Songs Of Faith And Devotion
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Songs Of Faith And Devotion
''Songs of Faith and Devotion'' is the eighth studio album by English electronic music band Depeche Mode. It was first released on 22 March 1993 in the United Kingdom by Mute Records and a day later in the United States by Sire Records and Reprise Records. The album incorporated a more aggressive, darker rock-oriented tone than its predecessor '' Violator'' (1990), largely influenced by the emerging alternative rock and grunge scenes in the United States. Upon its release, ''Songs of Faith and Devotion'' reached number one in several countries, and became the first Depeche Mode album to debut atop the charts in both the UK and the US. To support the album, Depeche Mode embarked on the fourteen-month-long Devotional Tour, the largest tour they had undertaken to date. Recording the album and the subsequent tour exacerbated growing tensions and difficulties within the band, prompting Alan Wilder to quit in 1995, making this album the final one with him as a band member, and also ...
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Depeche Mode
Depeche Mode are an English electronic music band formed in Basildon, Essex, in 1980. The band currently consists of Dave Gahan (lead vocals and co-songwriting) and Martin Gore (keyboards, guitar, co-lead vocals and main songwriting). Depeche Mode, originally formed by the lineup of Gahan, Gore, Andy Fletcher (musician), Andy Fletcher and Vince Clarke, released their debut album ''Speak & Spell (album), Speak & Spell'' in 1981, bringing the band onto the British New wave music, new wave scene. After founding member Clarke left following the release of the album, they recorded ''A Broken Frame'' as a trio. Gore took over as main songwriter and later, in 1982, Alan Wilder replaced Clarke, establishing a lineup that continued for 13 years. The band's last albums of the 1980s, ''Black Celebration'' and ''Music for the Masses'', established them as a dominant force within the electronic music scene. A highlight of this era was the band's June 1988 concert at the Rose Bowl (stadium), ...
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Devotional Tour
The Devotional Tour was a 1993 concert tour by English electronic band Depeche Mode in support of the group's eighth studio album, ''Songs of Faith and Devotion'', which was released in March 1993. The group continued to promote ''Songs of Faith and Devotion'' the following year on the Exotic Tour/Summer Tour '94, which included an additional North American leg. '' Q'' magazine refers to Devotional Tour as "the most debauched rock tour ever". The tour began with an eleven-week European leg, which kicked off in Lille, France, in mid-May and culminated in London in late July. In September 1993, the group began a North American leg, which commenced in Quebec City, Canada. The 50-date tour continued until early December, when it wrapped up in Mexico City. Later in the month, the band returned to Europe for a short tour of the United Kingdom and Ireland. The five date jaunt began in Dublin and ended, once again, in London. Releases The concerts in Barcelona, Liévin and Frankf ...
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Andy Fletcher (musician)
Andrew John Fletcher (8 July 1961 – 26 May 2022), also known as Fletch, was an English keyboard player and founding member of the electronic band Depeche Mode. In 2020, he and the band were inducted into the Rock and Roll Hall of Fame. Early life Fletcher was the eldest of four siblings born to Joy and John Fletcher. The family moved to Basildon from Nottingham when he was two years old, when his father, an engineer, was offered a job at a cigarette factory. He was active in the local Boys' Brigade from an early age, primarily to play football. Career Depeche Mode Fletcher, and acquaintances Vince Clarke and Martin Gore, were in their mid-teens when punk rock arrived on the music scene. Fletcher said this was "obviously the perfect age to experience it", noting that "we were very lucky in life". Fletcher and Clarke formed the short-lived band No Romance in China, in which Fletcher played bass guitar. In 1980, Fletcher, Clarke and Gore, the trio now all on synthesisers, forme ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ...
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Uilleann Pipes
The uilleann pipes ( or , ) are the characteristic national bagpipe of Ireland. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry ...
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Outro (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work." Perle, George (1990). ''The Listening Composer''. California: University of California Press. . For example: * The slow movement of Bach's '' Brandenburg Concerto No. 2'', where a "diminished-7th chord progression interrupts the final cadence." * The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda. * Varèse's '' Density 21.5'', where partiti ...
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Steinberg Cubase
Cubase is a digital audio workstation (DAW) developed by Steinberg for music and MIDI recording, arranging and editing. The first version, which was originally only a MIDI sequencer and ran on the Atari ST computer, was released in 1989. Cut-down versions of Cubase are included with almost all Yamaha audio and MIDI hardware, as well as hardware from other manufacturers. These versions can be upgraded to a more advanced version at a discount. Operation Cubase can be used to edit and sequence audio signals coming from an external sound source and MIDI, and can host VST instruments and effects. It has a number of features designed to aid in composition, such as: *Chord Tracks: Helps the user keep track of chord changes, and can optionally be used to harmonize audio and MIDI tracks automatically, as well as trigger arpeggios and chords with basic voicings or voicings for piano and guitar. Chords can be either entered manually or detected automatically. *Expression Maps: Adds a lane ...
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Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ...
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Roland System 700
The Roland System 700 was a professional monophonic modular synthesizer for electronic music manufactured by the Roland Corporation and released in 1976 and was followed by the Roland System-100M in 1978. Modules The System 700 range included the following modules: * 701A – Keyboard controller * 702A – VCO-1 * 702B – VCO-2 * 702C – VCO-3 * 703A – VCF-1 * 703B – VCF-2 * 703G – VCF (Block 8) * 704A – VCA-1 * 704B – VCA-2 * 704D – VCA (Block 8) * 705A – Dual envelope generator * 706A – LFO-1 * 706B – LFO-2 * 707A – Amplifier / envelope follower / integrator * 708A – Noise / ring generator * 709A – Sample and hold * 710A – Multiple jacks * 711A – Reverberator / panning / standard oscillator / phase shifter * 712A – Monitor / external keyboard controller / voltage processor / keyboard CV output / gate output *713A - Gate delay * 714A – Interface * 715A – Mul ...
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Achtung Baby
''Achtung Baby'' () is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release ''Rattle and Hum'', U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, ''Achtung Baby'' is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one. Seeking inspiration from German reunification, U2 began recording ''Achtung Baby'' at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prom ...
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