Soho Session
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Soho Session
''Soho Session'' is a live album by the British blues band the Peter Green Splinter Group, led by Peter Green. Released in 1999, this was their third album. Green was the founder of Fleetwood Mac and a member of that group from 1967–70, before a sporadic solo career during the late 1970s and early 1980s. Recorded on 5 April 1998 at Ronnie Scott's Jazz Club, the double album featured new versions of various songs from the group's previous albums, and also some of Green's Fleetwood Mac songs. On the same night, the group's previous drummer Cozy Powell was killed in a road accident. This was the group's last album to feature bass guitarist Neil Murray. Track listing Disc one #"It Takes Time" (Otis Rush) – 5:18 #"Homework" ( Dave Clark, Al Perkins) – 3:45 #"Black Magic Woman" ( Peter Green) – 7:13 #"Indians" ( Nigel Watson) – 4:08 #"Hey Mama Keep Your Big Mouth Shut" (Ellas McDaniel) – 6:09 #"The Supernatural" (Green) – 3:37 #"Rattlesnake Shake" (Green) – 5:00 #"S ...
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Peter Green Splinter Group
The Peter Green Splinter Group were a blues band formed in 1997, fronted by guitarist and singer Peter Green. Green was the leader of Fleetwood Mac until 1970. He suffered a mental breakdown during the 1970s. He was rehabilitated with the aid of Nigel Watson, Cozy Powell and other friends, and then began touring and recording with the Splinter Group. The group was disbanded in early 2004 with Green's departure from the group – an upcoming tour was cancelled, as was the planned release of a new album. Band members * Peter Green – (vocals, lead guitar, slide guitar, harmonica) * Nigel Watson – (vocals, lead guitar, rhythm guitar) * Roger Cotton – (piano, Hammond C3, rhythm guitar) (1998–2004) * Larry Tolfree – (drums, percussion) (1997–2004) * Pete Stroud – (fretless and fretted bass guitars, double bass) (1998–2004) * Neil Murray – bass guitar (1997–98) *Cozy Powell – drums (1997) *Spike Edney Philip "Spike" Edney (born 11 December 1951) is ...
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Nigel Watson
Nigel Jerome Edwin Watson (24 September 1947 – 16 February 2019) was an English guitarist best known for his work with ex- Fleetwood Mac guitarist Peter Green. Career After Green left Fleetwood Mac in 1970, he worked with Watson on two solo singles, "Heavy Heart" and "Beasts of Burden", the latter being credited to both musicians. Watson also accompanied Green as conga player on a tour of the United States with Fleetwood Mac in February and March 1971. Jeremy Spencer had suddenly left the band and they asked Green to fill in and help them fulfil their tour obligations. Watson was at that time the brother-in-law of Fleetwood Mac's manager Clifford Davis. In 1996, Watson and Green started working together again, and Watson was influential in persuading Green to return to music after he had been musically idle for several years. They formed the Peter Green Splinter Group, and released several albums over the following few years until the group split in 2004. Green was not al ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Marshall Sehorn
Marshall Estus Sehorn (June 25, 1934 – December 5, 2006) was an American A&R man, songwriter, music publisher and entrepreneur who played an important role in the development of R&B and popular music in New Orleans between the 1950s and 1970s, particularly as the business partner of record producer Allen Toussaint. Early years He was born in Concord, North Carolina, and played guitar in local bands while attending North Carolina State University. Career After graduating, he moved to New York City in 1958, and joined the A&R staff at Bobby Robinson's Fury and Fire record labels as their Southern promotions executive.Red Kelly, ''Marshall Sehorn''
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Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, the Bro ...
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Sonny Boy Williamson II
Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II. He first recorded with Elmore James on "Dust My Broom". Some of his popular songs include " Don't Start Me Talkin'", " Help Me", "Checkin' Up on My Baby", and " Bring It On Home". He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. "Help Me" became a blues standard, and many blues and rock artists have recorded his songs. Bi ...
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Don Nix
Don Nix (born September 27, 1941, Memphis, Tennessee, United States) is an American songwriter, composer, arranger, musician, and author. Although cited as being "one of the more obscure figures in Southern soul and rock", he is a key figure in several genres of Southern rock and soul, R&B, and the blues. He played "Memphis soul" sound. Career A native of Memphis, Tennessee, Nix came from a musical family (his brother, Larry Nix, became a mastering engineer for Stax Records and for the Ardent Studios in Memphis). Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The hit instrumental single "Last Night" (composed by the band as a whole) was the first of many successful hits to Nix's credit. Without Nix, the Mar-Keys evolved into Booker T. & the M.G.'s. As a producer, Nix worked with other artists and producers, such as Leon Russell of Shelter Records; Gary Lewis and the Playboys in Dick Clark's Caravan of S ...
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The Green Manalishi
"The Green Manalishi (With the Two Prong Crown)" is a song written by Peter Green and recorded by Fleetwood Mac. It was released as a single in the UK in May 1970 and reached No. 10 on the British charts, a position it occupied for four consecutive weeks, and was the band's last UK top 10 hit until "Tusk" reached No. 6 in 1979. "The Green Manalishi" was the last song Green made with Fleetwood Mac before leaving the band. Composition The song was written during Green's final months with the band, at a time when he was struggling with LSD and had withdrawn from other members of the band. While there are several theories about the meaning of the title "Green Manalishi", Green always maintained that the song is about money, as represented by the devil. Green was reportedly angered by the other band members' refusal to share their financial gains. Green has explained that he wrote the song after experiencing a drug-induced dream in which he was visited by a green dog which barked a ...
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Terraplane Blues
"Terraplane Blues" is a blues song recorded in 1936 in San Antonio, Texas, by bluesman Robert Johnson. Vocalion issued it as Johnson's first 78 rpm record, backed with "Kind Hearted Woman Blues", in March 1937. The song became a moderate regional hit, selling up to 10,000 copies. Johnson used the car model Terraplane as a metaphor for sex. In the lyrical narrative, the car will not start and Johnson suspects that his girlfriend let another man drive it when he was gone. In describing the various mechanical problems with his Terraplane, Johnson creates a setting of thinly veiled sexual innuendo. The guitar parts in "Terraplane Blues" are similar to those in Johnson's "Stones in My Passway". References

{{Robert Johnson Robert Johnson songs 1936 songs Songs written by Robert Johnson Vocalion Records singles Song recordings produced by Don Law ...
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Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ...
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Traveling Riverside Blues
"Travelling Riverside Blues" is a blues song written by the bluesman Robert Johnson. He recorded it on June 20, 1937, in Dallas, Texas, during his last recording session. The song was unreleased until its inclusion on the 1961 Johnson compilation album ''King of the Delta Blues Singers''. Robert Johnson original version Johnson's song has a typical twelve-bar blues structure (though as is common in downhome blues of this era, the length of each verse is in fact thirteen-and-a-half bars of 4/4), played on a single guitar tuned to open G, with a slide. An alternate version was recorded the same day (and was considered lost) but was finally released officially on the 1998 reissue of King of the Delta Blues Singers. Lyrics The song is well known for the lyric "Now you can squeeze my lemon 'til the juice run down my leg", which was later used by Led Zeppelin in their song "The Lemon Song", from the album ''Led Zeppelin II''. It is likely that Johnson had taken this himself from a son ...
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Albatross (composition)
"Albatross" is a guitar-based instrumental by Fleetwood Mac, released as a single in November 1968, later featuring on the compilation albums ''The Pious Bird of Good Omen'' (UK) and '' English Rose'' (US). The piece was composed by Peter Green. Composition Santo & Johnny's "Sleep Walk" (1959) reportedly inspired Peter Green for his 1968 instrumental "Albatross", although the composition also resembles Chuck Berry's 1957 instrumental " Deep Feeling", itself derivative of the 1939 recording "Floyd's Guitar Blues" by Andy Kirk and his 12 Clouds of Joy, featuring guitarist Floyd Smith. In Green's biography elmins 1998 an early inspiration for "Albatross" was said to have been "a group of notes from an Eric Clapton solo, played slower." The composition and its arrangement suggest a relaxing sea setting, with cymbals imitating the sound of waves (Mick Fleetwood played his drum kit using timpani mallets to give a muted sound) and a dreamy solo from Green's guitar. It contains four ...
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