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Sonata For Keyboard Four-hands (Mozart)
The Sonata in C major, K. 19d, is a work for piano four-hands once thought to be composed by Wolfgang Amadeus Mozart in 1765 when he was nine years old in England. Composed in the traditional sonata form, it is one of the very few works thought to be written by Mozart for four-handed play. Form The sonata consists of three movements: Allegro moderato The first movement, 107 bars long and in common time, begins with a strong triple-playing of a C major chord. In typical sonata form, the work presents its main theme, and develops upon it. Toward the middle section (bar 40), the work drops down in tone to a darker, more ominous version of the main theme, before picking back up to the light C major chord. Menuetto and Trio The second movement is 54 bars long and in time, sounding very much like an '' Andante''. The opening minuet consists of 26 bars before transitioning to a trio, lasting a mere eight bars, which repeats and then closes with the finished minuet. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Hoffmann , also Ludwig Hoffman, Austrian composer of classical music
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Ludwig Hoffmann or Hofmann may refer to: * Ludwig Hoffmann (architect) (1852–1932), German architect * Ludwig Hoffmann (Waffen-SS) (1908–1945), Hauptsturmführer (Captain) in the Waffen-SS * Ludwig Hofmann (footballer) (1900–1935), German footballer * Ludwig Hofmann (bass) (1895–1963), German opera singer * Leopold Hofmann Leopold Hofmann (also Ludwig Hoffman, Leopold Hoffman, Leopold Hoffmann; 14 August 1738 – 17 March 1793) was an Austrian composer of classical music. Biography Hofmann was the son of a highly educated civil servant, and at the age of seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingrid Haebler
Ingrid Haebler (born 20 June 1929) is an Austrian pianist. She studied at the Salzburg Mozarteum, Vienna Music Academy, Conservatoire de Musique de Genève and privately in Paris with Marguerite Long. She toured worldwide. She is best known for a series of recordings from the 1950s to 1980s. Her complete set of Mozart's piano sonatas for the Denon label is still regarded as among the finest sets. Haebler also recorded all of Mozart's piano concertos (most of them twice), often with her own cadenzas – and all of Schubert's sonatas. She was one of several Austrian musicians to experiment early with period instruments, having recorded the keyboard concertos of Johann Christian Bach on a fortepiano, with the Capella Academica Wien under Eduard Melkus, as well as Mozart's keyboard concertos nos. 1-4 with the same ensemble and director for Philips Records. Her recordings of Mozart and Beethoven with the violinist Henryk Szeryng are particularly prized. Although born in Vienna, Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Mozart
Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787) was a German composer, violinist and theorist. He is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook ''Versuch einer gründlichen Violinschule'' (1756). Life and career Childhood and youth He was born in Augsburg, son of Johann Georg Mozart (1679–1736), a bookbinder, and his second wife Anna Maria Sulzer (1696–1766). From an early age he sang as a choirboy. He attended a local Jesuit school, , where he studied logic, science, and theology, graduating ''magna cum laude'' in 1735. He studied then at the St. Salvator Lyzeum. While a student in Augsburg, he appeared in student theater productions as an actor and singer, and became a skilled violinist and organist. He also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, this apparently was not Leopold's own wish. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Mozart-Ausgabe
The ''Neue Mozart-Ausgabe'' (''NMA''; English: ''New Mozart Edition'') is the second complete works edition of the music of Wolfgang Amadeus Mozart. A longer and more formal title for the edition is ''Wolfgang Amadeus Mozart (1756–1791): Neue Ausgabe sämtlicher Werke'' olfgang Amadeus Mozart (1756–1791): New Edition of the Complete Works Publication Published between 1956 and 2007 by Bärenreiter-Verlag, the ''NMA'' is a scholarly critical edition of all of Mozart's compositions. It consists of 132 volumes containing 25,000 pages of music, organised in 35 work groups, arranged in ten series. Each music volume is accompanied by a separate critical commentary, totalling 8,000 pages. The ten series are: Strengths The ''Neue Mozart-Ausgabe'' is an advance over the previous complete works edition of Mozart published by Breitkopf & Härtel from 1877 to 1883 (with supplements until 1910), which is sometimes referred to today as the '' Alte Mozart-Ausgabe'' (or "Old Mozart E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brewer Street
Brewer Street is a street in the Soho area of central London, running west to east from Glasshouse Street to Wardour Street. The street was first developed in the late 17th century by the landowner Sir William Pulteney. It first appears on a map of 1664, and was built up over the following decades from east to west. It is now known for its variety of shops and entertainment establishments typical of Soho. The street crosses, or meets with, Wardour Street, Rupert Street, Walker's Court Walker's Court is a pedestrian street in the Soho district of the City of Westminster, London. The street dates from around the early 1700s and escaped modernisation in the late nineteenth century so that it retains its original narrow layout. I ..., Greens Court, Lexington Street, Great Pulteney Street, Bridle Lane, Sherwood Street, Lower James Street, Lower John Street and Air Street, before meeting with Glasshouse Street at its western end. References External links Streets in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hickford's Great Room
Hickford's Long Room was a public concert room in London, which ran from April 1713 to about 1779. It was paid for on a subscription basis to those who could afford to patronize the arts, such as the nobility. The 1922 Groves noted that "most of the great performers, both vocal and instrumental, who visited England, gave their concerts there." The room became a place to see successful musicians play, including Francesco Scarlatti (1719 & 1724), Francesco Geminiani (c. 1732), Gluck in 1746, Mozart (1765), Francesco Maria Veracini, Pietro Castrucci and Matthew Dubourg. For a time in the 1740s and 50s, it was the only concert room of note in the West End of London. John Hickford A 1922 source reports that "little is known" of the venue's founder, John Hickford. He was a "dancing-master in the latter part Queen Anne's reign", and his room was one of two in the west end of London with sufficient room for concerts. As artists approached him to use his room, he developed a repu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Anna Mozart
Maria Anna Walburga Ignatia Mozart (30 July 1751 – 29 October 1829), called "Marianne" and nicknamed Nannerl, was a musician, the older sister of Wolfgang Amadeus Mozart (1756–1791) and daughter of Leopold (1719–1787) and Anna Maria Mozart (1720–1778). Childhood Maria Anna (Marianne) Mozart was born in Salzburg. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and fortepianist. However, given the views of her parents, prevalent in her society at the time, it became impossible as she grew older for her to continue her career any further. According to ''New Grove'', "from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart Family Grand Tour
The Mozart family grand tour was a journey through western Europe, undertaken by Leopold Mozart, his wife Anna Maria, and their musically gifted children Maria Anna (Nannerl) and Wolfgang Theophilus (Wolferl) from 1763 to 1766. At the start of the tour the children were aged eleven and seven respectively. Their extraordinary skills had been demonstrated during a visit to Vienna in 1762, when they had played before the Empress Maria Theresa at the Imperial Court. Sensing the social and pecuniary opportunities that might accrue from a prolonged trip embracing the capitals and main cultural centres of Europe, Leopold obtained an extended leave of absence from his post as deputy Kapellmeister to the Prince-Archbishopric of Salzburg. Throughout the subsequent tour, the children's ''Wunderkind'' status was confirmed as their precocious performances consistently amazed and gratified their audiences. The first stage of the tour's itinerary took the family, via Munich and Frankfurt, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Rondo Form
Sonata rondo form is a musical form often used during the Classical music era. As the name implies, it is a blend of sonata and rondo forms. Structure Sonata and rondo forms Rondo form involves the repeated use of a theme (sometimes called the "refrain") set in the tonic key, alternating with episodes, resulting in forms such as ABACA (the five-part rondo) or ABACADA (the seven-part rondo). In a rondo, the refrain (A) may be varied slightly. The episodes (B, C, D, etc.) are normally in a different key than the tonic. Sonata form a classical form composed of three main sections, named exposition, development, and recapitulation. A sonata may begin with an introduction, which is commonly slower than the remainder of the movement. After that, there is an exposition, whose purpose is to present the movement's main thematic material. This takes the form of one or two themes or theme groups, the second of which is commonly in a related key. The exposition may conclude with a sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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