Somethin's Burnin'
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Somethin's Burnin'
''Somethin's Burnin'' is an album by jazz guitarist Peter Bernstein that was released by Criss Cross Jazz in 1994. Track listing Personnel * Peter Bernstein – guitar * Brad Mehldau – piano * John Webber – double bass * Jimmy Cobb Wilbur James "Jimmy" Cobb (January 20, 1929May 24, 2020) was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the band's last surviving member for nearly thirty years. He was a ... – drums References {{Authority control 1994 albums Peter Bernstein albums Criss Cross Jazz albums ...
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Peter Bernstein (guitarist)
Peter Andrew Bernstein (born September 3, 1967) is an American jazz guitarist. Biography Born in New York City on September 3, 1967, Bernstein began playing piano when he was eight but switched to guitar when he was thirteen, learning the instrument primarily by ear. He studied jazz at Rutgers University with Ted Dunbar, and Kenny Barron. While a student at the New School in New York City, he met guitarist Jim Hall, who offered him a job performing at the JVC Jazz Festival in 1990. He then appeared on albums with Jesse Davis, Lou Donaldson, Larry Goldings, Michael Hashim, Geoff Keezer, and Melvin Rhyne. He released his first album as a leader with pianist Brad Mehldau. He has also worked with Jimmy Cobb, Tom Harrell, Diana Krall, Lee Konitz, Eric Alexander, Joshua Redman, Dr. Lonnie Smith, and Walt Weiskopf. In 2008, Bernstein became part of the Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. The group recorded the album ''Mosai ...
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Isn't This A Lovely Day?
"Isn't This a Lovely Day?" is a popular song written by Irving Berlin for the 1935 film ''Top Hat'', where it was introduced by Fred Astaire in the scene where his and Ginger Rogers' characters are caught in a gazebo during a rainstorm. The lyric is an example of a song which turns a bad situation into a love song, a common style for Irving Berlin, as in I've Got My Love to Keep Me Warm and Let's Have Another Cup of Coffee. Notable recordings *Fred Astaire recorded the song on three occasions. His 1935 version was assessed as reaching the No. 3 spot in the charts of the day. In 1953, he included the song in his album ''The Astaire Story''. His final recording was in 1975 and the song was included in the album ''The Golden Age Of Fred Astaire''. *Tony Bennett - ''Bennett/Berlin'' (1987) *Petula Clark - (1961) *Bing Crosby on the 1965 album Bing Crosby's Treasury - The Songs I Love *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Ella Fitzgerald and Lo ...
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1994 Albums
This is a list of notable events in music that took place in the year 1994. Specific locations * 1994 in British music * 1994 in Norwegian music Specific genres *1994 in country music * 1994 in heavy metal music * 1994 in hip hop music * 1994 in Latin music * 1994 in jazz Events January–February *January 19 – Bryan Adams becomes the first major Western music star to perform in Vietnam since the end of the Vietnam War. *January 21–February 5 – The Big Day Out festival takes place, again expanding from the previous year's venues to include the Gold Coast, Queensland and Auckland in New Zealand. The festival is headlined by Soundgarden, Ramones and Björk. *January 25 – Alice in Chains release their ''Jar of Flies'' album which makes its US chart debut at No. 1 on the Billboard 200, becoming the first ever EP to do so. *January 29 – The Supremes' Mary Wilson is injured when her Jeep hits a freeway median and flips over just outside Los Angeles, USA. Wilson's 14-y ...
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Jimmy Cobb
Wilbur James "Jimmy" Cobb (January 20, 1929May 24, 2020) was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the band's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009. Early life Cobb was born in Washington, D.C. on January 20, 1929. Before he began his music career, he listened to jazz albums and stayed awake into the late hours of the night in order to listen to Symphony Sid broadcasting from New York City. Raised Catholic, he was also exposed to Church music. Cobb started his touring career in 1950 with the saxophonist Earl Bostic. He subsequently performed with vocalist Dinah Washington, pianist Wynton Kelly, saxophonist Cannonball Adderley, bassist Keter Betts, Frank Wess, Leo Parker, and Charlie Rouse. His website also recounts his gigs with Billie Holiday, Pearl Bailey, and Dizzy Gillespie that took place before 1957. Career Cobb joined Miles Da ...
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John Webber (musician)
John Robert Webber (born August 5, 1965) is an American jazz double-bassist. Early life and education Webber was born in St. Louis. He first learned to play bass guitar before switching to stand-up bass at age 15. He attended Northern Illinois University and Roosevelt University in Chicago, where he worked with Von Freeman and Brad Goode. Career Webber relocated to New York City in 1987 and played with Bill Hardman, Junior Cook, Tardo Hammer, John Marshall, and Michael Weiss before the end of the decade. In the 1990s he played with Christopher Hollyday, Johnny Griffin, Jimmy Cobb, Lou Donaldson, David Hazeltine, Diana Krall, Annie Ross, Mike LeDonne, Peter Bernstein, Eric Alexander, Chris Flory, Doug Lawrence, Etta Jones, Jim Rotondi, Ryan Kisor, and Horace Silver. Discography As sideman With Eric Alexander *'' Straight Up'' (Delmark, 1992) *'' Mode for Mabes'' (Delmark, 1997) *''Summit Meeting'' (Milestone, 2001) *'' Dead Center'' (HighNote, 2004) *''Sunday in New Y ...
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Brad Mehldau
Bradford Alexander Mehldau (; born August 23, 1970) is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, and toured and recorded while still a student. He was a member of saxophonist Joshua Redman's Quartet with bassist Christian McBride and drummer Brian Blade in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released a dozen albums under the pianist's name. Since the early 2000s, Mehldau has experimented with other musical formats in addition to trio and solo piano. '' Largo'', released in 2002, contains electronics and input from rock and classical musicians. Later examples include: touring and recording with guitarist Pat Metheny; writing and playing song cycles for classical singers Renée Fleming, Anne Sofie von Otter, and Ian Bostridge; composing orchestral pieces for 2009's ''Hig ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song "The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after ''The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the a ...
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