Songhai (musical Collaboration)
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Songhai (musical Collaboration)
Songhai was a world music collaboration between the Spanish flamenco group Ketama, Malian kora player Toumani Diabaté, and English bass player Danny Thompson. They released two albums, '' Songhai'' (1988) and ''Songhai 2'' (1994), both co-produced by Joe Boyd. In October 1987, Ketama played five concerts in London, where they met Toumani Diabaté and musicologist and record producer Lucy Durán, who encouraged them to work together. After the group jammed with Diabaté, they performed together at a London club and agreed to record an album for Boyd's Hannibal label. The album was recorded in Madrid in April 1988, with a core line-up consisting of Diabaté, the four members of Ketama - Juan Carmona (guitar), José Soto (vocals, guitar), Antonio Carmona (percussion, vocals), and José Miguel Carmona (percussion, vocals) - and Danny Thompson (bass), with additional backing vocals by Diaw Kouyate and Djanka Diabate of Mory Kanté's band. The album was well received as a successful ...
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Lucy Durán
Lucy Durán is a British ethnomusicologist, record producer and radio presenter. In the 1980s, Durán worked as a curator at the British Library National Sound Archive. She joined SOAS University of London in 1993, and is Professor of Music with special reference to Africa and Cuba, in the School of Arts. She is the daughter of Spanish composer and civil war veteran Gustavo Durán and the sister of poet Jane Duran and author Cheli Duran. She was the regular presenter of BBC Radio 3's world music programme ''World Routes'' for its duration on air from 2000-2013, and featured programmes about traditional music recorded on location in countries as diverse as Madagascar, Equatorial Guinea, Paraguay and Albania. Durán is the record producer of over twenty albums, featuring leading African musicians including Malian Kora player Toumani Diabaté: ''Kaira'', ''Djelika'', ''Songhai 2'', ''New Ancient Strings'' (Toumani Diabate with Ballaké Sissoko), and ''Toumani & Sidiki'' rammy ...
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The Rough Guide To Flamenco (1997 Album)
''The Rough Guide to Flamenco'' is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, the album gives broad coverage to the flamenco genre of Spain. The compilation was produced by Phil Stanton, co-founder of the World Music Network. Liner notes were written by Tom Andrews. This was the first of three similarly named albums: the second was released in 2007; the third, in 2013. Critical reception The Album received mixed reviews. Writing for AllMusic, Adam Greenberg called it a "nice overview of the tradition", but that for purer forms, listeners should "look elsewhere". Michaelangelo Matos of the ''Chicago Reader The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a ...'' claimed it "suffered from compilationitis", losing st ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Xalam
Xalam (in Serer, or khalam in Wolof) is a traditional stringed musical instrument from West Africa with 1-5 strings. The xalam is commonly played in Mali, Gambia, Senegal, Niger, Northern Nigeria, Northern Ghana, Burkina Faso, Mauritania, and Western Sahara; it, and its variants, are also known in other languages as bappe, diassare, hoddu (Pulaar), koliko (Gurunsi), kologo ( Frafra), komsa, kontigi, gurmi, garaya (Hausa), koni, konting (Mandinka), molo ( Songhay/ Zarma), ndere, ngoni ( Bambara), and tidinit ( Hassaniyya and Berber). In Wolof, who plays the xalam is called a ''xalamkat'' (a word composed of the verbal form of xalam, meaning "to play the xalam", and the agentive suffix ''-kat'', thus meaning "one who xalams"). In Mande, this is ''ngonifola'' or ''konting fola''. In Hausa, this is ''mai gurmi'' or ''mai kontigi''. Construction and tuning The xalam, in its standard form, is a simple lute chordophone with one to five strings. The wooden body (soundbox) membran ...
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Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ...
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Mory Kanté
Mory Kanté (29 March 195022 May 2020) was a Guinean vocalist and player of the kora harp. He was best known internationally for his 1987 hit song "Yé ké yé ké", which reached number-one in Belgium, Finland, the Netherlands, and Spain. The album it came from, ''Akwaba Beach'', was the best-selling African record of its time. Early life Kanté was born in Albadaria, French Guinea (a part of French West Africa at the time) on 29 March 1950. His father was El Hadj Djeli Fodé Kanté and his mother, Fatouma Kamissoko, was a singer. They were one of Guinea's best known families of griot (hereditary) musicians. He was of mixed Malian and Guinean descent. After being brought up in the Mandinka griot tradition in Guinea, he was sent to Mali at the age of seven years – where he learned to play the kora, as well as important voice traditions, some of which are necessary to become a griot. As a Muslim, he integrated aspects of Islamic music in his work. Career In 1971 Kanté b ...
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Hannibal Records
Hannibal Records was a British record label and one of the first to work with the World music genre. Hannibal was started by Joe Boyd in 1980. Boyd had produced records by artists such as Nick Drake, The Incredible String Band and Fairport Convention and released recordings by these artists as well as others such as Trio Bulgarka on his new label. Around this time folk music from around the world was being released by different labels but was so varied it did not fit into a particular genre. Boyd and a collection of other music industry leaders decided to coin the term world music in order to give this music a name for marketing purposes. Hannibal began releasing records under the world music banner. In the early 1990s, Hannibal was purchased by independent label Rykodisc. Joe Boyd continued managing the label until the late 1990s when Rykodisc was purchased by Palm Pictures. After Boyd's departure from Hannibal the label lay dormant. In 1998, Andy Childs took over the runn ...
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Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ...
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Joe Boyd
Joe Boyd (born August 5, 1942) is an American record producer and writer. He formerly owned Hannibal Records. Boyd has worked on recordings of Pink Floyd, Fairport Convention, Sandy Denny, Richard Thompson, Nick Drake, The Incredible String Band, R.E.M., Vashti Bunyan, John and Beverley Martyn, Maria Muldaur, Kate & Anna McGarrigle, Billy Bragg, James Booker, 10,000 Maniacs, and Muzsikás.Boyd, Joe, ''White Bicycles – Making Music in the 1960s'', Serpent's Tail, 2006. Life and career Boyd was born in Boston, Massachusetts, and raised in Princeton, New Jersey. He attended Pomfret School in Pomfret, Connecticut. He first became involved in music promoting blues artists while a student at Harvard University. After graduating, Boyd worked as a production and tour manager for music impresario George Wein, which took Boyd to Europe to organise concerts with Muddy Waters, Coleman Hawkins, Stan Getz and Sister Rosetta Tharpe. Boyd was responsible for the sound at the 1965 Newport Fo ...
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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ...
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