Songs Of The Fleet
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Songs Of The Fleet
''Songs of the Sea'' is a cycle of five songs for baritone, male voice chorus, and orchestra, to poems by Henry Newbolt. It was composed by Charles Villiers Stanford, was premiered at the 1904 Leeds Festival, and was published as his Op. 91. ''Songs of the Fleet'' is a companion cycle of five songs for baritone, mixed chorus, and orchestra, also to poems by Newbolt. It was premiered at Leeds in 1910, and was published by Stanford as his Op. 117. Overview According to music critic Geoffrey Crankshaw: "Drake's Drum" may be the best known of the ten songs. It relates to the legend that Sir Francis Drake, naval hero under Elizabeth I of England, on his deathbed in the Spanish Main, asked that his drum be taken to England. He promised that should it be beaten in the hour of England's gravest need, he and his fleet would reappear in the English Channel to repel the invaders; as they did the Spanish Armada in 1588. It has been recorded by, among others, Peter Dawson, John Shirley-Q ...
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Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ...
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Harry Plunket Greene
Harry Plunket Greene (24 June 1865 – 19 August 1936) was an Irish baritone who was most famous in the formal concert and oratorio repertoire. He wrote and lectured on his art, and was active in the field of musical competitions and examinations. He also wrote ''Where the Bright Waters Meet'' (1924) a book about fly fishing. Training Plunket Greene was born in Dublin, the son of Richard Jonas Greene, a barrister, and Louisa Lilias Plunket, a children's writer, granddaughter of William Conyngham Plunket, Lord Chancellor of Ireland. He was educated at Clifton College and initially expected to follow Law at Oxford. However, after he was 'smashed up' in a football accident he had a year's convalescence. Discovering his musical calling he studied under Arthur Barraclough in Dublin before attending the Stuttgart Conservatory for two years under Hromada in the early 1880s. He also studied in Florence with Luigi Vannuccini (a pupil of Francesco Lamperti), and in London with J. B. W ...
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Song Cycles By Charles Villiers Stanford
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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1904 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Norman Del Mar
Norman René Del Mar CBE (31 July 19196 February 1994) was a British conductor, horn player, and biographer. As a conductor, he specialised in the music of late romantic composers; including Edward Elgar, Gustav Mahler, and Richard Strauss. He left a great legacy of recordings of British music, in particular Elgar, Ralph Vaughan Williams, Frederick Delius, and Benjamin Britten. He notably conducted the premiere recording of Britten's children's opera ''Noye's Fludde''. Life and career Born in Hampstead, London, Del Mar began his career as a horn player. He was one of the original members of the Royal Philharmonic Orchestra (RPO), which was established by Sir Thomas Beecham in 1946. Within the first few months of the RPO's existence, Beecham appointed Del Mar as his assistant conductor. Del Mar made his professional debut as a conductor with the RPO in 1947. In 1949 Del Mar was appointed principal conductor of the English Opera Group, in which post he remained until 1954. I ...
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Bournemouth Symphony Orchestra
The Bournemouth Symphony Orchestra (BSO) is an English orchestra, founded in 1893 and originally based in Bournemouth. With a remit to serve the South and South West of England, the BSO is administratively based in the adjacent town of Poole, since 1979.Street, Sean, and Carpenter, R., ''The Bournemouth Symphony Orchestra, A Centenary Celebration''. Wimborne, The Dovecote Press Ltd, 1993 (). Principal conductors of the orchestra have included Sir Dan Godfrey, Rudolf Schwarz, Constantin Silvestri, Paavo Berglund, Andrew Litton and Marin Alsop. The current principal conductor is Kirill Karabits, since 2009. The orchestra is resident at Lighthouse in Poole, with other major concert series given at Portsmouth Guildhall, the Great Hall of Exeter University and Bristol Beacon. Shorter series are also given in Bournemouth (Pavilion Theatre) and Basingstoke. History Origins to 1934: The Godfrey era The Bournemouth Municipal Orchestra was founded in 1893 by Dan Godfrey as a grou ...
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Bournemouth Symphony Chorus
Bournemouth () is a coastal resort town in the Bournemouth, Christchurch and Poole council area of Dorset, England. At the 2011 census, the town had a population of 183,491, making it the largest town in Dorset. It is situated on the English south coast, equidistant () from Dorchester and Southampton. Bournemouth is part of the South East Dorset conurbation, which has a population of 465,000. Before it was founded in 1810 by Lewis Tregonwell, the area was a deserted heathland occasionally visited by fishermen and smugglers. Initially marketed as a health resort, the town received a boost when it appeared in Augustus Granville's 1841 book, ''The Spas of England''. Bournemouth's growth accelerated with the arrival of the railway, and it became a town in 1870. Part of the historic county of Hampshire, Bournemouth joined Dorset for administrative purposes following the reorganisation of local government in 1974. Through local government changes in 1997, the town began to be adm ...
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