Song Of The Nightingale
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Song Of The Nightingale
''Le chant du rossignol'' (English: ''The Song of the Nightingale'') is a symphonic poem written by Igor Stravinsky in 1917. The score is adapted from his earlier work, ''Le rossignol'' (''The Nightingale''), an opera from 1914. The opera, based on Hans Christian Andersen's 1843 tale "The Nightingale", is set in three acts, told from the point of view of a Chinese fisherman. In the orchestral version, Stravinsky mostly uses music from acts two and three. Opera The opera ''Le rossignol'', the first act written in 1908 and the later two in 1913–14, was Stravinsky's first opera. The delay between writing the first and the latter acts was caused by his commissions to write '' The Firebird'', '' Petrushka'', and ''The Rite of Spring'' for impresario Sergei Diaghilev's Ballets Russes. After this lapse of time, during which Stravinsky established himself as a ballet composer, he was unsure of returning to ''Le rossignol'', and although he did finish it, he chose to also create a purel ...
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Henri Matisse Et Léonide Massine (Ballets Russes, Opéra) (4565877526)
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Batt ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Chicago Symphony Orchestra
The Chicago Symphony Orchestra (CSO) was founded by Theodore Thomas in 1891. The ensemble makes its home at Orchestra Hall in Chicago and plays a summer season at the Ravinia Festival. The music director is Riccardo Muti, who began his tenure in 2010. The CSO is one of five American orchestras commonly referred to as the " Big Five". History In 1890, Charles Norman Fay, a Chicago businessman, invited Theodore Thomas to establish an orchestra in Chicago. Under the name "Chicago Orchestra," the orchestra played its first concert October 16, 1891 at the Auditorium Theater. It is one of the oldest orchestras in the United States, along with the New York Philharmonic, the Boston Symphony Orchestra and the Saint Louis Symphony Orchestra. Orchestra Hall, now a component of the Symphony Center complex, was designed by Chicago architect Daniel H. Burnham and completed in 1904. Maestro Thomas served as music director for thirteen years until his death shortly after the orchestra' ...
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Fritz Reiner
Frederick Martin "Fritz" Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. Life and career Reiner was born in Budapest, Austria-Hungary into a secular Jewish family that resided in the Pest area of the city. After preliminary studies in law at his father's urging, Reiner instead decided to pursue the study of piano, piano pedagogy, and composition at the Franz Liszt Academy. During his last two years there, his piano teacher was the young Béla Bartók. After early engagements at opera houses in Budapest and Dresden (June 1914 to November 1921), where he worked closely with Richard Strauss, he moved to the United States in 1922 to take ...
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Samuel Dushkin
Samuel Dushkin (December 13, 1891 – June 24, 1976) was an American violinist, composer, and pedagogue of Polish birth and Jewish origin. Dushkin was born in Suwałki, Poland. He studied at the Conservatoire de Paris, as well as with Leopold Auer in New York City and Fritz Kreisler. He made his European debut in 1918 at the age of twenty-three, and six years later, his American debut with the New York Symphony Orchestra under Walter Damrosch. Dushkin collaborated closely with Igor Stravinsky in the composition of the latter's first work for the violin, the Violin Concerto. He performed the concerto's world and US premieres, and on the debut Vox recording (VLP 6340) with Stravinsky conducting Lamoureux Orchestra. Stravinsky also composed his ''Duo Concertante'' and his ''Divertimento'', both for violin and piano, to play with Dushkin on concert tours. They also worked together on violin transcriptions of other works, such as the ''Suite Italienne'' from Pulcinella. Dushkin g ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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Hawkes & Son
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London in ...
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Player Piano
A player piano (also known as a pianola) is a self-playing piano containing a pneumatic or electro-mechanical mechanism, that operates the piano action via programmed music recorded on perforated paper or metallic rolls, with more modern implementations using MIDI. The rise of the player piano grew with the rise of the mass-produced piano for the home, in the late 19th and early 20th century. Sales peaked in 1924, then declined, as the improvement in phonograph recordings due to electrical recording methods developed in the mid-1920s. The advent of electrical amplification in home music reproduction via radio in the same period helped cause their eventual decline in popularity, and the stock market crash of 1929 virtually wiped out production. History In 1896, Edwin S. Votey invented the first practical pneumatic piano player, called the Pianola. This mechanism came into widespread use in the 20th century, and was all-pneumatic, with foot-operated bellows providing a sour ...
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Death (personification)
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (usually depicted as a berobed skeleton wielding a scythe) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, or Santa Muerte in Mexico). By region Americas Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, ''muerte,'' is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictl ...
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Emperor Of Japan
The Emperor of Japan is the monarch and the head of the Imperial House of Japan, Imperial Family of Japan. Under the Constitution of Japan, he is defined as the symbol of the Japanese state and the unity of the Japanese people, and his position is derived from "the will of the people with whom resides sovereign power". Imperial Household Law governs the line of Succession to the Japanese throne, imperial succession. The emperor is sovereign immunity, immune from prosecution by the Supreme Court of Japan. He is also the head of the Shinto religion. In Japanese language, Japanese, the emperor is called , literally "Emperor of heaven or "Heavenly Sovereign". The Japanese Shinto religion holds him to be the direct descendant of the sun goddess Amaterasu. The emperor is also the head of all national Orders, decorations, and medals of Japan, Japanese orders, decorations, medals, and awards. In English, the use of the term for the emperor was once common but is now considered obsolete ...
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Diatonic And Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ...
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Emperor Of China
''Huangdi'' (), translated into English as Emperor, was the superlative title held by monarchs of China who ruled various imperial regimes in Chinese history. In traditional Chinese political theory, the emperor was considered the Son of Heaven and the autocrat of all under Heaven. Under the Han dynasty, Confucianism replaced Legalism as the official political theory and succession in most cases theoretically followed agnatic primogeniture. The lineage of emperors descended from a paternal family line constituted a dynasty. The absolute authority of the emperor came with a variety of governing duties and moral obligations; failure to uphold these was thought to remove the dynasty's Mandate of Heaven and to justify its overthrow. In practice, emperors sometimes avoided the strict rules of succession and dynasties' ostensible "failures" were detailed in official histories written by their successful replacements. The power of the emperor was also limited by the imperial burea ...
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