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Sonata No. 7 (Scriabin)
The Piano Sonata No. 7, Op. 64, subtitled Messe Blanche (White Mass), was written by Alexander Scriabin in 1911. As one of the late piano sonatas of Scriabin's career, the music is highly chromatic and almost atonal. George Perle says that, "the primary set upon which the ''Seventh Sonata'' is based," is, in linear order as spelled by Scriabin, E, F, G, A, B, C, D, and that the mystic chord may be derived from the quartal spelling of this set (with D and without G). Background The ''White Mass'' is closely related to its predecessor, the sixth sonata. Both works were written in 1911–12 and have structurally and stylistically more in common than any other pair of Scriabin sonatas.(1994), Taub notes, p. 6 Scriabin reportedly feared the sixth sonata, considering the work to be corrupted by demonic forces and going so far as to refuse to play the work in public.(1997), Ashkenazy notes, p. 6 Scriabin composed his seventh sonata as an exorcism against the darknes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Taub
Robert Taub (born 1955) is a concert pianist, recording artist, scholar, author, and entrepreneur. Raised in Metuchen, New Jersey, Taub graduated from Metuchen High School in 1973.Tufaro, Greg"Metuchen 'welcomes back' alumni for Hall of Fame nominations" ''Courier News'', July 26, 2015. Accessed March 6, 2022. "Some of the school's most prominent graduates have had or are still enjoying successful careers in the arts. They include... Robert Taub (Class of 1973), an internationally acclaimed concert pianist..." Performing arts career Taub is a concert pianist renowned for his performances of Beethoven and contemporary music. He has performed as guest soloist with the world's leading orchestras, including the MET Orchestra in Carnegie Hall, the Boston Symphony Orchestra, BBC Philharmonic, The Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, the Hong Kong Philharmonic Orchestra, and many others. As winner of the first Peabody Mason Award (1983), his debu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (russian: Влади́мир Дави́дович Ашкена́зи, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is an internationally recognized solo pianist, chamber music performer, and conductor. He is originally from Russia and has held Icelandic citizenship since 1972. He has lived in Switzerland since 1978. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him five Grammy awards and Iceland's Order of the Falcon. Early life Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthetic Chord
In music theory and harmonic analysis, a synthetic chord is a made-up or non-traditional (synthetic) chord (collection of pitches) which cannot be analyzed in terms of traditional harmonic structures, such as the triad or seventh chord. However, synthetic chords originated not with Roslavets but with musicologist Sabaneev and his study of composer Scriabin's ''Prometheus'' published in 1910.Hakobian, Levon (1998). ''Music of the Soviet Age, 1917-1987'', p.26-7. . See: Mystic chord. For example, if a composer uses a synthetic scale as the basis for a passage of music and constructs chords from its tones, in much the same way that a tonal composer may use a major or minor scale's notes to build harmonies, then the resulting chords may be synthetic chords and referred to as such. Some synthetic chords may be analyzed as traditional chords, including the Prometheus chord, which may be analyzed as an altered dominant chord. An example of a synthetic chord would be the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sviatoslav Richter
Sviatoslav Teofilovich Richter, group= ( – August 1, 1997) was a Soviet classical pianist. He is frequently regarded as one of the greatest pianists of all time, Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire." Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied at the Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she studied under her future husband. In 1918, when Richter's parents were in Odessa, the Civil War separated them from their son, and Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Sofronitsky
Vladimir Vladimirovich Sofronitsky (or Sofronitzky; russian: Влади́мир Влади́мирович Софрони́цкий, ''Vladimir Sofronitskij''; – August 29, 1961) was a Soviet-Russian classical pianist, best known as an interpreter of Alexander Scriabin and Frédéric Chopin. His daughter is the Canadian pianist Viviana Sofronitsky. Biography Vladimir Sofronitsky was born in St. Petersburg. His father was a physics teacher and his mother came from an artistic family. In 1903, his family moved to Warsaw, where he started piano lessons with Anna Lebedeva-Getcevich (a student of Nikolai Rubinstein), and later (at the age of nine) with Aleksander Michałowski. From 1916 to 1921, Sofronitsky studied in the Petrograd Conservatory under Leonid Nikolayev, where Dmitri Shostakovich, Maria Yudina, and Elena Scriabina, the eldest daughter of Alexander Scriabin (who had died in 1915), were among his classmates. He met Scriabina in 1917 and married her in 1920. He had pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Horowitz
Vladimir Samoylovich Horowitz; yi, וולאַדימיר סאַמוילאָוויטש האָראָוויץ, group=n (November 5, 1989)Schonberg, 1992 was a Russian-born American classical pianist. Considered one of the greatest pianists of all time, he was known for his virtuoso technique, tone color, and the public excitement engendered by his playing. Life and early career Horowitz was born on October 1, 1903, in Kiev, then in the Russian Empire (now Ukraine). There are unsubstantiated claims that he was born in Berdichev (a city near Zhitomir in Volhynian Governorate), but his birth certificate unequivocally states that Kiev was his birthplace. He was the youngest of four children of Samuil Horowitz and Sophia Bodik, who were assimilated Jews. His father was a well-to-do electrical engineer and a distributor of electric motors for German manufacturers. His grandfather Joachim was a merchant (and an arts-supporter), belonging to the 1st Guild, which exempted him from ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonid Sabaneyev
Leonid Leonidovich Sabaneyev or Sabaneyeff or Sabaneev (russian: Леони́д Леони́дович Сабане́ев) (3 May 1968) was a Russian musicologist, music critic, composer and scientist. He was the son of Leonid Pavlovich Sabaneyev, a famous hunting expert, and his brother Boris was also a musician. Biography Leonid Sabaneyev was born in Moscow in 1881 and his musical studies were under Nikolai Rimsky-Korsakov, Sergei Taneyev, Nikolai Zverev and Paul de Schlözer at the Moscow Conservatory. He graduated in mathematics and physics from Moscow University in 1908. He wrote some early works, such as incidental music to ''King Oedipus'' (1889), a ''Funeral March in Memory of Beethoven'', two trios (including a Trio-Impromptu for violin, cello and piano, Op. 4), piano pieces (including a Piano Sonata, Op. 15) and songs. He then made a special study of Alexander Scriabin, and became an authority on that composer (see synthetic chord). His first book on Scriabin was pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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