Sonnerie
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Sonnerie
Sonnerie is French for "making sound" or "ring". The term generally applies to bell towers or bells in mechanical clocks or wristwatches (see for example grande sonnerie), but can equally be used, for example, for the sound produced by a telephone. Sonnerie watches are revered by connoisseurs for chiming the time on tiny gongs on the hour and the quarter "in passing", and require highly skilled watchmakers as they "cannot be made satisfactorily through purely industrial means."Jack Forster For whom the bell tolls; For thee if you wear a minute repeater, the most complicated watch there is page 101 December 2009 Forbes Life When "Sonnerie" is used as the name of a musical composition, it bears connotations of: * Sounds produced by bell towers, for example Marin Marais' ''Sonnerie de Ste-Geneviève du Mont-de-Paris'' (1723), ''Carillon'' from Bizet's L'Arlésienne or Cole Porter's ''I Happen to Like New York'' - all three of which rely on a repeated three-note figure to convey th ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Sonnerie Pour Réveiller Le Bon Gros Roi Des Singes
''Sonnerie pour réveiller le bon gros Roi des Singes (lequel ne dort toujours que d'un œil)'' ''(Fanfare for Waking Up the Big Fat King of the Monkeys ho only Ever Sleeps with One Eye)'' is a fanfare for two trumpets in C composed in 1921 by Erik Satie. It was the last of his works to which he gave an outlandish title reminiscent of his "humoristic" vein. Eugene Goossens conducted the premiere at the Queen’s Hall in London on October 27, 1921. A performance lasts about a minute. Description The ''Sonnerie'' was commissioned by the new British periodical ''Fanfare: A Musical Causerie'', edited by musicologist Leigh Vaughan Henry (1889-1958). Although it ran for only seven biweekly numbers (October 1, 1921 - January 1, 1922), it covered a wide range of contemporary musical subjects, from indigenous African to Russian avant-garde. Best known was its namesake feature of publishing original fanfares by noteworthy composers in each issue; Manuel de Falla, Granville Bantock, Arnol ...
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Sonneries De La Rose+Croix
' ("Three Sonneries of the Rose+Cross") is a piano composition by Erik Satie, first published in 1892, while he was composer and chapel-master of the Rosicrucian "", led by Sâr Joséphin Péladan. Other ways of transcribing the title of this work include ', ' and '. The composition has three movements, totalling about 11 minutes execution time: #' ("Air of the Order") #' ("Air of the Grand-Master", i.e. Sâr Péladan) #' ("Air of the Grand-Prior", i.e. Count Antoine de La Rochefoucauld) A composition dated 20 January 1891, having only ' (Moderato) marked on the score, is generally known as ', after its first publication in 1968. The three sections are written with no bar lines, implying a free metric structure. Each piece is written in an elegant melody/accompaniment chorale style, exhibiting an interplay of two themes in austere but cleverly designed juxtaposition, with repetition and occasional departure from the initial exposition. In 1988, Alan Gillmor of Carleton Univer ...
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Sonnerie De Ste-Geneviève Du Mont-de-Paris
Sonnerie is French for "making sound" or "ring". The term generally applies to bell towers or bells in mechanical clocks or wristwatches (see for example grande sonnerie), but can equally be used, for example, for the sound produced by a telephone. Sonnerie watches are revered by connoisseurs for chiming the time on tiny gongs on the hour and the quarter "in passing", and require highly skilled watchmakers as they "cannot be made satisfactorily through purely industrial means."Jack Forster For whom the bell tolls; For thee if you wear a minute repeater, the most complicated watch there is page 101 December 2009 Forbes Life When "Sonnerie" is used as the name of a musical composition, it bears connotations of: * Sounds produced by bell towers, for example Marin Marais' ''Sonnerie de Ste-Geneviève du Mont-de-Paris'' (1723), ''Carillon'' from Bizet's L'Arlésienne or Cole Porter's ''I Happen to Like New York'' - all three of which rely on a repeated three-note figure to convey th ...
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Grande Sonnerie
A repeater is a complication in a mechanical watch or clock that chimes the hours and often minutes at the press of a button. There are many types of repeater, from the simple repeater which merely strikes the number of hours, to the minute repeater which chimes the time down to the minute, using separate tones for hours, quarter hours, and minutes. They originated before widespread artificial illumination, to allow the time to be determined in the dark, and were also used by the visually impaired. Now they are mostly valued as expensive novelties by watch and clock enthusiasts. Repeaters should not be confused with striking clocks or watches, which do not strike on demand, but merely at regular intervals. History The repeating clock was invented by the English cleric and inventor, the Reverend Edward Barlow in 1676. His innovation was the ''rack and snail'' striking mechanism, which could be made to repeat easily and became the standard mechanism used in both clock and wat ...
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Alarm Clock
An alarm clock (or sometimes just an alarm) is a clock that is designed to alert an individual or group of individuals at a specified time. The primary function of these clocks is to awaken people from their night's sleep or short naps; they are sometimes used for other reminders as well. Most use sound; some use light or vibration. Some have sensors to identify when a person is in a light stage of sleep, in order to avoid waking someone who is deeply asleep, which causes tiredness, even if the person has had adequate sleep. To turn off the sound or light, a button or handle on the clock is pressed; most clocks automatically turn off the alarm if left unattended long enough. A classic analog alarm clock has an extra hand or inset dial that is used to specify the time at which the alarm will ring. Alarm clocks are also used in mobile phones, watches, and computers. Many alarm clocks have radio receivers that can be set to start playing at specified times, and are known as ''clo ...
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Serenade
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening," from Latin ''sera'', fem. of ''serus'' "late." Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performed follo ...
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Hunting
Hunting is the human activity, human practice of seeking, pursuing, capturing, or killing wildlife or feral animals. The most common reasons for humans to hunt are to harvest food (i.e. meat) and useful animal products (fur/hide (skin), hide, bone/tusks, horn (anatomy), horn/antler, etc.), for recreation/taxidermy (see trophy hunting), to remove predators dangerous to humans or domestic animals (e.g. wolf hunting), to pest control, eliminate pest (organism), pests and nuisance animals that damage crops/livestock/poultry or zoonosis, spread diseases (see varmint hunting, varminting), for trade/tourism (see safari), or for conservation biology, ecological conservation against overpopulation and invasive species. Recreationally hunted species are generally referred to as the ''game (food), game'', and are usually mammals and birds. A person participating in a hunt is a hunter or (less commonly) huntsman; a natural area used for hunting is called a game reserve; an experienced hun ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Reveille
"Reveille" ( , ), called in French "Le Réveil" is a bugle call, trumpet call, drum, fife-and-drum or pipes call most often associated with the military; it is chiefly used to wake military personnel at sunrise. The name comes from (or ), the French word for "wake up". Commonwealth of Nations and the United States The tunes used in the Commonwealth of Nations are different from the one used in the United States, but they are used in analogous ways: to ceremonially start the day. British Army Cavalry and Royal Horse Artillery regiments sound a call different from the infantry versions, known as "The Rouse" but often misnamed "Reveille", while most Scottish Regiments of the British Army sound a pipes call of the same name, to the tune of "Hey, Johnnie Cope, Are Ye Waking Yet?", a tune that commemorates the Battle of Prestonpans. For the Black Watch, since the Crimean War, '"Johnnie Cope'' has been part of a sequence of pipe tunes played at an extended reveille on the 15th of ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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