|
Solar (composition)
"Solar" ( or ) is a composition written by Chuck Wayne and later recorded and copyrighted with small alterations by Miles Davis. It first appeared on Davis's 1954 album ''Miles Davis Quintet'' and is considered a modern jazz standard. Chord structure Solar is considered a blues by most listeners, and the commonly accepted chord structure for this piece is: Recordings and popularity The first released recording of the piece appeared on Davis's album ''Miles Davis Quintet'' in 1954; and then appeared on his album '' Walkin'''. It was the only time that he recorded the piece. Probably the best-known version is on pianist Bill Evans's trio album '' Sunday at the Village Vanguard'' from 1961. The composition is popular with educators and learners, partly because the structure is "both rich and succinct". Authorship The composition was copyrighted in Davis's name in 1963. However, some musicians and others believed that it had been written by Wayne, with some making the assertion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Miles Davis Gravesite
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as part of "Monsieur", with the equivalent "My Lord" in English. Traditionally, as governed by law and custom, Sir is used for men titled as knights, often as members of orders of chivalry, as well as later applied to baronets and other offices. As the female equivalent for knighthood is damehood, the female equivalent term is typically Dame. The wife of a knight or baronet tends to be addressed as Lady, although a few exceptions and interchanges of these uses exist. Additionally, since the late modern period, Sir has been used as a respectful way to address a man of superior social status or military rank. Equivalent terms of address for women are Madam (shortened to Ma'am), in addition to social honorifics such as Mrs, Ms or Miss. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Wayne
Chuck Wayne (February 27, 1923 – July 29, 1997) was an American jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman's First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett's music director and accompanist. He developed a systematic method for playing jazz guitar. Style Wayne was known for a bebop style influenced by saxophone players of his time, especially Charlie Parker and Coleman Hawkins. In an era when many guitarists used four-square, mandolin-style picking, with rigid up-down stroke articulation, Wayne developed a technique not widely adopted by others until decades later. He also developed a comprehensive approach to guitar chords and arpeggios – based on generic tetrad forms spanning all possible inversions, in varying degrees of open voicing. This highly analytic approach to the fretboard was later documented in a series of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet (album)
''Miles Davis Quintet'' (PRLP 185) is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label. Miles Ahead: A Miles Davis Website, accessed May 26, 2014 After the 10" LP format was discontinued, tracks 1 & 2 were included on Side 2 of the 12" album '''' (PRLP 7076), and track 3 was reissued on the 12" album '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walkin'
''Walkin'' (PRLP 7076) is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (''Miles Davis All-Star Sextet'' and Side One of ''Miles Davis Quintet'', dropping "I'll Remember April" from Side Two (which had been on the 12" LP ''Blue Haze'', released the previous year, itself a collection of tunes from previous 10" LPs) and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on 3 April and 29 April 1954 by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio. The earlier session was a quintet with David Schildkraut on alto saxophone, and produced the three tracks on side two. Schildkraut is the only musician not credited on the cover, and is otherwise almost unknown. Two of these tracks were originally released on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday At The Village Vanguard
''Sunday at the Village Vanguard'' is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time. History ''Sunday at the Village Vanguard'' was drawn from material recorded on June 25, 1961, at the Village Vanguard in New York City. The trio played five sets -two in the afternoon and three in the evening- each one comprising four or five numbers and lasting about half an hour.Peter Pettinger, ''Bill Evans: How My Heart Sings'' (Yale University Press, New Haven & London, (1998): p.109-114, ) This was the last performance by the Bill Evans Trio with bassist Scott LaFaro, who was killed in a car accident eleven days after the recording. Riverside had been looking for only one album from this date, but LaFaro's death changed the economics. The album was subtitled ''"Featuring Scott LaFaro"'' and was rushed out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Atlantic
''The Atlantic'' is an American magazine and multi-platform publisher. It features articles in the fields of politics, foreign affairs, business and the economy, culture and the arts, technology, and science. It was founded in 1857 in Boston, as ''The Atlantic Monthly'', a literary and cultural magazine that published leading writers' commentary on education, the abolition of slavery, and other major political issues of that time. Its founders included Francis H. Underwood and prominent writers Ralph Waldo Emerson, Oliver Wendell Holmes Sr., Henry Wadsworth Longfellow, Harriet Beecher Stowe, and John Greenleaf Whittier. James Russell Lowell was its first editor. In addition, ''The Atlantic Monthly Almanac'' was an annual almanac published for ''Atlantic Monthly'' readers during the 19th and 20th centuries. A change of name was not officially announced when the format first changed from a strict monthly (appearing 12 times a year) to a slightly lower frequency. It was a mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Berman
Saul "Sonny" Berman (April 21, 1925 – January 16, 1947) was an American jazz trumpeter. Berman was born in New Haven, Connecticut, United States. He began touring at age sixteen and performed with Louis Prima, Harry James and Benny Goodman, but is best known for his later work with Woody Herman. Berman was distinguished by his passionate and innovative soloing, and his versatility of tone—ranging from bold and emotional to sweetly muted. He was also known for his sense of humor, which often made its way into a playfulness and joyfulness found in his solo work. Sonny Berman died at the age of 21 in New York City of heart failure, caused by a drug overdose. Discography * ''Sidewalks of Cuba'' (with Woody Herman), 1946 * ''Curbstone Scuffle'', 1947 * ''Woodchopper's Holiday'', 1946 * ''Jazz Immortal 1946'', released 1954 soteric ES-532ref name="LarkinJazz"/> With Georgie Auld *''Rainbow Mist'' (Delmark, 1944 992 Year 992 ( CMXCII) was a leap year starting on Friday (link ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody Herman
Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz clarinetist, saxophonist, singer, and big band leader. Leading groups called "The Herd", Herman came to prominence in the late 1930s and was active until his death in 1987. His bands often played music that was cutting edge and experimental; their recordings received numerous Grammy nominations. Early life and career Herman was born in Milwaukee, Wisconsin, on May 16, 1913. His parents were Otto and Myrtle (Bartoszewicz) Herrmann. His mother was born in Poland. His father had a deep love for show business and this influenced Woody at an early age. As a child he worked as a singer and tap-dancer in vaudeville, then started to play the clarinet and saxophone by age 12. In 1931 he met Charlotte Neste, an aspiring actress; the couple married on September 27, 1936. Woody Herman joined the Tom Gerun band and his first recorded vocals were "Lonesome Me" and "My Heart's at Ease". Herman also performed wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
