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Soliloquy (McCoy Tyner Album)
''Soliloquy'' is a 1991 album by McCoy Tyner released by Blue Note Records. Like '' Revelations'' (1987) and ''Things Ain't What They Used to Be'' (1989) ''Soliloquy'' was recorded at Merkin Hall without an audience and features solo performances by Tyner. The AllMusic review by Scott Yanow states that "McCoy Tyner always sounds in prime form and these diverse songs bring out the best in his passionate style. Highly recommended."Yanow, S. AllMusic Reviewaccessed March 3, 2009. Track listing All compositions by McCoy Tyner except where indicated # "Crescent" (John Coltrane) – 5:02 # "Española" – 3:58 # " All the Things You Are" ( Oscar Hammerstein II, Jerome Kern) – 4:15 # "Twilight Mist" – 5:15 # "Willow Weep for Me" (Ann Ronell) – 5:39 # "Lonnie's Lament" (Coltrane) – 6:00 # "Tivoli" (Dexter Gordon) – 4:35 # "Tribute to Lady Day" – 4:45 # "I Should Care" (Sammy Cahn, Axel Stordahl, Paul Weston Paul Weston (born Paul Wetstein; March 12, 1912 – September 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. In the eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1992 Albums
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouncing With Bud
Bouncing with Bud (also known as Bebop in Pastel) is a 1946 jazz standard by American pianist Bud Powell and Gil Fuller, which features the saxophone of Sonny Stitt and the trumpet of Kenny Dorham. It was originally recorded on 23 August 1946 as "Bebop in Pastel". In the key of B-flat major, the tune is a "nonblues theme whose form is A-A'-B-A' with an eight-bar interlude that is not played during the solos." Powell played the theme under the debut title "Bouncing with Bud" on 9 August 1949 for Blue Note Records with Sonny Rollins, Fats Navarro, Tommy Potter and Roy Haynes, for a recording which is often wrongly thought to be the original. He recorded a trio version as the title tune of his 1962 Delmark Records, Delmark album ''Bouncing with Bud (album), Bouncing with Bud''. Numerous other artists have covered it, including Hank Mobley with Donald Byrd for Prestige Records, Art Blakey and the Jazz Messengers on ''Paris Jam Session'' with Bud on piano, Charles McPherson (musician), Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Weston
Paul Weston (born Paul Wetstein; March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", " Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University. At Dartmouth he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and did some arrangements while he recovered. He sold his first arrangements to Joe Haymes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Axel Stordahl
Axel Stordahl (August 8, 1913 – August 30, 1963) was an American arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age. Early years Stordahl was born in Staten Island, New York, United States, to Norwegian immigrant parents. He began his career as a trumpeter in jazz bands that played around Long Island and the Catskills during the late 1920s and early 1930s. He also began arranging around this time, and in 1933 he joined Bert Bloch's orchestra in both capacities. Over the next couple of years, Stordahl sang on the side in a vocal trio dubbed the Three Esquires. Big bands In 1936, he joined Tommy Dorsey's new orchestra and soon became the band's main arranger. The same year appeared their first big hit, "I'm Getting Sentimental Over You". The tune quickly beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Should Care
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film '' Thrill of a Romance''. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 (in USA) and by EMI on the His Master's Voice labels as catalog number B 10389. The song has become a popular standard, and a jazz standard, with recordings by many artists. Notable recordings * Frank Sinatra – 1945 recording with orchestra directed by Axel Stordahl ( 78 single B-side of "When Your Lover Has Gone") * Peggy Lee – 1945 transcription recording with Dave Barbour and His Orchestra *Harry James – 1946 recording live at Meadowbrook Gardens, CA (''One Night Stand With Harry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
