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Solitude Nomade
''Solitude Nomade'' is the first solo album of Christine Ott, ondist (Ondes Martenot player) and pianist. The album is composed of instrumental tracks, in which the Ondes Martenot are the key instrument. (''Pensées sauvages'', ''Tropismes'', ''Déchirures''...). It was recorded with the help of 15 separate collaborators, including Yann Tiersen, Anne-Gaëlle Bisquay, François Pierron, Thierry Balasse, Eric Groleau, Monique Pierrot, Marc Sens, Ophir Lévy. on ''Christine Ott'' website Track listing All music and lyrics are written by # ''Pensées sauvages'' - 3:38 # ''Tropismes'' - 4:35 # ''L'autre rive'' - 5:15 # ''Chemin vert'' - 6:48 # ''Tête à l'envers'' - 3:03 # ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Ott
Christine Ott (born 10 August 1963) is a French pianist, vocalist, ondist, , on de London philharmonia website, music by Christine Ott and composer. She was a member of 's band for eight years and played in classical orchestras for ten. She has collaborated with , , and |
Crossover (music)
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a " Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular and folk music, also called "vernacular music"). Many cultures have art music traditions; in the Western world the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music descending from the tradition of Western classical music. Musicologist Phi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tôt Ou Tard
Tôt ou Tard (stylized as tôt Ou tard) is an independent French record label. It was founded in 1996 as a break-off from Warner Music Group, and turned independent in 2002. The name of the label can be translated as "Sooner or later" in French. Vincent Frèrebeau heads the label, which has about thirty bands and artists signed to it (in 2005). In 2011, Wagram Music acquired a stake in the label and became its exclusive distributor. In September 2018, Wagram Music sold a 49% stake in Tôt ou Tard to Believe Digital. Artists signed * Adé * Constance Amiot * Dick Annegarn * François Audrain * Mathieu Boogaerts * Françoiz Breut * Cats on Trees * Da Silva * Vincent Delerm * Fabulous Trobadors * Piers Faccini * Mohamed Fellag * Thomas Fersen * Ben Howard * Agnès Jaoui * Seun Kuti * Lisa LeBlanc * Luce * Fabrice Luchini * Franck Monnet * Erza Muqoli * Yael Naim * Shaka Ponk * Roseaux * Albin de la Simone * Têtes Raides * Vianney * Peter von Poehl * Patrick Watson * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Only Silence Remains
# ''À mes étoiles'' - 3:38
# ''Szczecin'' - 4:35
# ''Sexy Moon'' - 5:15
# ''Raintrain'' - 6:48
# ''No memories'' - ...
''Only Silence Remains'' is the second solo album by Christine Ott. It is an album of great variety, instrumental (except the last track ''Disaster'' with the spoken voice of Casey Brown), from modern-classic to experimental music. Her approach on this album creates a space where the piano is the focal point and is accompanied by Ondes Martenot, harmonium, tubular bells, percussions and vintage keyboards. The album is linked to two original performances of the artist ; ''24 heures de la vie d'une femme'' and the live soundtrack ''Tabu''. Track listing All music and lyrics are written by Christine Ott Christine Ott (born 10 August 1963) is a French pianist, vocalist, ondist, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yann Tiersen
Yann Tiersen (born 23 June 1970) is a French Breton musician and composer. His musical career is split between studio recordings, music collaborations and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers and the violin, but also instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion or even typewriter. Tiersen is often mistaken for a soundtrack composer; as he is quoted about himself: "I'm not a composer and I really don't have a classical background," but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film ''Amélie''. Biography and career The early years: 1970–1992 Tiersen was born in 1970 in Brest, in the department of Finistère, part of Brittany in northwestern France, into a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Debut Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
