|
Solo Guitar (Derek Bailey Album)
''Solo Guitar'' (later referred to as ''Volume 1'') is a solo album by guitarist Derek Bailey which was recorded in London in February 1971 and became the second release by Incus. A revised version of this album with alternative improvisations was released as ''Solo'' in 1978. In 1995 a CD version incorporating improvisations from the original and revised LPs was released. accessed 5 May 2016 Reception The review by Brian Olewnick called it "required listening for any self-respecting Derek Bailey fan and a fascinating, complex, and ultimately delicious disc on its own merits... one of the landmark early albums of English free improvisation" and states "No one, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derek Bailey (guitarist)
Derek Bailey (29 January 1930 – 25 December 2005) was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company. Career Bailey was born in Sheffield, England. A third-generation musician, he began playing guitar at the age of ten. He studied with Sheffield City organist C. H. C. Biltcliffe, an experience he disliked, and with his uncle George Wing and John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, and dance hall bands, playing with Morecambe and Wise, Gracie Fields, Bob Monkhouse, Kathy Kirby, and on the television program '' Oppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Breuker
Willem Breuker (4 November 1944 – 23 July 2010) was a Dutch bandleader, composer, arranger, saxophonist, and clarinetist. Career During the mid 1960s, he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Instant Composers Pool (ICP), with which he regularly performed until 1973. He was a member of the Globe Unity Orchestra and the Gunter Hampel Group. In 1974, he began leading the 10-piece Willem Breuker Kollektief, which performed jazz in a theatrical and often unconventional manner, drawing elements from theater and vaudeville. With the group, he toured Western Europe, Russia, Australia, India, China, Japan, the United States, and Canada. In 1974, he founded the record label BV Haast. Beginning in 1977, he organized the annual Klap op de Vuurpijl (Top It All) festival in Amsterdam. Haast Music Publishers, which he also operated, published his scores. In 1992, Editions de Limon published the book ''Willem Breuker'' by J. and F. Buzelin in Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incus Records Albums
The ''incus'' (plural incudes) or anvil is a bone in the middle ear. The anvil-shaped small bone is one of three ossicles in the middle ear. The ''incus'' receives vibrations from the ''malleus'', to which it is connected laterally, and transmits these to the ''stapes'' medially. The ''incus'' is so-called because of its resemblance to an anvil ( la, Incus). Structure The incus is the second of the ossicles, three bones in the middle ear which act to transmit sound. It is shaped like an anvil, and has a long and short crus extending from the body, which articulates with the malleus. The short crus attaches to the posterior ligament of the incus. The long crus articulates with the stirrup at the lenticular process. The superior ligament of the incus attaches at the body of the incus to the roof of the tympanic cavity. Function Vibrations in the middle ear are received via the tympanic membrane. The malleus, resting on the membrane, conveys vibrations to the incus. This in turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation Albums
Free may refer to: Concept * Freedom, having the ability to do something, without having to obey anyone/anything * Freethought, a position that beliefs should be formed only on the basis of logic, reason, and empiricism * Emancipate, to procure political rights, as for a disenfranchised group * Free will, control exercised by rational agents over their actions and decisions * Free of charge, also known as gratis. See Gratis vs libre. Computing * Free (programming), a function that releases dynamically allocated memory for reuse * Free format, a file format which can be used without restrictions * Free software, software usable and distributable with few restrictions and no payment * Freeware, a broader class of software available at no cost Mathematics * Free object ** Free abelian group ** Free algebra ** Free group ** Free module ** Free semigroup * Free variable People * Free (surname) * Free (rapper) (born 1968), or Free Marie, American rapper and media person ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Guitar
An acoustic guitar is a musical instrument in the string family. When a string is plucked its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is ''guitar'', and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4. Guitar strings may be plucked individually with a pick (plectrum) or fingertip, or strummed to play chords. Plucking a string causes it to vibrate at a fundamental pitch determined by the string's length, mass, and tension. (Overtones are also pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavin Bryars
Richard Gavin Bryars (; born 16 January 1943) is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music. Early life and career Born on 16 January 1943 in Goole, in the East Riding of Yorkshire, England, Bryars studied philosophy at Sheffield University but became a jazz bassist during his three years as a philosophy student. The first musical work for which he is remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. The trio began by playing relatively traditional jazz – they toured with saxophonist Lee Konitz in 1966 – before moving into free improvisation. Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner that seemed to him to be artificial, and he abandoned improvisation, becoming interested in composition instead. In 1998 the trio reformed briefly, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Misha Mengelberg
Misha Mengelberg (5 June 1935 – 3 March 2017) was a Dutch jazz pianist and composer.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 459. Oxford University Press. A prominent figure in post-WWII European Jazz, Mengelberg is known for his forays into free improvisation, for bringing humor into his music, and as a leading interpreter of songs by fellow pianists Thelonious Monk and Herbie Nichols. Biography Mengelberg was born in Kiev, Ukrainian SSR, the son of the Dutch conductor (born Karel Willem Joseph Mengelberg; 18 July 1902, Utrecht – 11 July 1984, Amsterdam) and grand-nephew of conductor Willem Mengelberg. Karel Mengelberg was a Dutch composer and conductor, who worked in Berlin, Barcelona, Kiev and Amsterdam. A notable work of his was 'Catalunya Renaixent', written for the Banda Municipal of Barcelona in 1934. Misha's family moved back to the Netherlands in the late 1930s and he began learning the piano at age five. Mengelberg b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
