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Someplace Else Now
The discography of American singer-songwriter Lesley Gore Lesley Sue Goldstein (May 2, 1946 – February 16, 2015), known professionally as Lesley Gore, was an American singer, songwriter, actress, and activist. At the age of 16, she recorded the pop music, pop hit "It's My Party (Lesley Gore song), I ... consists of 13 studio albums, 6 compilation albums, and 37 singles. Albums Studio albums Compilation albums Singles Notes References {{Lesley Gore Gore, Leslie Gore, Leslie ...
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Lesley Gore
Lesley Sue Goldstein (May 2, 1946 – February 16, 2015), known professionally as Lesley Gore, was an American singer, songwriter, actress, and activist. At the age of 16, she recorded the pop music, pop hit "It's My Party (Lesley Gore song), It's My Party", a US number one in 1963. She followed it up with ten further ''Billboard (magazine), Billboard'' top 40 hits including "Judy's Turn to Cry" and "You Don't Own Me". Gore later worked as an actress and television personality. She composed songs with her brother Michael Gore for the 1980 film ''Fame (1980 film), Fame'', for which he won an Academy Awards, Academy Award. She hosted several editions of the LGBT-oriented public television show, ''In the Life'', on American TV in the 2000s. Early life Gore was born Lesley Sue Goldstein in Brooklyn, New York City, into a middle-class Jewish family. The daughter of Leo Goldstein and Ronny Gore, her father was the owner of Peter Pan, a children's swimwear and underwear manufacturer, ...
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It's My Party
"It's My Party" is a song by American singer-songwriter Lesley Gore from her debut studio album ''I'll Cry If I Want To'' (1963). It was released as the lead single from the album on April 5, 1963, by Mercury Records. The song was collectively written by Herb Wiener, John Gluck Jr., and Wally Gold, while production was helmed by Quincy Jones. Theme The song lyrically portrays the discomfort of a teenage girl at her birthday party when her boyfriend Johnny disappears, only to return in the company of Judy, another girl, who is "wearing his ring", to indicate he has replaced the birthday girl as his love interest. "It's My Party" is in the key of A major. The song's effectiveness is enhanced by several musical touches that producer Quincy Jones incorporated, including Latin-sounding rhythms, double tracked vocals, and effective horn parts. Allmusic critic Jason Ankeny wrote of the song, It's My Party' remains one of the most vivid evocations of adolescent heartbreak ever waxe ...
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You Don't Own Me
"You Don't Own Me" is a popular song written by Philadelphia songwriters John Medora, John Madara and David White (musician), David White and recorded by Lesley Gore in 1963, when Gore was 17 years old. The song was Gore's second most successful recording and her last top-ten single. On November 27, 2016, along with 24 other songs, the Grammy Hall of Fame announced its induction. The song was shocking in 1963 for its anti-patriarchal stance, showing the power of one woman to deny the wishes of a man. Since then, the song has been hailed as an early feminist anthem. In 2015, singer Saygrace took Gore's song to 1 in Australia with a version featuring rapper G-Eazy. Background The song expresses emancipation, as the singer tells a lover that he does not own her, that he isn't to tell her what to do or what to say, and that he is not to put her on display. The song's lyrics became an inspiration for younger women and are sometimes cited as a factor in the second wave feminist ...
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She's A Fool
"She's a Fool" is a song written by Mark Barkan and Ben Raleigh that was originally recorded by Lesley Gore in 1963; it appeared as a single and on the album '' Lesley Gore Sings of Mixed-Up Hearts''. Quincy Jones was the producer. Background The lyrics of "She's a Fool" tell of a romantic triangle. The singer is upset that the boy she likes is being treated poorly by his current girlfriend. Allmusic critic Richie Unterberger believes that the tune's success was crucial to Gore's career because it was dissimilar lyrically and musically from the two singles with crying themes that preceded it, and thus she was able to avoid being typecast. Unterbeger praises the song as "a good girl-group single," and remarks on its "light jazzy swing" and catchy melody. The production incorporates handclaps, tympani, Piano, drums, strings, and female backup singers, as well as what Unterberger describes as "low, grumbled responsive male vocals that followed Gore's declaration of "she's a ...
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Judy's Turn To Cry
"Judy's Turn to Cry" is a song written by Beverly Ross and Edna Lewis that was originally released by Lesley Gore in 1963. The song is the sequel to Gore's prior hit "It's My Party (Lesley Gore song), It's My Party", and both songs were produced by Quincy Jones. It was released on Gore's first album ''I'll Cry If I Want To'' and also as a single which reached No. 5 on the Billboard Hot 100, ''Billboard'' Hot 100 chart and No. 10 on the Hot R&B/Hip-Hop Songs, Billboard R&B singles chart. The single earned a gold record. Background When "It's My Party" entered the Billboard Hot 100 on May 11, 1963, Gore's label, Mercury Records rushed to record a sequel. The sequel, "Judy's Turn to Cry," was recorded on May 14, 1963. In "It's My Party," the singer was in tears because her boyfriend Johnny left with her best friend Judy. In "Judy's Turn to Cry," the singer kisses another boy at another party in order to make Johnny jealous and Johnny hits the other boy and returns to her. In th ...
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It's My Party (Lesley Gore Song)
"It's My Party" is a song by American singer-songwriter Lesley Gore from her debut studio album ''I'll Cry If I Want To'' (1963). It was released as the lead single from the album on April 5, 1963, by Mercury Records. The song was collectively written by Herb Wiener, John Gluck Jr., and Wally Gold, whilst production was helmed by Quincy Jones. Theme The song lyrically portrays the discomfort of a teenage girl at her birthday party when her boyfriend Johnny disappears, only to return in the company of Judy, another girl, who is "wearing his ring", to indicate he has replaced the birthday girl as his love interest. "It's My Party" is in the key of A major. The song's effectiveness is enhanced by several musical touches that producer Quincy Jones incorporated, including Latin-sounding rhythms, double tracked vocals, and effective horn parts. Allmusic critic Jason Ankeny wrote of the song, It's My Party' remains one of the most vivid evocations of adolescent heartbreak ever waxed ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it was ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ...
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