frustrating relationship with the Dark Lady, a frequent subject of many of the sonnets. (To note, the Dark Lady was definitely not Shakespeare's wife, Anne Hathaway.) The poem emphasizes the effects of age and the associated deterioration of beauty, and its effect on a sexual or romantic relationship. Paraphrase Sonnet 138 begins with the speaker discussing how his love speaks word of truth, but the next line states "''I do believe her, though I know she lies''." This sets the tone for the rest of the sonnet because he knows that his lover is lying. He chooses to deny it and accept her lie. The line "''That she might think me some untu ...
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Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate am ...
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Sonnet 129
Sonnet 129 is one of the 154 sonnets written by William Shakespeare and published in the 1609 Quarto. It is considered one of the "Dark Lady" sonnets (127–152). Overview Sonnet 129 considers the emotional experience of the act of physical love as it progresses in time: first the anticipation of lust, then the consummation, followed by the complete shift in mood of the aftermath. The sonnet in spirit resembles a passionate dramatic monologue, and seems to be expressed by a man who looks back at such an act of love with bitter fury at its contrasting aspects. The sonnet begins with a howl of disgust, as the poet condemns the experience, listing negative aspects of lust in anticipation: It can cause a man to be dishonest, brutal, shameful, savage, and cruel. The moment lust is satisfied, it is despised the way a fish might despise the bait it has swallowed. The poem ends with the couplet pointing out that though all men are aware that love in action may provide pleasure, it end ...
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Sonnet 87
Sonnet 87 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It is part of the Fair Youth sequence, and sometimes included as the last sonnet in the Rival Poet group. Synopsis The poet admits that he no longer possesses the love of the youth, whose worth is too great for the poet, who could only possess him while the youth did not recognise his own worth. His time with the youth was like a dream of greatness from which he has now woken. Shakespeare says, in essence, that the Fair Youth is so much better than he is that Shakespeare can't possibly deserve him. Being unworthy, Shakespeare wants to release the Youth from the relationship so that "he can have the better life that he deserves".(Nelles, William. "Sexing Shakespeare's Sonnets: Reading beyond Sonnet 20." English Literary Renaissance, 2009.) In the closing couplet, Shakespeare says that while the relationship lasted, he felt like a king, but now he realizes it was ...
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Sonnet 75
Sonnet 75 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Synopsis The poet expresses his complete pleasure in the presence of his beloved, but says that his devotion resembles that of a miser to his money, filled with anxiety combined with pleasure in his wealth. Structure Sonnet 75 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, ABAB CDCD EFEF GG, and is composed in iambic pentameter, a type of poetic metre The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pref ... based on five pairs of metrically weak/strong syllabic positions. Th ...
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Sonnet 52
Sonnet 52 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure Sonnet 52 is an English or Shakespearean sonnet. It contains three quatrains followed by a final rhyming couplet. It follows the typical rhyme scheme of the English sonnet, ABAB CDCD EFEF GG, and is composed in iambic pentameter, a type of poetic metre The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pref ... based on five pairs of metrically weak/strong syllabic positions. The twelfth line exemplifies a regular iambic pentameter: × / × / × / × / × / By new unfolding his imprison'd pride. (52.12) The fourth line has a final extrametrical syllable or ''femini ...
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Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel ''The Picture of Dorian Gray'', and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at age 46. Wilde's parents were Anglo-Irish intellectuals in Dublin. A young Wilde learned to speak fluent French and German. At university, Wilde read Literae Humaniores#Greats, Greats; he demonstrated himself to be an exceptional Classics, classicist, first at Trinity College Dublin, then at Magdalen College, Oxford, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde m ...
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Sonnet 144 Two Loves
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ...
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Ulysses (novel)
''Ulysses'' is a modernist novel by Irish writer James Joyce. Parts of it were first serialized in the American journal ''The Little Review'' from March 1918 to December 1920, and the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement." According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking". ''Ulysses'' chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the ''Odyssey'', and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus ...
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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The Passionate Pilgrim
''The Passionate Pilgrim'' (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to " W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of '' Shakespeare's Sonnets'', and three poems extracted from the play '' Love's Labour's Lost''. Internal and external evidence contradicts the title page's attribution to Shakespeare. Five were attributed to other poets during his lifetime, and two were published in other collections anonymously. While most critics disqualify the rest as not Shakespearean on stylistic grounds, stylometric analysis by Ward Elliott and Robert Valenza put two blocks of the poems (4, 6, 7 and 9, and 10, 12, 13 and 15) within Shakespeare's stylistic boundaries. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood. Textual history ''The Passionate Pilgrim'' was first publ ...
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